Portrait of Tatyana Larina in quotes. Description of Tatyana in the novel “Eugene Onegin”
Quote characteristic Tatiana Larina, quotes for the image
Tatyana Larina is the heroine of the novel in verse “Eugene Onegin”. This is a girl from the provinces, who grew up on her parents' rural estate, surrounded by nature and simple peasants.
“So, she was called Tatyana.
Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn't attract anyone's attention.
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
The girl seemed like a stranger.
She didn't know how to caress
To your father, nor to your mother;
Child herself, in a crowd of children
I didn’t want to play or jump
And often alone all day
I sat silently by the window..."
Tatyana's character is thoughtful, dreamy. Since childhood, she loves to read books, listen to the nanny's stories - instead of doing needlework, preening, twirling in front of the mirror - that is, doing what other girls do.
"Thoughtfulness, her friend
From the most lullabies of days,
The flow of rural leisure
Decorated her with dreams.
And there were children's pranks
Alien to her: scary stories
In winter in the dark of nights
They captivated her heart more..."
Young Tatyana naively believes in everything written in books. Romantic love, which novels are full of, captivates her. She herself is capable of falling in love just as deeply and just as passionately.
“She liked novels early on;
They replaced everything for her;
She fell in love with deceptions
And Richardson and Rousseau..."
When a new neighbor, Evgeny Onegin, appears in the district, he becomes the hero of Tatiana's novel. Onegin is smart, knows how to present himself, and is also well-groomed and good-looking. He came from the capital and clearly stands out for his way of thinking and unique personality among his boring and standard landowner neighbors. Tatiana falls in love with him.
“Her imagination has long been
Burning with bliss and melancholy,
Hungry for fatal food;
Long-time heartache
Her young breasts were tight;
The soul was waiting for... someone..."
Tatyana writes a letter to Onegin, where she confesses her feelings. She has no thoughts of playing, flirting, or luring her chosen one with some tricks:
“Why is Tatyana more guilty?
Because in sweet simplicity
She knows no deception
And believes in his chosen dream?
Because he loves without art,
Obedient to the attraction of feeling,
Why is she so trusting?
What is gifted from heaven
With a rebellious imagination,
Alive in mind and will,
And wayward head,
And with a fiery and tender heart?..."
“...The coquette judges in cold blood.
Tatiana loves seriously
And he surrenders unconditionally
Love like a sweet child."
Tatyana's love fails: the chosen one does not respond to her feelings, but tries to give advice “in a friendly way.” Then a tragedy plays out, Onegin kills Lensky in a duel and leaves. Tatyana begins to better understand the personality of her lover. But she also has to change her life. There are no suitable suitors in the village, and it’s high time for Tanya to get married. She is brought to Moscow, to high society:
“...They find something strange about her,
Provincial and cutesy
And something pale and thin,
But it’s not bad at all...”
A few years later, Onegin unexpectedly meets Tatiana in St. Petersburg. She is married to a general and became the queen of high society, but at the same time she did not betray herself:
“...She was leisurely,
Not cold, not talkative,
Without an insolent look for everyone,
Without pretensions to success,
Without these little antics,
No imitative ideas...
Everything was quiet, it was just there,
She seemed like a sure shot
Du comme il faut...”
“...How Tatiana has changed!
How firmly she stepped into her role!...
Who would dare to look for a tender girl
In this majestic, in this careless
Hall for the legislator?...”
In her soul, Tatyana remained the same. Successes in the world did not cloud her mind:
“And to me, Onegin, this pomp,
Life's hateful tinsel,
My successes are in a whirlwind of light,
My fashionable house and evenings,
What's in them? Now I'm glad to give it away
All this rags of a masquerade,
All this shine, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home..."
