The image of Tatyana Larina brief summary. The ideal image of the heroine in the novel "Eugene Onegin"
Belinsky called the novel in verse “Eugene Onegin” “the most sincere work” of Alexander Sergeevich Pushkin. And the author himself considered this novel his best creation. Pushkin worked on it with great passion, devoting his whole soul, all of himself to creativity. And, undoubtedly, the images of the main characters of the novel are very close to the author. In each of them he reflected some of his own characteristics. The images from the novel became almost familiar to Pushkin.
The image that is closest to the author is Tatyana, who, in essence, is the ideal of a Russian woman for Pushkin. This is exactly how he imagined a true Russian woman - sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.
In the portrait of Tatyana, Pushkin does not give an external appearance, but rather an internal portrait of her: “... Wild, sad, silent...”. This is an atypical image, attracting not with its beauty, but with its inner world.
Pushkin emphasizes the difference between Tatyana and Olga:
Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn't attract the eye - he says about Tatyana and then repeats more than once that Tatyana is ugly. But the image of this meek, thoughtful girl attracts the reader and the author himself with its charm and unusualness.
In the second chapter of the novel, we meet a girl whose favorite circle of life consists of nature, books, the countryside with the stories and fairy tales of her nanny, with her warmth and cordiality.
Thoughtfulness, her friend
From the most lullabies of days,
The flow of rural leisure
Decorated her with dreams.
Reading the novel, you will notice that in those stanzas where we talk about Tatyana, there is always a description of nature. No wonder Pushkin conveys many times state of mind Tatiana through images of nature, he emphasizes the deep connection that exists between the village girl and nature. For example, after Onegin’s stern sermon, “dear Tanya’s youth fades: this is how the storm covers the shadow of the barely born day.”
Tatyana’s farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn: “Nature is tremulous, pale, Like a sacrifice, magnificently decorated.” All inner world Tani is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly valued and respected. The children’s song comforting Tanya, the attachment to “Filipovna grey”, fortune-telling - all this again tells us about Tanya’s living connection with the folk element.
Tatyana (Russian soul,
Without knowing why)
With her cold beauty
I loved Russian winter.
Loneliness, alienation from others, gullibility and naivety allow the “tender dreamer” to imagine Onegin as the hero of the novel, to appropriate for herself “someone else’s delight”, “someone else’s sadness”.
But, soon seeing that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes an ardent, passionate letter to Onegin and receives a stern sermon in response. But this coldness of Eugene does not kill Tanya’s love; the “stern conversation” in the garden only revealed to Tanya Onegin’s hard-heartedness, his ability to ruthlessly respond to sincere feelings. Probably, the birth of “that indifferent princess” who so amazed Onegin later begins here. But, meanwhile, even Lensky’s death did not destroy the deep feeling that Tatyana felt for Onegin:
And in cruel loneliness
Her passion burns more intensely,
And about distant Onegin
Her heart speaks louder.
Onegin left, and, it seems, irrevocably. But Tatyana, before visiting his house, continues to refuse when others woo her. Only after visiting the “young cell” and seeing how and how Evgeniy lived, she agrees to go to the “bride market” in Moscow, because she begins to suspect something terrible for herself and for her love:
What is he? Is it really imitation?
An insignificant ghost, or else -
Muscovite in Harold's cloak?
interpretation of other people's whims,
Fashion vocabulary words?
Isn't he a parody?
Although Evgeny’s inner world is not limited to the books he has read, Tanya does not understand this and, drawing erroneous conclusions, becomes disappointed in love and in her hero. Now she faces a boring road to Moscow and the noisy bustle of the capital.
In the “district young lady” Tatyana, “everything is outside, everything is free.” In the eighth chapter we meet the “indifferent princess” “legislator of the hall”. The old Tanya, in whom “everything was quiet, everything was simple,” has now become a model of “impeccable taste,” a “true ingot” of nobility and sophistication.
