Grushnitsky description. Essay “The image and character of Grushnitsky

One of the distinctive properties of the cadet Grushnitsky is the absence of a name. This would not be striking if he were an episodic figure, but his role in the story of Princess Mary is difficult to exaggerate. However, we will return to this point a little later, for now we will simply note that it is unlikely that M.Yu. Lermontov accidentally left Grushnitsky nameless.

The reader looks at everything that happens through the eyes of Pechorin and, accordingly, the image of the young cadet, who was later promoted to officer, is also presented to us through the prism of the perception of the protagonist. The characteristics given are quite comprehensive, but it is difficult to say how objective: Grigory Aleksandrovich has a very unique way of thinking and a non-trivial view of the world. In general terms, Grushnitsky is very young, he is only twenty-one years old, but he is filled with the desire to appear older, more experienced and, in a certain sense, more dramatic - which, however, is fully explained by his age.

“He doesn’t know people and their weak strings, because all his life he was focused on himself…”, “his arrival in the Caucasus is also a consequence of his romantic fanaticism...”

In fact, Pechorin is so skeptical for one simple reason: there is more in common between him and Grushnitsky than he would like. However, unlike Pechorin, Grushnitsky is completely dependent on his environment and, not having his own sharp mind, cannot, as a result, cope with his role in the situation that he has built for himself. He is, to a certain extent, a distorting mirror of Grigory Alexandrovich, a parody of him, or something... He also does not love Princess Mary, but his pride is different from Pechorin’s pride: he lives in himself human traits and vices, Grushnitsky, on the contrary, tries to fit into the not always compatible between events and bring into them a certain tragic-romantic note. The ending is well known.

Both heroes are players, but Pechorin does not stand on this chessboard; rather, he leads this game outwardly dispassionately. And Grushnitsky, full of a sense of self-importance, is an ordinary bargaining chip.

“However, in those moments when he casts off his tragic mantle, Grushnitsky is quite sweet and funny.”

Yay!.. I despise myself - that is, when he becomes himself, without embellishing or posing. It’s easier when he doesn’t annoy Pechorin with his inept attempts to play the game.

He is unable to listen or hear; he can also be caustic in his judgments and assessments, but this is pretentious, superficial: in reality, the cadet is quite helpless and “will never kill anyone with one word.” At the same time, he is vengeful and petty: stung by Mary’s indifference, he loudly announces that he saw Pechorin at night when he came down from her balcony. This is frankly below the belt! Starting, in fact, with the fact that this is a lie, Pechorin did not spend any nights in the princess’s bedroom. And then: the princess is on the water with her mother, there is no father - who will defend the girl’s honor, who will stand up for her, refute the slander? But this statement could have the most unpleasant consequences: the public on the waters is diverse, the world is full of rumors, and... what would it be like? further fate poor young lady, who, in fact, is not to blame for anything at all?!

This is meanness number one. Meanness number two - agreeing to participate in a duel on obviously dishonest terms. It would be better if Grushnitsky actually stabbed Pechorin to death from around the corner at night, or something. Somehow simpler and more accessible. It turns out that he again fell victim to his romantic narcissism.

In Pechorin's opinion, Grushnitsky is a pitiful and disgusting sight at the same time. At the moment of the duel, when the masks are dropped, it becomes clear why Grushnitsky is not bad after all, when the poseur husk falls off of him: at the moment of genuine danger, before the direct choice of “death or dishonor,” he still chooses the first. He says the famous phrase:

“Shoot!.. I despise myself, but I hate you.”

He hates because he is very clearly aware that he lost - and lost on his own initiative.

He lost to his own painful pride. He despises for the same reason - because there is nowhere to retreat, and there is no winning move. He feels sorry for him, like any person who falls into a trap. Initially, he did not want to harm anyone. In the story with the princess, he did not have the goal of making her unhappy; he took part in this game out of boredom (like Pechorin!) and inactivity on the waters. But fiery pride did its owner a disservice, dragging him into a chain of events fatal to him.

