The love story of the master and Margarita. Development of the love plot in the novel M

May the path be wide true love.
W. Shakespeare
G. Bulgakov believed that this is love and hatred, courage and passion, the ability to appreciate beauty and kindness. But love... it comes first. Bulgakov wrote the heroine of his novel with Elena Sergeevna, his beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of his, the Master’s, terrible burden, and became his Margarita.

The story of the Master and Margarita is not one of the lines of the novel, but its most important theme. All events, all the diversity of the novel, converge towards it. They didn’t just meet, fate collided with them on the corner of Tverskaya and Lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of us, like a killer jumps out of the ground in an alley...” - this is how Bulgakov describes the birth of love among his heroes. These comparisons already foreshadow the future tragedy of their love. But at first everything was very calm.
When they first met, they talked as if they had known each other a long time ago. Love flared up violently and it seemed like it should burn people to the ground, but she turned out to be homely and calm.

In the Master's basement apartment, Margarita, wearing an apron, kept house while her beloved worked on a novel. The lovers baked potatoes, ate them with dirty hands, and laughed. It was not sad yellow flowers that were placed in the vase, but the roses they both loved. Margarita was the first to read the finished pages of the novel, hurried the author, predicted his fame, and constantly called him Master. She repeated the phrases from the novel that she especially liked loudly and melodiously. She said that this novel was her life. This was an inspiration for the Master; her words strengthened his faith in himself.

Bulgakov very carefully and chastely talks about the love of his heroes. He was not killed by the dark days when the Master was defeated. Love was with him even during the Master’s serious illness. began when the Master disappeared for many months. Margarita thought about him tirelessly, and her heart never left him for a moment. Even when it seemed to her that her beloved was no longer there. The desire to find out at least something about his fate overcomes his mind, and then the devilish war begins, in which Margarita takes part. In all her devilish adventures, she is accompanied by the loving gaze of the writer. The pages dedicated to Margarita are a poem in the name of his beloved, Elena Sergeevna. I was ready to make “my last flight” with her. This is what he wrote to his wife on a gifted copy of his collection “Diaboliad”.

With the power of her love, Margarita returns the Master from oblivion. Bulgakov did not invent a happy ending for all the heroes of his novel: everything remained as it was before the invasion of the Satanic company in Moscow. And only for the Master and Margarita, Bulgakov, as he believed, wrote a happy ending: eternal peace awaits them in the eternal home that the Master was given as a reward.

Lovers will enjoy the silence, those they love will come to them... The Master will fall asleep with a smile, and she will forever protect his sleep. “The Master walked silently with her and listened. His troubled memory began to fade,” - this is how this tragic love ends.
And although in last words- the sadness of death, but there is also the promise of immortality and eternal life. It is coming true these days: the Master and Margarita, like their creator, are destined for a long life. Many generations will read this satirical, philosophical, but most importantly - lyrical love novel, which confirmed that the tragedy of love is the tradition of all Russian literature.

The novel “The Master and Margarita” unites what seems impossible to combine: history and fiction, reality and myth, funny and serious. But, reading the novel, you understand that it is impossible to write it any other way, because it presents three worlds - biblical antiquity, Bulgakov’s contemporary reality and the fantastic reality of the devil.

At first it seems that the connection between these worlds is conditional. The novel about Pilate and Yeshua Ha-Nozri is simply a novel within a novel, as a form. But over time, it turns out that the deeper meaning is in how the chapters that talk about biblical antiquity are connected with modernity. The center of the life of any society is a mentality built on moral laws. When you observe the life of Soviet society described by Bulgakov, it seems that people have forgotten about moral rules. So, the events of the first century are intended to remind people of the eternal laws of existence. Nothing has lost its relevance since that time. Cowardice is still considered a flaw that drags along with it. Treason remained betrayal.

And now people strive for goodness and justice. True, sometimes only for myself. But it seems that this is what unites all three worlds: faith in the law of justice, the inevitability of the punishment of evil. So, good and evil are the measure of human society and personality. For the author, justice for evil and return for good serve as the engine of the entire plot. There is something reckless about trying to solve the eternal problem of good versus evil by bringing Satan himself into the mix. So another world is added to reality, quite fantastic at first glance. But through him real world frees himself from gossip, like Aloysius Magarych, or slanderers and bribe-takers, drunkards and liars. The reader understands Margarita, who, having turned into a witch, takes revenge on the critic Latunsky by committing a real pogrom in his apartment.