But it cannot be said that now she is truly an “indifferent princess”, incapable of experiencing sincere feelings, and that not a trace remains of the former naive and timid Tanya. The feelings are there, they’re just well and firmly hidden now. And that “carefree charm” of Tatiana is a mask that she wears with art and naturalness. The light made its own adjustments, but only external ones; Tatiana’s soul remained the same. That trusting girl still lives inside her, loving the “Russian winter,” the hills, forests, the village, ready to give “all this glitter, and noise, and child for a shelf of books, for a wild garden...”. Now the impetuosity and recklessness of feelings have been replaced in her by self-control, which helps Tanya withstand the moment when the embarrassed, “awkward” Evgeniy is left alone with her. But still, Tatiana’s main advantage is her spiritual nobility, her truly Russian character. Tatyana has a high sense of duty and self-esteem, which is why she found the strength to suppress her feelings and tell Onegin:
I love you (why lie?)
But I was given to another;
And I will be faithful to him forever.
Pushkin admired the image so skillfully created by himself. He embodied in Tatyana the ideal of a real Russian woman.
The writer saw the wives of many Decembrists who, out of their love and sense of duty, went to Siberia to get their husbands. This is the kind of spiritual nobility he endowed his heroine with. The image of Tatyana is the deepest and most serious in the novel. The height, spirituality, and depth of Tatyana Larina allowed Belinsky to call her a “genius.”
Tatyana Larina is one of central characters Pushkin’s poem “Eugene Onegin” occupies an important place in this work, because it was in her image that the brilliant poet concentrated all the best feminine qualities that he had ever encountered in his life. For him, “Tatyana, dear Tatiana” is a concentration of ideal ideas about what a real Russian woman should be and one of the most beloved heroines, to whom he himself confesses his passionate feelings: “I love my dear Tatiana so much.”
Pushkin describes his heroine with great tenderness and trepidation throughout the entire poem. He sincerely empathizes with her about unrequited feelings for Onegin and is proud of how nobly and honestly she acts in the finale, rejecting his love for the sake of duty to her unloved, but God-given husband.
Characteristics of the heroine
We meet Tatyana Larina in the quiet village estate of her parents, where she was born and raised, her mother is a good wife and caring housewife, giving all of herself to her husband and children, her father is a “kind fellow”, a little stuck in the last century. Their eldest daughter appears before us as a very little girl, who, despite her young age, has unique, extraordinary character traits: calmness, thoughtfulness, silence and some external detachment, which distinguish her from all other children and in particular from her younger sister Olga.
(Illustration for the novel "Eugene Onegin" by artist E.P. Samokish-Sudkovskaya)
“Tatiana, Russian at heart” loves the nature surrounding her parents’ estate, subtly senses its beauty and experiences real pleasure from being united with it. The vast expanses of the secluded little Motherland are sweeter and closer to her heart than the “hateful life” of the St. Petersburg high society, which she never wants to exchange for what has forever become a part of her soul.
Raised, like Pushkin, by a simple woman from the people, from childhood she was in love with Russian fairy tales, legends and traditions, and was prone to mysticism, to mysterious and enigmatic folk beliefs and ancient rituals. Already in adulthood she opens up fascinating world novels that she read avidly, forcing her to experience dizzying adventures and various life vicissitudes with her heroes. Tatyana is a sensitive and dreamy girl, living in her secluded little world, surrounded by dreams and fantasies, completely alien to the reality around her.
(K. I. Rudakova, painting "Eugene Onegin. Meeting in the Garden" 1949)
However, having met the hero of her dreams, Onegin, who seemed to her to be a mysterious and original personality, noticeably standing out from the surrounding crowd, the girl, discarding shyness and uncertainty, passionately and sincerely tells him about her love, writing a touching and naive letter, full of sublime simplicity and deep feelings. This act reveals both her willfulness and openness, as well as the spirituality and poetry of a subtle girl’s soul.
The image of the heroine in the work
Pure in soul, sincere and naive, Tatyana falls in love with Onegin, being very young, and carries this feeling throughout her life. Having written this touching letter to her chosen one, she is not afraid of condemnation and anxiously awaits an answer. Pushkin is tenderly touched by the bright feelings of his heroine and asks readers for indulgence for her, because she is so naive and pure, so simple and natural, and it is precisely these qualities for the author of the poem, who has been burned more than once at the stake of his feelings, that play a very important role in life .
