How different are Olga and Tatyana. Tatyana and Olga in the novel “Eugene Onegin” (School essays)

Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that appears in the reader’s imagination is like the antipode of Olga’s younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described suddenly gives way to serious intonation:

Allow me, my reader,
Take care of your older sister.
And she appears on the pages of the novel.
Not your sister's beauty,
Nor the freshness of her rosy cheeks,
She wouldn't attract anyone's attention.
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
Seemed like a stranger to the girl

This is not the heroine to whom the novel is dedicated. There is another, to whom “we willfully dedicate the tender pages of the novel.” Olga’s beauty is familiar, but Tatyana’s is different, memorable. But Pushkin still notes some kinship between the sisters. And besides the external similarity (“movement, voice, light body” is inherent in both), there is a spiritual unity between them:

...friend of many years,
Her dove is young,
Her dear confidante...

Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Pale is Tatyana’s constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatiana is still the same “old Tanya, poor Tanya” “sits unkempt, pale.” Pushkin does not give a direct description of Tatyana’s appearance, does not compare himself to a painter with his specific image of an object, but “relying on a specific force, conveys the impression made by the object.” The poet creates an image using a method inherent only in verbal art. The image is conveyed through impressions, sensations, and the attitude of the author. 3. The time has come, she fell in love.

The image of the moon in “Eugene Onegin” is inextricably linked with the internal experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side,
She trembled and turned pale.”
Illuminated by the moon,
Tatiana writes a letter to Onegin.
And my heart ran far
Tatyana, looking at the moon...
Suddenly a thought appeared in her mind...
...the moon is shining on her.
Leaning on her elbows, Tatyana writes.

Tatyana writes without a lamp. State of mind takes her far from the world of reality that daylight generates. This is the highest degree of abstraction.
Tatiana's letter is in front of me;
I cherish it sacredly,
I read with secret longing
And I can’t read enough.

It should be noted that Tatiana’s letter is a translation from French. Writing in French and thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers of Pushkin’s work, in particular Lotman, argue that “a whole series of phraseological clichés go back to Rousseau’s “New Heloise.” For example, “This is the will of heaven; I’m yours,” “...The soul of inexperienced excitement. Coming to terms with time (who knows?).” Pushkin defines such clichés as Gallicisms:
Gallicisms will be sweet to me,
Like the sins of past youth,
Like Bogdanovich's poems.

In addition to the influence of “Heloise” by Rousseau, Tatiana may have read poetry by the French poetess. Tatyana understands what she is dooming herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century, it was a shame to write to a young stranger declaring your love. But Tatyana writes with a firm hand, this is her choice. She always decides her own destiny. Subsequently, the decision about the wedding and moving to Moscow depended only on her.

me with tears of spells
The mother begged; for poor Tanya
All the lots were equal... The mother did not order, but begged. Tatyana is sure that after reading the letter, Evgeny will not reject her: “Even if you keep a drop of pity, you will not leave me.” So, she knew that they would love her. Intuition? Or is it not confidence at all, but hope, a prayer. Belinsky will say: “Onegin did not recognize his soul mate; Tatyana recognized her own soul in him, not as in its full manifestation, but as in its potential...” Tatyana guessed about this possibility. At the beginning of the letter, Tanya’s self-evident unity with her loved ones appears in childish innocence. Yes, Tatyana saw Eugene briefly, several times, she listened to him carefully, but is this enough for the emergence of real high love? Who is this stranger to whom Tanya turns to you? He is much older than the 18-year-old heroine, he was raised in the capital. She's right:

In the wilderness, in the village, everything is boring for you.
She can only “Think everything, think about one thing
And day and night until we meet again.

The main character of A.S. Pushkin’s novel “Eugene Onegin” is a nobleman, an aristocrat. It is directly connected with modernity, with the real circumstances of Russian reality and with the people of the 1820s. Onegin is familiar with the Author and some of his friends....

The letters of Tatiana and Onegin stand out sharply from the general text of Pushkin’s novel in verse “Eugene Onegin”. Even the author himself gradually highlights them: an attentive reader will immediately notice that there is no longer a strictly organized “Onegin stanza”, but a noticeable...

“Despite the fact that the novel bears the name of its hero, there is not one, but two heroes in the novel: Onegin and Tatyana,” V. G. Belinsky rightly wrote in one of his articles about “Eugene Onegin.” It was the feelings of Tatiana and Evgeny that became the plot core of the work...