Tatyana's love for Onegin is as alive as in the old days, when she was a shy village girl. But Tatyana has the honor and dignity of a woman. Being married, she refuses an affair with Onegin, even if now her love has become mutual. Onegin fell in love with her, but she will not deceive her husband:
“...I love you (why lie?),
But I was given to someone else;
I will be faithful to him forever."
The image of Tatyana Larina in Pushkin’s novel “Eugene Onegin”
Belinsky called Pushkin’s novel “Eugene Onegin” “the most sincere work” of Alexander Sergeevich. And the author himself considered this novel his best creation. Pushkin worked on it with great passion, devoting his whole soul to creativity, all of yourself. And, undoubtedly, the images of the main characters of the novel are very close to the author. In each of them he reflected some of his own characteristics. They became almost family to Pushkin. The author is closest to the image of Tatyana, who, in essence, is the ideal of a Russian woman for Pushkin. This is exactly how he imagined a true Russian woman: sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.
In the portrait of Tatyana, Pushkin does not give an external appearance, but rather an internal portrait of her: “... Wild, sad, silent...”. This is an atypical image, attracting not with its beauty, but inner world. Pushkin emphasizes the difference between Tatyana and Olga:
Not your sister's beauty,
Nor the freshness of her ruddy
If she wouldn’t attract anyone’s eyes, he says about Tanya and then repeats more than once that Tatyana is ugly. But the image of this meek, thoughtful girl attracts the reader and the author himself with its charm and unusualness.
In the second chapter of the novel we meet a girl whose favorite circle of life consists of nature, books, the village world with stories nanny's tales, with her warmth and cordiality.
Thoughtfulness, her friend
From the most lullabies of days,
The flow of rural leisure
Decorated her with dreams.
Reading the novel, you will notice that in those stanzas where Tatyana is spoken about, there is always a description of nature. No wonder Pushkin conveys many times state of mind Tanya through images of nature, he emphasizes the deep connection that exists between a village girl and nature. For example, after Onegin’s stern sermon, “dear Tanya’s youth fades: this is how the shadow of a barely born day dresses the storm.” Tanya’s farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn:
Nature is tremulous, pale,
How the victim is lavishly decorated...
Tanya’s entire inner world is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly valued and respected. The Song of the Girls, consoling Tanya, attachment to “Grey-haired Phillipyevna”, fortune-telling - all this again tells us about Tanya’s living connection with the folk element.
Tatyana (Russian soul,
Without knowing why)
With her cold beauty
I loved Russian winter.
Loneliness, alienation from others, gullibility and naivety allow the “tender dreamer” to confuse Onegin with the hero of the novel, to appropriate for herself “someone else’s delight”, “someone else’s sadness”.
But, soon seeing that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes an ardent, passionate letter to Onegin and receives a stern sermon in response. But this coldness of Eugene does not kill Tanya’s love; the “stern conversation” in the garden only revealed to Tanya Onegin’s hard-heartedness, his ability to ruthlessly respond to sincere feelings. Probably, the birth of “that indifferent princess” with whom Onegin is struck and wounded in the eighth chapter begins already here.
But, meanwhile, even Lensky’s death did not destroy the deep feeling that Tatyana felt for Onegin:
And in cruel loneliness
Her passion burns more intensely,
And about distant Onegin
Her heart speaks louder.
Onegin left, and, it seems, irrevocably. But Tatiana, before visiting his house, continues to refuse everyone who wooed her. Only after visiting the “young cell” and seeing how and how Evgeniy lived, she agrees to go to the “bride market” in Moscow, because she begins to suspect something terrible for herself and for her love:
What is he? Is it really imitation?
An insignificant ghost, or else -
Muscovite in Harold's cloak?
interpretation of other people's whims,
Fashion vocabulary words?
Isn't he a parody?
Although Eugene’s inner world is not limited to the books he read >
Tanya does not understand this and, making erroneous conclusions, becomes disappointed in love and in her hero. Now she faces a boring road to Moscow and the noisy bustle of the capital.