The return of the Master to his home with Margarita, and the preservation of his novel, and the preservation of his novel seem to be a magical way of obtaining justice - “manuscripts do not burn!” In reality, all worlds are united. Nevertheless, the existence of the world of biblical antiquity, as well as the fantastic world of Woland, fills modernity with new content. Life is not so easy, but there is an eternal law of justice and goodness that guides human actions and the development of all mankind.

“He who loves must share the fate of the one he loves”

Bulgakov’s most famous novel “The Master and Margarita” is a multi-layered work in which there are several plans (including temporary ones), many themes, rich problematics and a bitter satire on society under the yoke of the Stalinist regime. Writers who expose the vices of society, individual citizens or a political regime always want to ask: “Who is to blame - have we already understood what to do?” Unlike many of them, Mikhail Bulgakov gives the answer: salvation is in love. Not in religion, not in any other political system, not in hermitage and oblivion, but precisely in all-consuming, courageous, selfless love.

The relationship between the Master and Margarita is forbidden from the point of view of public morality. She is the wife of a successful man, he is lonely. The disgraced writer could not fit into Soviet life; it was dangerous to even greet him. In the repressive Stalinist times, government officials spared no one: the victims of unprecedented genocide (when a ruler exterminates his own people) number in the millions. It is not surprising that the Master wanted to protect Margarita from the fate of a criminal’s wife, and perhaps a widow, an exile, and a prisoner. They took whole families. He could not offer his chosen one a tenth of what her husband provided her.

Margarita, in turn, could not just up and leave the family. With such a rash act, she would not leave her beloved a choice; he would be forced to earn money, that is, he would have to strangle the creator, the thinking person, the honest and free man within himself. Could Margarita kill the Master in her lover? No. Therefore, they remained lovers and were acutely aware of their humiliating, servile position; living a lie oppressed these sincere people. Thus, their union from the very beginning was doomed to martyrdom, even if they were legally married.

But what is legal marriage? Is it the society ridiculed by Bulgakov that decides what is legal? Or a cruel government mired in vices? Probably, marriage can only be called a civil union, that is, a relationship between citizens. People are citizens in relation to the state. But what right does the state have to teach us morality? Is this the state that exterminates, persecutes and humiliates us? Nobody but themselves loving people, cannot judge whether their feeling is moral. How many virtuous wives will share any fate with their husband? Unfortunately no. Their oaths are empty formalities. And Margarita, without promises or promises, made a deal with the devil, just to find out what happened to the Master. She sacrificed not only her body, but also her soul. These two are bound by an indissoluble bond.

The Master also sacrificed. When he was arrested and then sent to an insane asylum, he did not look for a way to inform Margot about his trouble. She, using her husband’s connections and money, could do something for her lover or at least brighten up his leisure time. But he, on the contrary, tried to erase her from his memory, hoping that she would forget him and would at least live in safety and comfort. For the good of his beloved woman, the Master wanted to leave her heart, to free her, because without him Margarita could count on a calm, prosperous existence. The highest power of this love is complete self-denial. The same silent feat was accomplished, for example, by Zheltkov in “ Garnet bracelet» Kuprina.

Margarita’s love lies not only in sacrifice, but also in the fact that she accepted and understood the Creator in her beloved. She loved his novel, perceived his fate as her own. By destroying the apartment of the critic Latunsky, Margot took revenge for the insulted, unaccepted work of the Master, took revenge for all the rejected and forgotten free art. In this fragment she is the vengeful Clio - the muse of history. Under its blows, the deceitful opportunism that portrays culture before the dictator perishes. Not many women can share their husband's calling, his divine destiny. Margo understands everything, and therefore takes care of and protects the Master, who is less adapted to practical life.