Again, unlike Pechorin, he cannot bring the game to the end, again allowing others (in this case, the dragoon captain) to control the situation. His instinct of self-preservation is weaker than common sense, he is at the mercy of emotions.

“If you don’t kill me, I’ll stab you at night from around the corner. There is no place for the two of us on earth...”

These words become the last. It began with them and ends with them. After all, this is exactly what Pechorin says at the beginning of the story:

“I feel that someday we will collide with him on a narrow road, and one of us will be in trouble.”

With this final phrase, Grushnitsky directly “mirrors” Pechorin. And fragments rain down - echoing in the mountains...

To the question about the name raised earlier. Grushnitsky doesn’t have it, and Werner doesn’t have it either. But the latter has the nickname Mephistopheles. Which, I suppose, is also not without reason, but this is not about that now: Werner is also a kind of distorted reflection of Pechorin. Only in better side- concentrated in it positive traits. Grushnitsky, on the contrary, personifies the “dark side” of Pechorin. Who knows, maybe by reluctance to give the characters names the author emphasized that they are nothing more than properties of the main character’s nature? Seeing Grushnitsky’s body, Pechorin does not experience any triumph... indifferently parting with yet another of his own illusions.

Grushnitsky is a character in the world-famous story by Mikhail Lermontov called “Hero of Our Time,” where the key image is Pechorin. However, Grushnitsky plays a significant role in Lermontov’s plan, and now we will briefly consider Grushnitsky’s characteristics.

Let us immediately note that the story contains main character- Pechorin, but there are minor characters who emphasize one or another facet of the image of the main character, that is, Pechorin. Grushnitsky can be attributed precisely to this category of supporting heroes. But the author created him not only to identify certain features of Pechorin, he is very interesting as an independent figure. Moreover, you can see a reflection in it public life, foundations and morals of society of those times.

Main characteristics of Grushnitsky

Let's see what Belinsky, Lermontov and Pechorin say about Grushnitsky. For example, according to Belinsky, the image of Grushnitsky embodied the character traits of a whole category of people belonging to a similar type. Lermontov said that this is how people cover their faces with a fashionable mask of someone who is supposedly disillusioned with life. And from Pechorin himself we hear about Grushnitsky’s character: he called him a poser who seeks to present himself as another romantic hero. Therefore, such a person speaks pathetically, his feelings are sublime, he burns with passions and suffers. By and large, he is trying to attract public attention and seem like a spectacular person.

But all this is just a mask, and in reality there is no poetry in his soul, he is extremely self-confident, selfish and self-satisfied. Let's continue to characterize Grushnitsky. This person is so passionate about himself and his words that he is not interested in others, but only in himself. Therefore, he does not know how to listen and conduct a full dialogue.

However, his personality is not limited to such manners. The most important thing is that Grushnitsky does not shun a vile and base act, because gossip about the relationship between Pechorin and Mary begins to emanate from him. In addition, he is ready to participate in a duel with an unarmed opponent. The duel, by the way, reveals all the baseness of his personality and vile nature.

The role of Grushnitsky in the story

Pay attention to how Grushnitsky is dressed - he is wearing a shabby soldier's overcoat. Why? He wants to look like a brave sufferer who was demoted for some daring actions. However, all this looks more like a parody of Pechorin, and Grushnitsky, realizing this, begins to hate him. Although in general he does not shine with intelligence, and his pride does not allow him to discern more in Pechorin. strong personality.

Here’s another interesting thing about Grushnitsky’s characterization. As we read, we see that Grushnitsky falls in love with Princess Mary, who at first is interested in the young man, but in the end, prefers Pechorin. This causes jealousy and anger in Grushnitsky, and pushes him to a vile act. Having gathered like-minded people, they direct mockery at Mary. And they leave Pechorin’s pistol unloaded when he demands satisfaction in a duel for slander. Having learned about this, Pechorin did not forgive Grushnitsky and shot him.