In the “district young lady” Tatiana, “everything is outside, everything is free.” In the eighth chapter we meet the indifferent princess”, “the legislator of the hall”. The old Tanya, in whom “everything was quiet, everything was simple,” has now become a model of “impeccable taste,” a “true ingot” of nobility and sophistication.
But it cannot be said that now she is truly an “indifferent princess”, incapable of experiencing sincere feelings, and that not a trace remains of the former naive and timid Tanya. The feelings are there, they’re just well and firmly hidden now. And that “careless charm” of Tatiana is a mask that she wears with art and naturalness. The light made its own adjustments, but only external ones; Tatiana’s soul remained the same. That trusting “girl” still lives inside her, loving the “Russian winter”, hills, forests, the village, ready to give “all this glitter, and noise, and child for a shelf of books, for a wild garden...”. Now the impetuosity and recklessness of feelings have been replaced in her by self-control, which helps Tanya withstand the moment when the embarrassed, “awkward” Evgeniy is left alone with her.
But still, Tatiana’s main advantage is the spiritual nobility of her truly Russian character. Tatyana has a high sense of duty and self-esteem, namelyso she found the strength to suppress her feelings and say to Onegin:
The image of Tatyana in the novel “Eugene Onegin” by A.S. has conceptual significance. Pushkin. Firstly, because the poet in his work created the unique, unique character of the Russian woman. And secondly, this image embodied an important principle of Alexander Sergeevich - the principle of realistic art. In one of his articles, Pushkin explains and analyzes the reasons for the emergence of “literary monsters” with the emergence and development of romantic literature, which replaced classicism. Let's take a closer look at the image of Tatyana in the novel "Eugene Onegin".
Pushkin's main idea
The poet agrees that the depiction of not a moral teaching, but an ideal - the general trend of contemporary literature - is correct in its essence. But, according to Alexander Sergeevich, neither the past idea of human nature as a kind of “cute pomposity”, nor today’s image of vice triumphant in the hearts are essentially deep-seated. Pushkin, thus, affirms new ideals in his work (stanzas 13 and 14 of the third chapter): according to the author’s plan, a novel built primarily on a love conflict should reflect the most stable and characteristic signs of a way of life that was followed by several generations noble family in Russia.
Pushkin's heroes therefore speak in a natural language, their experiences are not monotonous and schematic, but multifaceted and natural. Describing the feelings of the characters in the novel, Alexander Sergeevich tests the veracity of the descriptions with life itself, relying on his own impressions and observations.
Contrast between Tatiana and Olga
Taking into account this concept of Alexander Sergeevich, it becomes clear how and why the image of Tatyana in the novel “Eugene Onegin” is compared with the character of another heroine, Olga, when the reader gets acquainted with the first. Olga is cheerful, obedient, modest, sweet and simple-minded. Her eyes are blue, like the sky, her curls are flaxen, her figure is light, yet she does not stand out in any way from a number of similar provincial young ladies in the novel “Eugene Onegin.” The image of Tatyana Larina is built on contrast. This girl is not as attractive in appearance as her sister, and the heroine’s hobbies and behavior only emphasize her originality and difference from the others. Pushkin writes that in her family she seemed like a strange girl, she was silent, sad, wild, timid, like a doe.
Name Tatyana
Alexander Sergeevich gives a note in which he indicates that names such as Thekla, Fedora, Filat, Agrafon and others are used among us only among common people. Then, in the author's digression, Pushkin develops this idea. He writes that the name Tatyana will sanctify the “tender pages” of this novel for the first time. It merged harmoniously with characteristic features the girl’s appearance, her character traits, manners and habits.
The character of the main character
Village world, books, nature, scary stories, which the nanny told on dark winter nights - all these simple, sweet hobbies gradually form the image of Tatyana in the novel "Eugene Onegin". Pushkin notes what was most dear to the girl: she loved to meet the “sunrise of dawn” on the balcony, to watch the dance of stars disappear on the “pale horizon.”