Evgeny Onegin, main character novel of the same name in the verses of A. S. Pushkin, is depicted as a young rake, meeting the criteria of the world, dandy not only in clothes, but also in lifestyle. But secular society does not suit Onegin; it outrages his critical...

Alexander Sergeevich Pushkin is the greatest Russian realist poet. His best work, in which “all his life, all his soul, all his love; his feelings, concepts, ideals” is “Eugene Onegin”. A.S. Pushkin in his novel “Eugene Onegin” asks and tries to answer the question: what is the meaning of life? He sets out to give a realistic portrayal of a young man in secular society. The novel reflects recent years the reign of Alexander I and the beginning of the reign of Nicholas I, the time of the rise of the social movement after Patriotic War 1812.

The basis of the novel was the love story of Evgeny Onegin and Tatyana Larina. Tatyana how main character most perfect among the rest female images. She was Pushkin’s favorite heroine, his “sweet ideal.”

Pushkin put all the features of a Russian girl into the image of Tatyana. This is kindness, readiness for selfless acts in the name of loved ones, that is, all those traits that are inherent in a Russian woman. The formation of these traits in Tatiana occurs on the basis of “legends of common folk antiquity,” beliefs, and tales. No less influence on the development of her character is exerted by romance novels, which described romantic feelings, ideal and sincere love. And Tatyana believed all this. Therefore, Evgeny Onegin, who appeared in their house, became the subject of romantic dreams for her. Only in him did she see all the qualities that she had read about in novels.

Tatyana speaks about the depth of her feelings in a letter to Onegin. In it, she opens her soul and completely puts herself “into the hands” of Eugene, relying on his honor and nobility. But a sharp rebuke and a dismissive attitude towards her shatter her dreams. Tatiana accepts the cruel reality without objection, although her love for Evgeniy does not go away after this, but flares up more and more. Thanks to the nanny, Tatyana believed in all sorts of omens and fortune telling:

Tatyana believed the legends

Of common folk antiquity,

And dreams, and card fortune-telling,

And the predictions of the moon,

She was worried about signs;

All objects are mysterious to her

They proclaimed something.

Therefore, in order to find out her fate, Tatyana decides to tell fortunes. She has a dream that doesn't quite, but defines further development events.

After tragic death Lensky, trying to understand Evgeny Onegin, Tatyana begins to visit his house.

Having gone to Moscow to visit her aunt, Tatyana tries to forget Onegin and stop loving him, goes to balls and evenings. She is no longer interested in her own fate, so she agrees to marry a noble and rich man whom her parents chose as her wife. Having become a noble secular lady, she did not receive joy and satisfaction and remained a “simple maiden.” Returning from his travels, Eugene Onegin, seeing Tatiana, suddenly realizes that he made a mistake by rejecting her. Love awakens in him, and he confesses to her. And Tatyana understands that she also committed a rash act by marrying someone else:

And happiness was so possible

Yes, close!..

But she consciously refuses possible happiness:

But I was given to someone else

I will be faithful to him forever.

In the novel "Eugene Onegin" there are two heroines: Tatyana and Olga Larina. Of course, the main one is Tatiana, and Olga is contrasted with her.

Olga is very pretty, she is beautiful, sweet (“Sweet as the kiss of love, eyes like the blue sky; smile, flaxen curls, movements, light figure.”).

We cannot describe the exact image of Tatyana, Pushkin seems to tell us that everyone has their own image of Tatyana, but we understand that she is not as beautiful as Olga (“Neither with the beauty of her sister, nor with the freshness of her rosy cheeks. Would she have attracted the eyes ").

As for the soul, the inner world, everything is different here. Olga’s spiritual world is poor, monotonous and shallow, because she very rarely picks up a book; in fact, it’s not her soul, but an album that all noble ladies have (“Of course, you’ve seen it more than once. The district young lady’s album that all her girlfriends got dirty.

From the end, from the beginning and all around...").

Tatiana’s spiritual world is very rich and deep, because she spends all her free time reading books, reading French authors (“She liked novels early; They replaced everything for her; She fell in love with deceptions. And Richardson and Rousseau.”). But especially her inner world is revealed in the letter she writes to Onegin (“I’m writing to you - what more? What else can I say?...”).

If we talk about her attitude to life, then Olga is satisfied with the life she lives (balls, conversations, idleness).

Tatyana, on the contrary, does not like social life. She doesn’t like either balls or idleness, so she tries to wait out the celebrations in a quiet corner.