Political realities, it must be said, depend little on society. Society also depends little on the individual. He comes to society and either accepts its charter, or brings his own and pays for it. If the situation in the surrounding world squeezes a person out of a slave, then how can one accept it? The only way to maintain identity and mental health is to love so much that best qualities prevailed over the worst, and the outside world faded into the background and could not take away freedom from the individual. Today no one takes away anything, we ourselves give up our independence for illusory benefits, a career, ostentatious success and pseudo-happiness, indistinguishable from comfort. Bulgakov foresaw this and wanted to warn the reader. The most important thing is harmony in inner world, it depends only on us and on our ability to accept love “like a killer from around the corner.”

Many classic works of literature in one way or another touch on the theme of love, and Bulgakov’s novel “The Master and Margarita” is no exception in this regard.

Michal Bulgakov touches on this topic, revealing it not only in the relationship between the Master and Margarita, but also describing the character of Yeshua Ha-Nozri.

I think that the writer wanted to put the very embodiment of love into the image of Yeshua: he was beaten for preaching, betrayed, but despite everything, Yeshua tells the procurator that all the people who tormented him are kind. So special and unconditional love to all people shows the enormous strength of the hero, embodies forgiveness and mercy. Thus, Mikhail Bulgakov shows through the character the idea that God can forgive people because he loves them. From this side, love in the novel is revealed in the form of its highest form, its strongest expression.

On the other hand, the author reveals the theme of love through a description of the relationship between a man and a woman. The love between the characters brings them not only joy, but also a lot of grief; the writer even compares love to a killer, noting that, despite everything, it is inevitable and necessary.

The acquaintance of the characters of the Master and Margarita takes place in a completely deserted place, which is especially highlighted by the writer. Probably, by this he wanted to show that the meeting was planned by Woland, because in the end it led to the death of the heroes. In my opinion, the novel contains an indication of the inevitability of love from the very beginning, and the possibility of lovers to be happy only after death and the onset of peace. Love is shown as an eternal and constant phenomenon.

So, the main feature of the work’s theme of love is that this feeling is reflected independent of time and any circumstances.

Essay Theme and Power of Love of the Master and Margarita

Bulgakov's novel was completely innovative for that time. After all, it raises such controversial topics that will always be relevant. True love is the main problem that is raised in the book "The Master and Margarita". Both main characters are trying with all their might to build their happy lives.

During further reading, we learn that Margarita is a very difficult woman. She is the wife of some serious man. She doesn't have to want for anything. She has everything except happiness and love. After all, apparently, Margarita did not become a wife because of high feelings. Yes, she is a rich, stately woman, but not happy. After meeting the Master, Margarita realizes the power of real, true love. He is a poor writer who lives in a basement. The master is in a constant state of poverty, but this fact did not prevent him from falling in love with Margarita and making her happy.

The heroes of this novel really became happy, as each of them dreamed of this. But there is one fact that darkens their lives - Margarita’s marriage. Another factor hindering their happiness is the Master’s imprisonment for a novel that turned out to be anti-Soviet. It would seem that now there is no happiness, so live it: he is in a hospital for the mentally ill, and she is next to a man who will never make her happy.

It is at this moment that fate itself seems to send them a chance to find happiness. The devil himself offers Margarita a deal. Margarita cannot refuse, because this is the only chance to find happiness and not suffer with her unloved husband. For one evening she became queen world of the dead. For this, she asks Woland for only one thing - to return her beloved Master to her. And this helps them find happiness.

In order to become happy, Margarita had to sell her soul to the Devil. What a person will not do for true love. This is the most powerful feeling that can change many lives. Only love pushes people to do such things. You can give everything for her without asking for anything in return. Her strength is difficult to measure. And is it necessary? When we find love, we find true happiness.

Eternal love.

Bulgakov’s novel “The Master and Margarita” is a popular work that is read and loved both in Russia and abroad. The novel intertwined many pressing problems of the time and different topics for thought. But the most striking theme is, of course, the theme of love. Many people, even those who are familiar with the novel only by hearsay, when they hear the combination of the words Master and Margarita, imagine a story of unearthly love.