Books played a big role in shaping the feelings and views of Tatyana Larina. Novels replaced everything else for her, providing her with the opportunity to find her dreams, her “secret heat.” Passion for books, acquaintance with other, fantastic worlds that were filled with all kinds of colors of life, was not just entertainment for our heroine. Tatyana Larina, whose image we are considering, wanted to find in them what she could not find in real world. Perhaps that is why she suffered a fatal mistake, the first failure in her life - her love for Eugene Onegin.
Perceiving her as disgusting poetic soul alien environment, Tatyana Larina, whose image stands out among all the others in the work, created her own illusory world, where love, beauty, goodness, and justice ruled. To complete the picture, only one thing was missing - a unique, only hero. Therefore, Onegin, shrouded in mystery, thoughtful, seemed to the girl the embodiment of her secret girlish dreams.
Tatiana's letter
Tatyana's letter, a touching and sweet declaration of love, reflects the entire complex range of feelings that gripped her restless, immaculate soul. Hence such a sharp, contrasting opposition: Onegin is “unsociable,” he is bored in the village, and the members of Tatyana’s family, although “simply glad” to have a guest, do not shine in any way. This is where the excessive praise of the chosen one comes from, conveyed, among other things, through the girl’s description of the indelible impression that she received at the first meeting with the hero: she always knew him, but fate did not give the lovers a chance to meet in this world.
And then came this wonderful moment of recognition, meeting. “I recognized it instantly,” writes Tatiana. For her, whom no one around her understands, and this brings suffering to the girl, Eugene is a deliverer, a savior, a handsome prince who will revive her and disenchant Tatiana’s unfortunate heart. It would seem that dreams have come true, but reality sometimes turns out to be so cruel and deceptive that it is impossible even to imagine.
Evgeniy's answer
The girl’s tender confession touches Onegin, but he is not yet ready to bear responsibility for other people’s feelings, fate, and hope. His advice is simple in everyday life, reflecting life experience accumulated by him in society. He urges the girl to learn to control herself, since inexperience leads to trouble and not everyone will understand her the way Eugene understood.
New Tatiana
This is just the beginning of the most interesting thing that the novel “Eugene Onegin” tells us about. Tatiana's image is significantly transformed. The girl turns out to be a capable student. She learned to “control herself” by overcoming mental pain. In the careless and stately, indifferent princess it is now difficult to recognize that former girl - in love, timid, simple and poor.
Have Tatyana's life principles changed?
Is it fair to assume that if significant changes have occurred in Tatyana’s character, then life principles have the heroines also changed significantly? If we interpret in a similar way Tatyana’s behavior, then in this we will follow Evgeny Onegin, who was inflamed with passion for this unapproachable goddess. Tatyana accepted the rules of this game, which was alien to her, but her sincerity, moral purity, inquisitiveness of mind, directness, understanding of duty and justice, and the ability to courageously and with dignity to face and overcome difficulties along the way did not disappear.
The girl responds to Onegin’s confession that she loves him, but is given to another, and will be faithful to him forever. This simple words, but how much resentment, bitterness, mental pain, suffering they contain! The image of Tatyana in the novel is vital and convincing. He evokes admiration and sincere sympathy.
Tatyana's depth, height, and spirituality allowed Belinsky to call her a “genius.” Pushkin himself admired this image, created so skillfully. In Tatyana Larina, he embodied the ideal of a Russian woman.
We looked at this complex and interesting image. Tatiana Onegina was not in the novel, and could not have been, according to Pushkin. The heroes' attitudes to life were too different.
The novel in verse “Eugene Onegin” is A. S. Pushkin’s favorite work, to the creation of which he devoted about nine years. In it, the author explores the question of the intellectual life and moral quests of the Russian noble intelligentsia of the 20s of the 19th century. Famous Russian literary critic V. G. Belinsky called the novel “Eugene Onegin” “an encyclopedia of Russian life.” Some of the images presented in the work were completely new in Russian literature of that time. This is the image of Tatyana Larina. Everything about it is new, even the name:
For the first time with such a name
Tender pages of the novel
We willfully sanctify.