Having received the bitter lesson that Onegin taught her, who read her painful moral teachings and rejected her feelings for fear of losing freedom and tying the knot, she has a hard time experiencing her unrequited love. But this tragedy does not embitter her; she will forever preserve in the depths of her soul these sublime bright feelings to a person with whom you will never be together.
Having met Onegin a few years later in St. Petersburg, already being a brilliant high-society lady with feelings and reason shackled in the impenetrable armor of secular decency and love for him hidden deep in her soul, she does not revel in her triumph, does not want to take revenge on him or humiliate him. The inner purity and sincerity of her soul, the shine of which has not dimmed in the least in the dirt of metropolitan life, does not allow her to stoop to empty and false social games. Tatyana still loves Onegin, but cannot tarnish the honor and reputation of her elderly husband and therefore rejects his such ardent, but too late love.
Tatyana Larina is a person of high moral culture with a deeply conscious sense of self-worth, her image literary critics is called the “ideal image of a Russian woman,” which Pushkin created to glorify the nobility, fidelity and great purity of their unsullied life of the Russian soul.
A.S. Pushkin – great poet and 19th century writer. He enriched Russian literature with many wonderful works. One of them is the novel “Eugene Onegin”. A.S. Pushkin worked on the novel for many years; it was his favorite work. Belinsky called it “an encyclopedia of Russian life,” since it reflected, like a mirror, the entire life of the Russian nobility of that era. Despite the fact that the novel is called “Eugene Onegin,” the system of characters is organized in such a way that the image of Tatyana Larina acquires no less, if not more, importance. But Tatyana is not just the main character of the novel, she is also A.S.’s favorite heroine. Pushkin, which the poet calls “a sweet ideal.” A.S. Pushkin is madly in love with the heroine, and repeatedly admits this to her:
...I love my dear Tatiana so much!
Tatyana Larina is a young, fragile, contented, sweet young lady. Her image stands out very clearly from others. female images inherent in the literature of that time. From the very beginning, the author emphasizes the absence in Tatyana of those qualities that the heroines of classical Russian novels were endowed with: a poetic name, unusual beauty:
Not your sister's beauty,
Nor the freshness of her ruddy
She wouldn't attract anyone's attention.
Since childhood, Tatyana had a lot of things that distinguished her from others. She grew up as a lonely girl in her family:
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
The girl seemed like a stranger.
Tatyana also did not like to play with children and was not interested in city news and fashion. For the most part, she is immersed in herself, in her experiences:
But dolls even in these years
Tatyana didn’t take it in her hands;
About city news, about fashion
I didn’t have any conversations with her.
There is something completely different about Tatiana that captivates us: thoughtfulness, dreaminess, poetry, sincerity. She read many novels since childhood. In them she saw a different life, more interesting, more eventful. She believed that such a life, and such people are not made up, but actually exist:
She liked novels early on,
They replaced everything for her,
She fell in love with deceptions
And Richardson and Russo.
Already with the name of his heroine, Pushkin emphasizes Tatyana’s closeness to the people, to Russian nature. Pushkin explains Tatiana’s unusualness and spiritual wealth by the influence of the folk environment, the beautiful and harmonious Russian nature, on her inner world:
Tatyana (Russian in soul, Without knowing why)
With her cold beauty
I loved Russian winter.
Tatyana, a Russian soul, subtly senses the beauty of nature. One more image can be discerned that accompanies Tatyana everywhere and connects her with nature - the moon:
She loved on the balcony
Warn the dawn,
When on a pale sky
The round dance of the stars disappears...
...under the foggy moon...
Tatyana's soul is pure, high, like the moon. Tatyana’s “wildness” and “sadness” do not repel us, but, on the contrary, make us think that she, like the lonely moon in the sky, is extraordinary in her spiritual beauty. Tatiana's portrait is inseparable from nature, from the overall picture. In the novel, nature is revealed through Tatyana, and Tatyana - through nature. For example, spring is the birth of Tatyana’s love, and love is spring:
The time has come, she fell in love.
So the grain fell into the ground
Spring is enlivened by fire.
Tatyana shares her experiences, grief, and torment with nature; only to her can she pour out her soul. Only in solitude with nature does she find solace, and where else can she look for it, because in the family she grew up as a “stranger girl”; she herself writes in a letter to Onegin: “... no one understands me...”. Tatyana is the one for whom it is so natural to fall in love in the spring; bloom for happiness, like the first flowers bloom in the spring, when nature awakens from sleep.