The author tells us about what the main character's life was like before meeting the heroine. He was a poor man who, having once received big win, began working on a novel about Pontius Pilate. Before the end of the novel, the main event of his life happened to him - a meeting with Margarita. She wasn't free, but that didn't stop her. Her old life now seemed meaningless to her. Many would think that that life was wonderful, because she had a house, a wealthy husband, and she was endowed with beauty. But she didn’t need all this, because it didn’t bring happiness, there was no meaning in life. This means that the meeting of the heroes was not accidental; they both needed this love.

What did this long-awaited love give them? She completely changed their lives, changed them. Real love This is usually how it happens: suddenly and forever. It became even easier for the master to write his novel; his inspiration was fueled by the beautiful Margarita. She admired him, encouraged him and supported him. They were happy together, like true lovers. When work on the novel was completed, they needed to leave their secret nest. But, unfortunately, they encountered cruel world that time. Back then, it was not so much talent that was valued, but rather the ability to adapt and find useful connections. They, their love, were opposed to the rest of the world.

The love of the heroes is so strong that they are both ready to make sacrifices. Margarita is ready to give up all earthly blessings, and the Master is afraid to ruin the life of his beloved. Margarita is the example and ideal of a loving woman. Moreover, she treats those around her with love, this can be seen at Satan’s ball, where everyone was rewarded with her attention and love. Even when she takes revenge on her enemies, she takes pity on the frightened child. She remains beautiful even in the form of a witch. The master gains strength and peace through love. He promises his beloved that he will never allow cowardice.

I dream that the school where I study has an attractive appearance. It has been modernly renovated and is equipped with modern appliances and furniture

The novel “The Master and Margarita” is dedicated to the story of a master - a creative personality opposed to the world around him. The master's story is inextricably linked with the story of his beloved. In the second part of the novel, the author promises to show “true, faithful, eternal love.” The love of the master and Margarita was exactly like that.

What does “true love” mean, according to M. Bulgakov? The meeting of the Master and Margarita was accidental, but the feeling that connected them until the end of their days was not accidental. It’s not for nothing that they recognize each other by the “deep loneliness” in their gaze. This means that even without knowing each other, they felt a great need for each other. That is why a miracle happened - they met.

“Love struck us both at once,” says the master. True love powerfully invades the life of those who love and transforms it! Everything everyday and ordinary becomes bright and significant. When Margarita appeared in the master’s basement, all the little things in his meager life began to glow from within, and everything faded when she left.

True love is selfless love. Before meeting the master, Margarita had everything that necessary for a woman to be happy: a handsome, kind husband who adored his wife, a luxurious mansion, finance. “In a word... was she happy? - the writer asks. - Not a single minute!.. Well necessary was this woman?.., she needed him, the master, not a Gothic mansion at all, and not a separate garden, and not money.” All material benefits turn out to be insignificant compared to the opportunity to be close to your loved one. When Margarita had no love, she was even ready to commit suicide. But at the same time, she does not want to harm her husband and, having made a decision, acts honestly: she leaves him a farewell note, where she explains everything.

True love, therefore, cannot harm anyone; it will not build its happiness at the expense of the misfortune of another person.

(based on the novel “The Master and Margarita” by M. Bulgakov)

What do we remember when we hear the name “Mikhail Bulgakov”? Of course, The Master and Margarita. Why? The answer is simple: here the question is raised about eternal values ​​- good and evil, life and death, spirituality and lack of spirituality. This is a satirical novel, a novel about the essence of art, the fate of the artist. But still, for me, this is, first of all, a novel about a real, true, eternal love. Novels in most cases fully correspond to their title, and main topic there is love in them. In the novel “The Master and Margarita” the author touches on this topic only in the second part. It seems to me that Bulgakov does this in order to prepare the reader, for him love is ambiguous, for him it is multifaceted. The whole love story of the Master and Margarita is a challenge to the surrounding everyday life, vulgarity, a protest against conformism, that is, passive acceptance of the existing order of things, unwillingness to resist circumstances. With its painful nonsense, this “ordinariness” drives a person to despair, when it’s time to shout like Pilate: “Oh gods, my gods, I’m poisoned, I’m poisoned!” And it’s scary, scary when vulgarity crushes. But when the Master says to Ivan: “My life, I must say, has not turned out quite as usual...”, a fresh, saving current bursts into the novel, although it is a tragic refutation of the ordinariness that can swallow up life.