So, Lermontov assigned an important role to this young cadet in the story “Hero of Our Time,” and in this article we looked at what brief description Grushnitsky. Read also the best

Who is Grushnitsky? Grushnitsky’s character traits “Good qualities” Posturing Narcissism Meanness Grushnitsky is a reflection of Pechorin

Who is Grushnitsky?

In the novel “Hero of Our Time,” Grushnitsky appears before us in the chapter “Princess Mary.” This is a cadet who served with Pechorin and, like him, ended up undergoing treatment on the waters. We immediately learn that Grushnitsky “wears, out of a special kind of dapperness, a thick soldier’s overcoat.” This overcoat is his mask, the “tragic mantle”, which

helps him appear in the eyes of women romantic hero, demoted to the ranks of soldiers for a duel. Pechorin, who himself more than once played one role or another in order to capture the lady’s heart, “understood him,” and Grushnitsky does not love him for this. And Pechorin doesn’t like him either. He feels that this young man is to some extent his competitor and that “someday they will collide on a narrow road.” The characterization of Grushnitsky in the novel “A Hero of Our Time” is mainly given by Pechorin. From his journal we learn what this character has under his mask.

Grushnitsky's character traits

“Good properties”

We must pay tribute to Pechorin,

he evaluates Grushnitsky objectively, seeing not only him negative traits, but also “good properties”.
When Grushnitsky stops playing his role, “he is quite sweet and funny” in his interactions with women, “quite sharp” in his tongue and is known as a brave man (although he rushes into battle with his eyes closed). And in seeking the love of Princess Mary, he does not play with her feelings, as it will look in the performance of Pechorin, but just wants to rise in the eyes of others.

Posturing

However, in general, the image of Grushnitsky in the novel “A Hero of Our Time” is negative. His main negative quality can be called posturing. His main pleasure is to “produce an effect.” He says and does almost nothing sincerely, from the heart. He has pompous phrases ready for all occasions. He does not strive to find beauty in life, but invents and depicts “extraordinary feelings, sublime passions and exceptional suffering.” So Grushnitsky didn’t really fall in love with Princess Mary - he was flattered by her attention, and when it disappeared, he simply got angry and began spreading dirty rumors about the girl.

Narcissism

Grushnitsky is so in love with himself that he does not see the danger posed by Pechorin. In contrast, “he doesn’t know people and their subtle strings,” because all his life he was concerned only with himself. Grushnitsky does not know how to listen to others, does not respond to objections in a dispute, instead uttering long tirades. He is confident in his irresistibility and does not consider Pechorin a rival. It is not surprising that Pechorin manages to recapture the princess from him quite easily.

meanness

By the end of the chapter, we learn that Grushnitsky, who at first seemed so sweet and harmless, is capable of meanness. This will be shown by the duel between Pechorin and Grushnitsky. Together with his company, he leaves his opponent's pistol unloaded. Only thanks to chance does Pechorin manage to uncover this insidious plan. Injured pride does not allow Grushnitsky to apologize for slandering Princess Mary even in the face of death.

Grushnitsky is a reflection of Pechorin

In the image of Grushnitsky one can discern all the features that are inherent in Pechorin, and this is precisely the meaning of this character. Pechorin looks at himself as if from the outside, and he does not like his own reflection. After all, he, like Grushnitsky, initially has no evil intentions, plays with people, but out of boredom, and not from a desire to make them unhappy. Nevertheless, his selfishness, like Grushnitsky’s narcissism, leads to tragic consequences. Is this why he does not feel triumph when he sees the bloody body of a colleague between the rocks? It's as if he himself is lying there.

Image

Grushnitsky's name is unknown. He looked about 20 years old. Nobleman. A native of the province. The guy's parents are simple people, without ranks and gold reserves in their chests.