In love, Olga is flighty, she does not know how to love deeply, with all her heart. Olga Larina, like a match, quickly lights up and quickly goes out. Lensky died, Olga cried for a day and continued to flirt.

Tatiana is again the complete opposite of Olga. She cannot love halfway, she loves only with all her heart, with all her soul. But her whole problem is that she cannot control her feelings, and this destroys her, makes her weak. Even after realizing that Onegin is not such a good person, Tatyana does not stop loving him.

The author treats his characters differently. Tatyana is Pushkin’s ideal, his love. The author is lenient towards her, he asks readers to forgive Tatyana for her excessive openness and carelessness. The author sympathizes with his hero because of unrequited love.

So, Olga and Tatyana are two images that have many differences, although they were born in the same family and sisters, but their different social circles and the attention of their parents helped each hero to reveal themselves in their own way.

Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin"

The work of A.S. Pushkin "Eugene Onegin" tells about two completely different girls - Tatyana and Olga.

Olga is a cheerful, modest, cheerful girl. She is an obedient daughter, her parents love her very much. Lensky is madly in love with Olga. She reciprocates his courtship, but her love is fickle. When Lensky died, she did not grieve for long and soon got married.

Tatyana, on the contrary, is sad, silent, very withdrawn into herself. She is not like other girls. While everyone was embroidering, filling out albums, flirting with each other, Tatyana was reading novels and admiring nature. Unlike her sister, “she She seemed like a stranger to her own family. She did not settle down to caress her father or her mother." Tatyana was unrequitedly in love with Eugene for a long time. When Onegin finally realized that he loved Larina, she was already married to a noble man. Despite more preserved love for Evgeniy, Tatyana remained faithful to her husband.

In my opinion, both girls are good - they have never done anything bad to anyone. Pushkin also likes both heroines, but according to the author "... her portrait (Olga) is very sweet to me, I used to love him myself, but he tired me immensely. ..”Tayana, on the contrary, is supported by the author in every possible way, called “dear Tatyana.” Based on the above, it follows that Pushkin sympathizes with Tatyana Larina, despite, and perhaps even due to, her unusual behavior.

STATE OF MIND:

Tatyana: she was withdrawn and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked peace and solitude more, in which she found a certain comfort, which was also decorated with her dreams. She was still a child at heart. She fell in love with the “deceptions of Richardson and Rousseau” - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered like a heroine French novels, which Tatyana grew up with.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like the morning”; simple-minded, “like the life of a poet,” simple. Even her movements and voice were light, and she was characterized by “ruddy freshness.” However, Onegin believed that “Olga has no life in her features.” She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish or tragedies. “Like windy hope, playful, carefree, cheerful.” At one ball, her frivolous attitude and frivolity, quite typical of many society ladies, are especially revealed: “Barely out of diapers, a coquette, a flighty child! She knows cunning, she’s already learned to cheat.” Olga reacted quite simply to Lensky’s death: “Yawning, she cried for a short time. Alas! The young bride of her sadness is unfaithful. Another captivated her attention.” And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous description, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! Now I’m shedding tears with you.” And he admits, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”

Olga: In the very first lines of Olga’s description, Pushkin gives her a very pleasant description. However, he considers her flighty, frivolous, and eventually admits that he is very tired of her. Pushkin enclosed all her beauty in her appearance, but there was nothing left for her soul. She was not a bad person for the poet, he just saw her as empty.

COMMUNICATION, RELATIONS WITH SOCIETY:

Tatyana: The society to which her sister was drawn was alien to her. Since childhood, she “was a child herself; she didn’t want to play or jump in a crowd of children, and often sat alone silently by the window all day long.” Even in the family, she felt like she didn’t belong; she didn’t consider the interests of society similar to her own. And “from the most lullaby days, thoughtfulness is her friend.” She was not looking for other friends.

Olga: She matched secular society, was sociable, cheerful, as a child the nanny collected for Olga wide circle all her friends, they played happily. She belonged in this society, loved evenings, balls, was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like others. Even her name was used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she was often sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people.” She was an excellent dreamer.

Olga: Pushkin says that Olga is “as sweet as the kiss of love, eyes like the sky, blue, smile, flaxen curls, movements, voice, light figure - everything in Olga...” However, you will meet such a person in any novel, there are plenty of them, that’s why Pushkin was immensely tired of it. He had met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: loved fun, holidays, balls, activities of the secular youth of that time, games and amusements, entertainment, fashion, girlfriends. Raised by society, adjusted to its laws.