Before leaving for Moscow, Tatyana first of all says goodbye to her native land:
Sorry, peaceful valleys,
And you, familiar mountain peaks,
And you, familiar forests;
I'm sorry cheerful nature…
With this appeal A.S. Pushkin clearly showed how difficult it was for Tatyana to part with her native land.
A.S. Pushkin also endowed Tatyana with a “fiery heart,” a subtle soul. Tatyana, at thirteen years old, is firm and unshakable:
Tatiana loves seriously
And he surrenders, of course.
Love like a sweet child.
V.G. Belinsky noted: “Tatiana’s entire inner world consisted of a thirst for love. nothing else spoke to her soul; her mind was asleep"
Tatyana dreamed of a person who would bring content into her life. This is exactly how Evgeny Onegin seemed to her. She came up with Onegin, fitting him to the model of heroes French novels. The heroine takes the first step: she writes a letter to Onegin, waits for an answer, but there is none.
Onegin did not answer her, but on the contrary read the instruction: “Learn to control yourself! Not everyone will understand you, as I do! Inexperience leads to disaster!” Although it was always considered indecent for a girl to be the first to confess her love, the author likes Tatyana’s directness:
Why is Tatyana guilty?
Because in sweet simplicity
She knows no deception
And he believes in his chosen dream.
Having found herself in Moscow society, where “it’s easy to show off your upbringing,” Tatyana stands out for her spiritual qualities. Social life has not touched her soul, no, it is still the same old “dear Tatyana.” She is tired of the luxurious life, she suffers:
She's stuffy here... she's a dream
Strives for life in the field.
Here, in Moscow, Pushkin again compares Tatyana to the moon, which eclipses everything around with its light:
She was sitting at the table
With the brilliant Nina Voronskaya,
This Cleopatra of the Neva;
And you would truly agree,
That Nina is a marble beauty
I couldn’t outshine my neighbor,
At least she was dazzling.
Tatyana, who still loves Evgeniy, answers him firmly:
But I was given to someone else
And I will be faithful to him forever.
This confirms once again that Tatyana is noble, persistent, and faithful.
The critic V.G. also highly appreciated the image of Tatyana. Belinsky: “Great was Pushkin’s feat that he was the first to poetically reproduce in his novel Russian society of that time and in the persons of Onegin and Lensky showed his main, that is, male, side; but perhaps the greater feat of our poet is that he was the first to poetically reproduce, in the person of Tatyana, a Russian woman.” The critic emphasizes the integrity of the heroine’s nature, her exclusivity in society. At the same time, Belinsky draws attention to the fact that the image of Tatiana represents “a type of Russian woman.”
Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatyana who appears before us as a symbol of the mysterious Russian soul.
From childhood she was distinguished by her difference from others. Her originality, sometimes wildness, seems to some like pride, affectation. But that's not true. A gentle disposition, but strength of character is manifested and even more emphasized against the background of his sister Olga. It would seem that a young girl in a noble family could be worried. Are deep thoughts, the ability to reason and analyze inherent in such a greenhouse environment? Lightness and carelessness should have become her companions, but everything turned out differently. The desire for study and self-development made the girls strong in character, deeply thinking, and empathetic. Frequent solitudes contributed to deep immersion and self-knowledge.
The first feeling that washed over Tatyana absorbed her completely. She was ready to meet love. Reading novels contributed to this. And so, the image of a person who corresponded to her fictional hero appeared in reality.
Tatyana, a pure and open person, went towards the feeling. She accepted it and decided to take a difficult but necessary step - recognition.
Having overcome her maiden pride, she dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin towards a provincial girl, a humane act of refusal. First love often breaks young hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only hid somewhere in the depths of my soul. Nothing could stop her from loving Evgeniy, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You cannot love for something, you can love in spite of it. Only then is it love.
Tatyana is a sensual but proud person. She did not humiliate herself and ask for Onegin’s love. She tried to move away and forget. Only she herself knows what was going on in her soul, what kind of struggle was raging between her mind and her heart. Reason allowed a provincial savage girl to turn into a sedate lady, the owner of a salon. An unloved husband cannot doubt his wife’s tenderness and fidelity even for a second.
