What are the problems in the product garnet bracelet. True love - Unified State Exam arguments

Alexander Ivanovich Kuprin is one of greatest writers 20th century. Many of his works entered the forefront of Russian literature, becoming a role model for many writers. One of these works is the story " Garnet bracelet", in which the author reveals a problem that remains relevant today.

From the very beginning of the story, we can see some ominous foreshadowing of future events. The disgusting weather, forcing people to move to the city, is replaced by quiet and cloudless days, bringing some peace and comfort in the soul of the main character of the story, Vera Nikolaevna. It is on her name day that the heroine receives an unexpected gift - a gold bracelet covered with five small garnets. Turning it in front of the fire of an electric lamp, she felt with alarm the resemblance of the scarlet stones in the bracelet to blood. This expensive gift to the princess was given by her secret admirer - an official of the control chamber Zheltkov. He did not have a noble origin, but his feelings for Vera Nikolaevna were so sincere that he gave a thing that was a relic in his family and meant a lot to him. But Zheltkov’s love for the heroine is unrequited and even tragic. At the name day, Vera Nikolaevna’s husband Vasily Lvovich ridicules the feelings of the unknown in his caricature. But the princess does not pay attention to such ridicule, not taking what is happening to her seriously.

It seems to me that there is only one character in the story who is able to understand all the feelings that Zheltkov experiences. This hero is General Yakov Mikhailovich Anosov. In the work he expresses Kuprin’s thoughts about love. "Where is love? Unselfish, selfless love, not waiting for reward? The one about which it is said “strong as death”? You see, the kind of love for which to perform any feat, to give one’s life, to go to torment is not at all labor, but only joy...Love should be a tragedy. After the name day, the heroine decided to accompany her grandfather to the carriage. And only he thinks that this story with Vera’s admirer is “...the kind of love that women dream about and which men are no longer capable of.”

In the story, the climactic scene is the farewell scene of Vera and Zheltkov. This moment is not only a plot point, but also a psychological one. When the heroine came to her admirer’s room, she saw a peaceful and important expression on Zheltkov’s face. That's when she realized that love was " little man" - this is the love that every woman dreams of. Passed by her. And the words of General Anosov about eternal and exclusive love turned out to be prophetic.



It seems to me that the garnet bracelet is not just a gift that changed Vera Nikolaevna’s life. This is a symbol of everything that is pure and holy that was in the hero’s life and that he decided to give to his loved one. This was precisely Zheltkov’s greatest feat, accomplished for the sake of love.

The final scene The story involves Vera Nikolaevna listening to the second movement of Beethoven's sonata. The heroine reflected on what happened to her over the past last days, and lines from the Bible surfaced in her thoughts. At this moment, she understands all of Zheltkov’s feelings and experiences. It seems to me that it was then that the princess realized that she was so unrequited and tragic love changed not only the life of the official, but also her own, opening the soul and heart of the heroine for the penetration of new emotions and feelings into them.

Thus, after reading the story "Garnet Bracelet", I realized that one hundred Kuprin is not only talented writer, but also a master of words. In a work written in 1911, he reveals problems that still exist today. These are problems of duty, honor, conscience and, of course, true love. In the story we can see that love is not just a flash remaining in the memory of the heroes. Love, according to Kuprin, is dedication, honesty and, most importantly, a feat that not everyone can do and which is worthy not only of respect, but also admiration in the faces of those who themselves have not experienced this feeling and who could not keep it in their hearts and soul.

The problem of love in the story by A.I. Kuprin "Garnet Bracelet"

It is difficult to find a writer or poet who would bypass the theme of love in his work, just as it is difficult to find a person whose heart has never been warmed by this bright feeling. Love is fertile ground for an artist, for without exaggeration we can say that it works miracles in the human soul: it is capable of completely transforming a person, revealing to him the immense depth of his inner world, helps him discover powers in himself that he himself did not even suspect he had. But love, alas, often brings suffering and torment; it often hurts the human heart and dooms it to the pain of unrequited and unrequited feelings...

In Kuprin’s works, love is often presented as a kind of supernatural force that exists as if on its own and completely dominates a person. She is ruthless because she is mortal, and nothing can control her. But at the same time she is pure and sublime feeling, and the person does not curse him at all, but, on the contrary, thanks God for this priceless gift. In this understanding of the nature of love, the author is especially close to its figurative characteristics in the Old Testament “Song of Solomon,” where “great waters cannot extinguish love, and rivers will not flood it,” for it is “strong as death,” and the beloved is “formidable as regiments with banners." Kuprin’s most poetic story, “Shulamith,” is a free adaptation of the images and motifs of the “Song of Songs.”