Completely changing the theme of Faust, Bulgakov forces not the Master, but Margarita to contact the devil and enter the world of black magic. The only character who dares to make a deal with the devil is the cheerful, restless and brave Margarita, who is ready to risk anything to find her lover. Faust, of course, did not sell his soul to the devil for the sake of love - he was driven by a passion for the fullest possible knowledge of life. It is interesting that in the novel, which, at first glance, so closely resembles Faust, there is not a single character who corresponds to the main character of Goethe. What is certain is the similarity of the worldviews underlying these two works. In both cases, we are faced with the theory of the coexistence of opposites, with the idea that a person has the right to make mistakes, but at the same time he is obliged to strive for something that takes him beyond the limits of animal existence, everyday life, submissive and stagnant life. There is, of course, another important similarity - both Faust and the Master receive salvation from loving women.

And what’s interesting: Margarita, this witch who surrendered to the will of the devil, turns out to be a more positive character than the Master. She is faithful, purposeful, she is the one who pulls her beloved out of the oblivion of a madhouse. The master, an artist opposed to society, becomes cowardly, unable to fully fulfill the demands of his gift, gives up as soon as he has to suffer for art, resigns himself to reality, and it is no coincidence that the Moon turns out to be his last destination. The master did not fulfill his duty and was unable to continue his writing. The master is broken, he has stopped fighting, he longs only for peace...

There is no place for hatred and despair in Bulgakov's novel. The hatred and revenge that Margarita is filled with, breaking the windows of houses and drowning apartments, is more likely not revenge at all, but cheerful hooliganism, the opportunity to fool around that the devil gives her. The key phrase of the novel is the phrase standing right in the middle of it, noticed by many, but not explained by anyone: “Follow me, reader! Who told you that there is no true, faithful, eternal love in the world? May the liar's vile tongue be cut out! Follow me, my reader, and only me, and I will show you such love! The author, creating the main characters, endows them with extraordinary sensuality and hearts filled with love for each other, but he also separates them. He sends Woland, Satan, to help them. But why does it seem that such a feeling as love is helped by evil spirits? Bulgakov does not divide this feeling into light and dark, does not classify it into any category. This is an eternal feeling. Love is the same power, the same “eternal”, like life or death, like light or darkness. Love can be vicious, but it can also be divine; love in all its manifestations remains love first and foremost. Bulgakov calls love real, true and eternal, and not heavenly, divine or heavenly; he relates it to eternity, like heaven or hell.

All-forgiving and all-redeeming love - Bulgakov writes about it. Forgiveness overtakes one and all, inevitably, like fate: the checkered guy, known as Koroviev-Fagot, and the young page - the cat Behemoth, and the procurator of Judea Pontius Pilate, and the romantic Master, and his beloved. The writer shows that earthly love is heavenly love: appearance, clothing, era, time, place of life and place in eternity may change, but the love that overtakes you once strikes you in the heart once and for all. Love remains the same throughout all the times and all the eternities that we are destined to experience. She endows the heroes of the novel with the energy of forgiveness, the same energy that Master Yeshua displays in the novel and for which Pontius Pilate has been yearning for two thousand years. Bulgakov managed to penetrate the human soul and saw that it is the place where earth and sky meet. And then the author invents a place of peace and immortality for loving and devoted hearts: “Here is your home, here is your eternal home,” says Margarita, and somewhere far away the voice of another poet who has walked this road to the end echoes her:

Death and Time reign on earth, -

Don't call them rulers;

Everything, spinning, disappears into the darkness,

Only the sun of love is motionless.

Love... It is this that gives the novel mystery and uniqueness. Poetic love is the force that drives all the events of the novel. For her sake, everything changes and everything happens. Woland and his retinue bow before her, Yeshua looks at her from his light and admires her. Love at first sight, tragic and eternal, like the world. It is this kind of love that the heroes of the novel receive as a gift, and it helps them survive and find eternal happiness, eternal peace...