Black-haired. Light curls of hair added a romantic touch to his image. The skin is dark. Has a mustache. Facial features are expressive. Well built.

Grushnitsky walked with a slight limp on one leg. An injury in service brought him to Pyatigorsk for treatment. The lameness did not cause any inconvenience to the young man. He was not embarrassed by her; on the contrary, he felt like a hero returning from the war. He liked how women reacted to his appearance, imbued with sincere admiration for him.

Character

Well-mannered Educated. He received a good education and a decent upbringing. Fluent in French. Well read.

Eternal romantic, with his head in the clouds and inventing various love stories in which he became the main character.

Loves women. Women are his weakness, but in communication with lovely creatures the young man was lost. He did not know how to show signs of attention, care, or shower with compliments. Therefore, he was uninteresting to them and seemed boring. In the case of Mary this is especially evident.

Sneaky. Capable of stabbing a knife in the back of anyone who gets in the way of achieving their goals. An example of this act is slander against Pechorin and a duel, where he, knowing that the enemy is unarmed, still agrees to take part in it.

Narcissistic. He hears and listens only to himself. Interrupts in conversation and does not allow others to speak to the end. Likes to give long tirades. He doesn’t know people at all, their psychology. For any occasion, he has a dozen pompous phrases in stock, which can be flaunted on occasion.

Poseur. Likes to impress others. This is his favorite activity. Not sincere in words and actions. Idle talker.

Grushnitsky mirror image of Pechorin

Pechorin saw his reflection in Grushnitsky and he definitely did not like this resemblance. Both love to play with people, setting their own rules and not thinking about how the game will affect their lives later. This is a kind of entertainment, a cure for boredom, but it is distinguished by its particular harshness and disregard for other people. Both are selfish and cocky.

Tragic ending

The duel could have been avoided by changing the tragic course of events. It was enough to apologize and ask for forgiveness from your opponent for slander and spreading dirty rumors - but this was beyond Grushnitsky’s strength. He believed that he and Pechorin were cramped on earth, and someone alone had to leave.

Fate pushed them head-on on a narrow path. It is not their rule to give way. Both were too stubborn and hated each other too much. Pechorin kills him, but does it without a drop of regret. He should have triumphed, seeing the defeated enemy, but he did not feel a sense of joy. Probably imagining how he himself could have ended up in the place of the murdered man.

What Grushnitsky achieved in his life. Nothing. He failed to become the hero of the novel, as he wanted. Dirty, worthless person. Causes nothing but self-pity. The weak link.

Grushnitsky is a minor character in the novel by M.Yu. Lermontov "Hero of Our Time". The article provides information about the character from the work, quotation description.

Full name

Not mentioned.

I turn around: Grushnitsky! We hugged.

Most likely, due to a slightly contemptuous attitude towards him:

he does not know people and their weak strings, because his whole life he has been focused on himself. His goal is to become the hero of a novel.

“You’re stupid,” I wanted to answer him, but I resisted and just shrugged.

Age

About 20 years.

he looks like he might be twenty-five years old, although he is hardly twenty-one.

Relation to Pechorin

Negative:

I understood him, and he doesn’t love me for this, although outwardly we are on the most friendly terms.

The end is hostile. Grushnitsky was killed by Pechorin in a duel.

I shot... When the smoke cleared, Grushnitsky was not on the site. Only the dust still curled in a light column on the edge of the cliff.

Grushnitsky's appearance

He has only been in the service for a year, and wears, out of a special kind of dandyism, a thick soldier’s overcoat. He has a soldier's cross of St. George. He is well built, dark and black-haired; he looks like he might be twenty-five years old, although he is hardly twenty-one. He throws his head back when he speaks and constantly twirls his mustache with his left hand, because he leans on a crutch with his right.

Social status

At first a cadet

Grushnitsky - cadet.