The hero of the story “The Garnet Bracelet” Zheltkov, a simple official of the control chamber, whose life is nothing remarkable, accidentally sees a girl belonging to high society in a circus box, and at the very first second he understands that he loves her. Zheltkov's love is irrational, inexplicable and uncontrollable. From now on, his whole life belongs to this beautiful girl, whom he does not even dare to approach. He is convinced that “there is nothing in the world like her, there is nothing better, there is no beast, no plant, no star, no man, more beautiful<...>and more tenderly" her. These comparisons may seem strange only to those who are not familiar with the images of the Song of Songs, where the beloved is a “locked garden”, a “sealed spring”, her nose is the “Tower of Lebanon”, and her teeth are “like a flock of shorn sheep emerging from baths."

The object of his tender passion, Vera Nikolaevna, soon marries a wealthy and kind person, Prince Shein. For some time, she has been receiving ardent and passionate love letters from a person unknown to her, but she does not attach any importance to them and does not think about who this person is and what purpose his messages serve. Several years pass, and her “former passionate love for her husband turns into a feeling of lasting, faithful, true friendship.” Vera's unknown admirer had long ago stopped bombarding her with letters, only occasionally sending her short holiday greetings. On her name day, from which, in fact, the story begins, she receives from her anonymous lover a garnet bracelet with a letter, where he asks not to be angry at his daring intervention in her life and to accept this gift. Vera, accustomed to consulting with her husband in everything, this time leaves him to decide what to do. But in the depths of her soul she is overcome by doubts: does she have the right to reveal a secret that concerns only her? On the other hand, what can she do? Thinking about love for a person whom she does not know and has never even seen is absurd; trying to understand whether his feeling is sincere is useless and unnecessary. However, her heart is restless: she thinks about love - that ideal, sublime love that is written about in novels and legends are made, and which - she realizes this - has never touched her life...

The story ends tragically. Vera's brother and husband find Zheltkov and demand that he stop interfering in their personal lives. But Zheltkov is powerless before the feeling to which his whole life is subordinated. He sees only one way out: to die. Vera is deeply shocked. She visits Zheltkov’s apartment, where she sees him for the first time, already dead. He lies in a coffin, and on his face is a calm and serene smile. At this moment, she feels that “the love that every woman dreams of has passed her by.” Arriving home, she fulfills the last wish of the deceased: she listens to the Beethoven sonata, which they both loved. Music united them, they heard and forgave each other.

Kuprin does not reveal to us what happened to Vera later, after she came into contact with the secret of love. At first glance, this story is completely tragic: the lover dies without waiting for reciprocal love, and her heart, which barely opened to the long-awaited feeling, is doomed to eternal suffering. But the writer puts a deeper meaning into the concept of love. He idealizes her, because he believes that absolutely everything is available to her. Lovers understand each other without words, and even physical death cannot separate them. Vera hears the voice of her lover: “Calm down, I’m with you... because you and I loved each other only for one moment, but forever.” The story ends with the words: “Everything is fine.” And this is a bright ending, because love, according to the writer, is stronger than death.

Alexander Ivanovich Kuprin is a Russian writer who, without a doubt, can be classified as a classic. His books are still recognizable and loved by the reader, not only under the compulsion of a school teacher, but at a conscious age. Distinctive feature his work is documentary, his stories were based on real events or real events became the impetus for their creation - among them the story “Garnet Bracelet”.

“The Garnet Bracelet” is a true story that Kuprin heard from friends while looking through family albums. The governor's wife made sketches for letters sent to her by a certain telegraph official who was unrequitedly in love with her. One day she received a gift from him: a gold-plated chain with a pendant in the shape of an Easter egg. Alexander Ivanovich took this story as the basis for his work, turning these meager, uninteresting data into a touching story. The writer replaced the chain with the pendant with a bracelet with five garnets, which, according to what King Solomon said in one story, mean anger, passion and love.

Plot

“The Pomegranate Bracelet” begins with preparations for the celebration, when Vera Nikolaevna Sheina suddenly receives a gift from an unknown person: a bracelet with five garnets flecked in green. The paper note that came with the gift stated that gem capable of endowing the owner with foresight. The princess shares the news with her husband and shows a bracelet from an unknown person. As the action progresses, it turns out that this person is a petty official named Zheltkov. He first saw Vera Nikolaevna at the circus many years ago, and since then the suddenly flared up feelings have not faded away: even her brother’s threats do not stop him. However, Zheltkov does not want to torment his beloved, and he decides to commit suicide so as not to bring shame on her.