Pushkin, while working on the novel “Eugene Onegin,” admired the wonderful girl coming to life under his pen. On many pages he involuntarily admits: “... I love my dear Tatyana so much! , the personification of his Muse.
In the novel, we first meet Tatiana at her parents' estate. She is completely different from her sister Olga - neither externally nor internally:
She was called Tatyana,
Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn't attract anyone's attention.
Pushkin does not pay attention to appearance, but rather shows inner beauty, strength of feelings, originality, “sweet simplicity.” Tatyana is in many ways similar to other girls - she also believes in “the legends of the common people of antiquity, and dreams, and card fortune-telling, and predictions of the moon.” But since childhood, there is a lot in her that sets her apart from others:
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
The girl seemed like a stranger.
WITH early years she is distinguished by her dreaminess, lives a special inner life, spends a lot of time talking with her nanny, her dearest, closest and beloved person. She tries early to understand her surroundings, but does not find an answer from her elders. And then she turns to books, devoting whole nights to reading:
She liked novels early on;
They replaced everything for her...
Pushkin emphasizes many times how Tatyana loves nature, winter, and sledding. Russian nature, the peace of the village, so pleasing to the heart of Pushkin himself, the nanny’s fairy tales, the ancient customs observed in the family, made Tatyana a “Russian soul.” The author notes her spirituality and poetry. No wonder V. Belinsky called Tatyana “a genius.”
In books and dreams she always sees interesting people people he wants to meet in his life. And, having met Onegin for the first time, so different from those around him, Tatyana sees in him her “hero” and falls in love with him. She decides to reveal her feelings to Onegin in a letter.
Tatyana's letter is an impulse, confusion, passion, melancholy, a dream, and at the same time it is all genuine. Even in our time, it is not customary for a girl to be the first to reveal her love. In Pushkin’s time, such an act was considered completely indecent. But the author defends Tatyana, he believes that
...in sweet simplicity
She knows no deception
And believes in his own dream...
But Evgeny responds to Tanino’s letter with moral teachings, and all the illusory dreams and hopes of the poor girl dissolve like smoke.
When Tatyana becomes a noble lady, she remembers her former rural life with sadness and longing:
He hates the excitement of the world;
She's stuffy here... she's a dream
Strives for life in the field,
She's ready to give
All this rags of a masquerade,
All this shine, and noise, and fumes
For a shelf of books, for a wild garden...
Tatyana is unhappy in her marriage; fame, WEALTH, and a worthy place in society do not bring her satisfaction. Her purity, depth, spiritual beauty, high moral strength - all this is alien to the world around her, where something completely different is valued. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he so disliked in women. We meet the old Tanya in an explanation with Onegin. She is sincere with Evgeniy, feeling a kindred spirit in him, but refuses him:
I love you (why lie?),
But I was given to someone else;
I will be faithful to him forever.
This is true pride, eternal loyalty. Tatyana appears in the novel as a symbol of fidelity, kindness, and love. The heroine of the novel "Eugene Onegin" with her rich inner world has a serious impact on the modern generation. And although many years have passed since the creation of the novel, Tatyana Larina’s character traits are valued in our time and will always be valued
Tatyana in the novel in verse by A.S. Pushkin’s “Eugene Onegin” is truly the ideal of a woman in the eyes of the author himself. She is honest and wise, capable of ardent feelings and nobility and devotion. This is one of the highest and most poetic female images in Russian literature.
At the beginning of the novel, Tatyana Larina is a romantic and sincere girl who loves solitude and seems like a stranger in her family:
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
The girl seemed like a stranger.