I bet she doesn't know you're a cadet

Subsequently becomes an officer.

Grushnitsky came and threw himself on my neck: he was promoted to officer

Half an hour before the ball, Grushnitsky appeared to me in the full radiance of an army infantry uniform.

Grushnitsky comes from a not very rich family in the outback. Has a good education and upbringing

on the eve of leaving his father's village

answered me loudly in French

you know, it’s somehow awkward to ask to come into the house, although this is common here

“You talk about a pretty woman like an English horse,” Grushnitsky said indignantly.

I’m afraid that the princess and I will have to start a mazurka - I don’t know almost a single figure...

Further fate

Killed in a duel.

Going down the path, I noticed the bloody corpse of Grushnitsky between the crevices of the rocks.

Personality of Grushnitsky

Grushnitsky is vain, dreams of becoming the hero of a novel

he does not know people and their weak strings, because his whole life he has been focused on himself.

he is one of those people... Making an effect is their pleasure

His arrival in the Caucasus is also a consequence of his romantic fanaticism

His goal is to become the hero of a novel. He tried so often to convince others that he was a being not created for the world, doomed to some kind of secret suffering, that he himself was almost convinced of it. That's why he wears his thick soldier's overcoat so proudly

wears, with a special kind of dandyism, a thick soldier's overcoat

I could never argue with him. He doesn't respond to your objections, he doesn't listen to you. As soon as you stop, he begins a long tirade, apparently having some connection with what you said, but which in fact is only a continuation of his own speech

Grushnitsky speaks pretentiously and importantly

under this thick gray overcoat beat a passionate and noble heart (about myself)

Grushnitsky likes to play himself as the greatest victim:

However, in those moments when he casts off his tragic mantle, Grushnitsky is quite nice

Grushnitsky managed to take a dramatic pose with the help of a crutch and answered me loudly

My soldier's overcoat is like a seal of rejection. The participation she excites is as heavy as alms

Yes, a soldier’s overcoat makes you a hero and a sufferer in the eyes of every sensitive young lady

Grushnitsky has absolutely no understanding of relationships and other people

You are a fool! - he said to Grushnitsky quite loudly..."

“You’re a fool, brother,” he said, “a vulgar fool!”

Grushnitsky, tugging at my hand, threw one of those dimly tender glances at her that have so little effect on women.

I know you are experienced in these things, you know women better than me... Women! women! who will understand them?.. (Grushnitsky about himself)

Grushnitsky hung a saber and a couple of pistols on top of his soldier’s overcoat: he was quite funny in this heroic attire

Grushnitsky is no stranger to nobility:

I will never agree! - said Grushnitsky (about an unfair duel)

only Grushnitsky seems to be more noble than his comrades. How do you think?

He blushed; he was ashamed to kill an unarmed man

But at the same time, weakness of character, pride and cowardice. For this reason, he could not help but shoot at Pechorin under pressure from his second

but pride and weakness of character had to triumph

his pride is especially offended

Grushnitsky smiled smugly

Self-satisfaction and at the same time some uncertainty were depicted on his face; his festive appearance, his proud gait would make me laugh if it were in accordance with my intentions

Oh self-love! you are the lever with which Archimedes wanted to lift the globe! (Pechorin about Grushnitsky)

Grushnitsky is reputed to be an excellent brave man; I saw him in action: he waves his saber, shouts and rushes forward, closing his eyes. This is not Russian courage!..

Coward! - answered the captain (about Grushnitsky)

About the injury

Grushnitsky went for treatment due to a leg wound.

I met him in the active detachment. He was wounded by a bullet in the leg and went to the waters a week before me

At that moment Grushnitsky dropped his glass on the sand and tried to bend down to pick it up: his bad leg was preventing him. Poor thing! how he managed to lean on a crutch, and all in vain. His expressive face really depicted suffering

made such a terrible grimace when he stepped on his shot leg

his leg suddenly recovered: he barely limps