The power of love, its beauty is most colorfully revealed in tragedy. Tatyana is not destined to be with Onegin. Love is alive in her heart, and perhaps has only intensified over time. But, alas. A sacrifice of love for the sake of honor and the promised oath at the altar.
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Women whose behavior and appearance differ from the generally accepted canons of the ideal have always attracted the attention of both literary figures and readers. Describing this type of people allows us to lift the veil of the unknown life's quest and aspirations. Tatyana Larina's image is ideal for this role
Family and childhood memories
Tatyana Larina belongs to the nobility by origin, but throughout her life she was deprived of extensive secular society– she always lived in the countryside and never aspired to an active city life.
Tatiana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. “He was a simple and kind gentleman.”
The girl's mother's name is Polina (Praskovya). She was extradited as a girl under duress. For some time she was depressed and tormented by feelings of attachment to another person, but over time she found happiness in family life with Dmitry Larin.
Tatyana also has a sister, Olga. She is not at all similar in character to her sister: cheerfulness and coquetry are a natural state for Olga.
An important person for Tatyana's development as a person, her nanny Filipyevna played a role. This woman is a peasant by birth and, perhaps, this is her main charm - she knows many folk jokes and stories that so captivate the inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.
Name selection and prototypes
Pushkin emphasizes the unusualness of his image at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time the name Tatyana was not characteristic. This name at that time had a pronounced folk character. In Pushkin's drafts there is information that initially the heroine had the name Natalya, but later Pushkin changed his intention.
Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly played such a role for him.
Naturally, after such statements, both his contemporaries and researchers were more later years actively analyzed Pushkin's environment and tried to find the prototype of Tatyana.
Opinions on this issue are divided. It is possible that multiple prototypes were used for this image.
One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.
The image of Maria Volkonskaya is ideal for describing the tenacity of Tatyana's character in the second part of the novel.
The next person who bears a resemblance to Tatyana Larina is Pushkin’s sister Olga. In terms of her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.
Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that the prototype of Tatyana is her.
An unusual suggestion about the prototype was made by Pushkin’s lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatiana was very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker states: “the feeling with which Pushkin is filled is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”
Question about the heroine's age
In the novel, we meet Tatyana Larina during her growing up period. She is a girl of marriageable age.
The opinions of researchers of the novel on the question of the girl’s year of birth differed.
Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820 she just turned 17 years old.
However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny’s story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls her age, did not play with dolls at that time.
V.S. Babaevsky puts forward another version about Tatyana’s age. He believes that the girl should be much older than Lotman’s supposed age. If the girl had been born in 1803, then the girl’s mother’s concern about the lack of options for her daughter’s marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be necessary.
Appearance of Tatyana Larina
Pushkin does not go into a detailed description of Tatyana Larina’s appearance. The author is more interested in the heroine's inner world. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair and a ruddy complexion. In contrast to this, Tatyana has dark hair, her face is excessively pale, devoid of color.
We invite you to familiarize yourself with the characteristics of the heroes of A. S. Pushkin’s poem “Eugene Onegin”
Her look is full of despondency and sadness. Tatyana was too thin. Pushkin notes, “no one could call her beautiful.” Meanwhile, she was still an attractive girl, she had a special beauty.
Leisure and attitude towards needlework
It was generally accepted that the female half of society spent their free time doing needlework. The girls, in addition, also played with dolls or various active games (the most common was burners).
Tatiana does not like to do any of these activities. She loves listening to the nanny's scary stories and sitting by the window for hours.
Tatyana is very superstitious: “She was worried about omens.” The girl also believes in fortune telling and that dreams don’t just happen, they carry within them certain meaning.
Tatyana is fascinated by novels - “they replaced everything for her.” She likes to feel like the heroine of such stories.
However, Tatyana Larina’s favorite book was not romance novel, and the dream book “Martyn Zadeka later became / Tanya’s favorite.” Perhaps this is due to Tatyana’s great interest in mysticism and everything supernatural. It was in this book that she could find the answer to the question that interested her: “he gives her joy / in all her sorrows / and sleeps with her without leaving.”