Of course, in the Larin family, where serious and deep feelings are not honored, no one understood Tanya. Her father is unable to understand her passion for reading, and her mother did not read anything herself, but heard about books from her cousin and loved them in absentia, from a distance.
Tatyana truly grew up as a stranger to the Larins. It’s not for nothing that she writes to Onegin: “Nobody understands me.” She is thoughtful, reads a lot, partly romance novels and shaped her idea of love. But real love is not always like love stories from books, and men from novels are extremely rare in life. Tatyana seems to live in her own imaginary world, conversations about fashion are alien to her, games with her sister and friends are completely uninteresting to her:
She was bored and the ringing laughter,
And the noise of their windy pleasures...
Tatyana has her own idea of the ideal world, of her beloved man, who, of course, should be like the hero from her favorite novels. Therefore, she imagines herself to match him with the heroine of Rousseau or Richardson:
Now with what attention she pays
Reading a sweet novel
With such living charm
Drinks seductive deception!
Having met Onegin, the naive girl saw in him her hero, whom she had been waiting for so long:
And she waited... The eyes opened;
She said: it's him!
Tatyana falls in love with Onegin from the first minutes and cannot think about anything but him:
Everything is full of it; everything to the maiden dear
Incessantly magical power
Talks about him.
Onegin in Tatiana's thoughts has little in common with a real man: he appears to the girl in love as an angel, a demon, or a Grandison. Tatyana is fascinated by Eugene, but she herself “drew” his image for herself, largely anticipating events and idealizing her lover:
Tatiana loves seriously
And he surrenders unconditionally
Love like a sweet child.
Tatyana is a romantic and naive girl who has no experience in love affairs. She is not one of those women who knows how to flirt and flirt with men, and she takes the object of her love very seriously. In her letter to Onegin, she honestly admits her feelings for him, which speaks not only of her sincerity, but also of her inexperience. She did not know how to be hypocritical and hide her feelings, did not want to intrigue and deceive; in the lines of this letter she bared her soul, confessing to Onegin her deep and true love:
Another!.. No, no one in the world
I wouldn't give my heart!
It is destined in the highest council...
That is the will of heaven: I am yours;
My whole life was a pledge
The faithful's meeting with you;
I know you were sent to me by God,
Until the grave you are my keeper...
Tatyana “entrusts” her fate into the hands of Onegin, having no idea what kind of person he is. She expects too much from him, her love is too romantic, too sublime, the image of Onegin that she created in her imagination does not correspond much to reality.
Nevertheless, Tatyana accepts Onegin’s refusal with dignity; she silently and carefully listens to him, without appealing to his pity and without begging for reciprocal feelings. Tatyana speaks about her love only to her nanny; no one from her family knows about her feelings for Onegin anymore. With her behavior, Tatyana evokes respect from readers; she behaves with restraint and decentness, does not hold a grudge against Onegin, and does not accuse him of unrequited feelings.
Lensky's murder and Onegin's departure deeply wound the girl's heart, but she does not lose herself. During long walks, she reaches Onegin's estate, visits the library of the empty house and finally reads the books that Eugene read - of course, not romance novels. Tatyana begins to understand the one who has settled in her heart forever: “Isn’t he a parody?”
At the request of her family, Tatyana marries an “important general,” because without Onegin, “all her lots were equal.” But her conscience does not allow her to become a bad wife, and she tries to live up to her husband’s status, especially since her beloved man gave her fair advice: “Learn to control yourself.” It is precisely this, the famous socialite, the unapproachable princess, that Onegin sees her upon returning from his voluntary exile.
However, even now her image in the work remains the image of a beautiful and worthy girl who knows how to remain faithful to her man. At the end of the novel, Tatyana reveals herself to Onegin from the other side: as a strong and majestic woman who knows how to “control herself,” which he himself taught her in his time. Now Tatyana does not follow her feelings; she restrains her ardor, remaining faithful to her husband.