Personality characteristics
Tatyana is not like most girls of her era. This applies to external data, hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. “Wild, sad, silent” is Tatyana’s classic behavior, especially in society.
Tatyana loves to indulge in daydreams - she can fantasize for hours. The girl has difficulty understanding her native language, but is in no hurry to learn it; in addition, she rarely engages in self-education. Tatyana gives preference to novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. Tatyana's image is full of “perfections”. This fact is sharply contrasted with the rest of the characters in the novel, who do not possess such components.
Due to her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.
Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference between the girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, she develops a feeling of love and tenderness towards her nanny.
Tatiana and Onegin
New people coming to the village always arouse interest among the permanent residents of the area. Everyone wants to meet a newcomer, learn about him - life in the village is not distinguished by the variety of events, and new people bring with them new topics for conversation and discussion.
Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Evgeniy’s neighbor, introduces Onegin to the Larins. Evgeny is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to conduct a conversation pleasantly amaze Tatyana, and not only her.
However, “the feelings in him cooled down early,” Onegin “completely lost interest in life,” he was already bored beautiful girls and their attention, but Larina has no idea about it.
Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man; he seems to her like he came straight out of the pages of her books about love:
Tatiana loves seriously
And he surrenders unconditionally
Love like a sweet child.
Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana writes a letter.
The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with Onegin’s arrival and her love. She has lost the peace in which she lived before and this leads the girl to bewilderment:
Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I wouldn't know bitter torment.
On the other hand, the girl, having analyzed her position, sums up: Onegin’s arrival is salvation for her, it is fate. Due to her character and temperament, Tatyana could not become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:
It is destined in the highest council...
That is the will of heaven: I am yours;
My whole life was a pledge
The faithful date with you.
However, Tatyana’s hopes were not justified - Onegin does not love her, but was just playing with the girl’s feelings. The next tragedy in the girl’s life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Evgeniy is leaving.
Tatyana falls into a blues - she often comes to Onegin’s estate and reads his books. Over time, the girl begins to understand that the real Onegin is radically different from the Eugene she wanted to see. She just idealized the young man.
This is where her unfulfilled romance with Onegin ends.
Tatiana's dream
Unpleasant events in the girl’s life, associated with the lack of mutual feelings for the object of her love, and then death, two weeks before the wedding of Vladimir Lensky’s sister’s fiancé, were preceded by a strange dream.
Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas fortune-telling. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.
At first, the girl finds herself in a snowy clearing, she approaches a stream, but the passage through it is too fragile, Larina is afraid of falling and looks around for an assistant. A bear appears from under a snowdrift. The girl gets scared, but when she sees that the bear is not going to attack, but on the contrary, he offers her his help, extends his hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl; he follows her, which scares Tatyana even more.
The girl tries to escape from her pursuer - she goes into the forest. Tree branches catch her clothes, take off her earrings, tear off her scarf, but Tatyana, gripped by fear, runs forward. The deep snow does not allow her to escape and the girl falls. At this time, a bear overtakes her; he does not attack her, but picks her up and carries her further.
A hut appears ahead. The bear says that his godfather lives here and Tatyana can warm up. Once in the hallway, Larina hears the sound of fun, but it reminds her of a wake. Strange guests - monsters - are sitting at the table. The girl is overcome by both fear and curiosity; she quietly opens the door - the owner of the hut turns out to be Onegin. He notices Tatyana and heads towards her. Larina wants to run away, but she can’t - the door opens and all the guests see her:
... Fierce laughter
It sounded wild; everyone's eyes
Hooves, trunks are crooked,
Tufted tails, fangs,
Mustaches, bloody tongues,
Horns and fingers are bone,
Everything points to her
And everyone shouts: mine! my!
The imperious owner calms the guests - the guests disappear, and Tatyana is invited to the table. Olga and Lensky immediately appear in the hut, causing a storm of indignation on the part of Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it’s morning already.
Tatyana's marriage
A year later, Tatiana’s mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatiana has every chance of remaining a virgin:
At Kharitonya's alley
Cart in front of the house at the gate
Stopped. To the old aunt
The patient has been suffering from consumption for four years,
They have arrived now.
Aunt Alina joyfully received the guests. She herself was unable to get married at one time and lived alone all her life.
Here, in Moscow, Tatiana is noticed by an important, fat general. He was struck by Larina’s beauty and “meanwhile he couldn’t take his eyes off her.”
Pushkin does not reveal the general’s age, as well as his exact name, in the novel. Alexander Sergeevich calls Larina’s admirer General N. It is known that he took part in military events, which means that his career advancement could occur at an accelerated pace, in other words, he received the rank of general without being at an advanced age.
Tatyana does not feel even a shadow of love towards this man, but still agrees to the marriage.
The details of their relationship with her husband are not known - Tatyana came to terms with her role, but she did not have a feeling of love for her husband - it was replaced by affection and a sense of duty.
Love for Onegin, despite the debunking of his idealistic image, still did not leave Tatyana’s heart.
Meeting with Onegin
Two years later, Evgeny Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes occurred in the life of his relative:
“So you're married! I didn’t know before!
How long ago?” - About two years. -
“On whom?” - On Larina. - “Tatyana!”
Onegin, who always knows how to restrain himself, succumbs to excitement and feelings - he is overcome by anxiety: “Is it really her? But definitely... No...".
Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial girl:
The ladies moved closer to her;
The old women smiled at her;
The men bowed lower
The girls walked by more quietly.
Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this surprises Onegin.
Tatyana, it seems, was not at all stunned, unlike Evgeny, by their meeting:
Her eyebrow didn't move;
She didn't even press her lips together.
Always so brave and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.
Since then, Evgeniy has lost peace. He realizes that he loves a girl. He comes to them every day, but feels awkward in front of the girl. All his thoughts are occupied only with her - from the very morning he jumps out of bed and counts the hours remaining until they meet.
But the meetings do not bring relief either - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.
Noticing a spark of tenderness in you,
“I didn’t dare believe her,” he writes about the events of two years ago.
Evgeniy confesses his love to a woman. “I was punished,” he says, explaining his past recklessness.
Like Tatyana, Onegin entrusts her with the solution to the problem that has arisen:
Everything is decided: I am in your will
And I surrender to my fate.
However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Evgeniy cannot lose his anxiety and confusion. He comes to Tatyana again and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but
Tatyana is categorical - her love for Onegin has not yet faded, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not “favored by the court.” Evgeny was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will “be faithful to him forever,” because it cannot be any other way. Another scenario contradicts life principles girls.
Tatyana Larina as assessed by critics
Roman A.S. Pushkin’s “Eugene Onegin” has become the subject of active research and scientific-critical activity for several generations. Image main character Tatyana Larina became the cause of repeated disputes and analyses.
- Yu. Lotman in his works he actively analyzed the essence and principle of writing Tatiana’s letter to Onegin. He came to the conclusion that the girl, having read novels, recreated “a chain of reminiscences primarily from the texts of French literature.”
- V.G. Belinsky, says that for Pushkin’s contemporaries the release of the third chapter of the novel became a sensation. The reason for this was Tatyana’s letter. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
The writing style is a little childish, romantic - this touches, because Tatyana was not yet aware of the feelings of love “the language of passions was so new and inaccessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to the help of the impressions left on her.” - D. Pisarev I wasn’t so inspired by Tatyana’s image. He believes that the girl’s feelings are fake - she inspires them herself and thinks that it is the truth. While analyzing the letter to Tatiana, the critic notes that Tatiana is still aware of Onegin’s lack of interest in her person, because she suggests that Onegin’s visits will not be regular; this state of affairs does not allow the girl to become a “virtuous mother.” “And now, by your grace, I, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “hillbilly”.
- F. Dostoevsky believes that Pushkin should have named his novel not after Evgeniy, but after Tatiana. Since it is this heroine who is the main acting character in the novel. In addition, the writer notes that Tatyana has a much greater intelligence than Evgeniy. She knows how to act correctly in current situations. Her image is noticeably firm. “A firm type, standing firmly on its own soil,” Dostoevsky says about her.
- V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image turned “into the ‘national type’ of the Russian woman.” However, over time, this character was forgotten - with the beginning October Revolution Tatyana Larina has lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.