The story ends with the realization of the strength of the stranger’s sincere feelings, which comes to Vera Nikolaevna.

Love theme

Main topic The work “Garnet Bracelet” is undoubtedly the theme of unrequited love. Moreover, Zheltkov is a shining example of selfless, sincere, sacrificial feelings that he does not betray, even when his loyalty cost his life. Princess Sheina also fully feels the power of these emotions: years later she realizes that she wants to be loved and love again - and the jewelry donated by Zheltkov marks the imminent appearance of passion. Indeed, she soon falls in love with life again and feels it in a new way. you can read on our website.

The theme of love in the story is frontal and permeates the entire text: this love is high and pure, a manifestation of God. Vera Nikolaevna feels internal changes even after Zheltkov’s suicide - she learned the sincerity of a noble feeling and willingness to sacrifice herself for the sake of someone who will give nothing in return. Love changes the character of the entire story: the princess’s feelings die, fade, fall asleep, having once been passionate and ardent, and turned into a strong friendship with her husband. But Vera Nikolaevna still continues to strive for love in her soul, even if this has dulled over time: she needed time to let passion and sensuality come out, but before that her calmness could seem indifferent and cold - this puts a high wall for Zheltkov.

Main characters (characteristics)

  1. Zheltkov worked as a minor official in the control chamber (the author placed him there to emphasize that the main character was a small man). Kuprin does not even indicate his name in the work: only the letters are signed with initials. Zheltkov is exactly how the reader imagines a man of low position: thin, pale-skinned, straightening his jacket with nervous fingers. He has delicate facial features and blue eyes. According to the story, Zheltkov is about thirty years old, he is not rich, modest, decent and noble - even Vera Nikolaevna’s husband notes this. The elderly owner of his room says that during the eight years that he lived with her, he became like family to her, and he was a very nice person to talk to. “...Eight years ago I saw you in a box at the circus, and then in the first second I said to myself: I love her because there is nothing like her in the world, there is nothing better...” - this is how it begins modern fairy tale about Zheltkov’s feelings for Vera Nikolaevna, although he never cherished hopes that they would be mutual: “...seven years of hopeless and polite love...”. He knows the address of his beloved, what she does, where she spends her time, what she wears - he admits that he is not interested in anything other than her and is not happy. you can also find it on our website.
  2. Vera Nikolaevna Sheina inherited her mother's appearance: a tall, stately aristocrat with a proud face. Her character is strict, uncomplicated, calm, she is polite and courteous, kind to everyone. She has been married to Prince Vasily Shein for more than six years; together they are full members of high society, organizing balls and receptions, despite financial difficulties.
  3. Vera Nikolaevna has a younger sister, Anna Nikolaevna Friesse, who, unlike her, inherited her father’s features and his Mongolian blood: narrow eyes, femininity of features, flirtatious facial expressions. Her character is frivolous, perky, cheerful, but contradictory. Her husband, Gustav Ivanovich, is rich and stupid, but he idolizes her and is constantly nearby: his feelings seem to have not changed from the first day, he looked after her and still adored her just as much. Anna Nikolaevna cannot stand her husband, but they have a son and a daughter, she is faithful to him, although she treats him quite contemptuously.
  4. General Anosov is Anna's godfather, his full name- Yakov Mikhailovich Anosov. He is fat and tall, good-natured, patient, hard of hearing, he has a large, red face with clear eyes, he is very respected for the years of his service, fair and courageous, has a clear conscience, always wears a frock coat and cap, uses a hearing horn and a stick.
  5. Prince Vasily Lvovich Shein is the husband of Vera Nikolaevna. Little is said about his appearance, only that he has blond hair and a large head. He is very soft, compassionate, sensitive - he treats Zheltkov’s feelings with understanding, and is unshakably calm. He has a sister, a widow, whom he invites to the celebration.
  6. Features of Kuprin's creativity

    Kuprin was close to the theme of the character’s awareness of life’s truth. He saw the world around him in a special way and sought to learn something new; his works are characterized by drama, a certain anxiety, and excitement. “Cognitive pathos” - they call it business card his creativity.

    In many ways, Kuprin’s work was influenced by Dostoevsky, especially in the early stages, when he writes about fatal and significant moments, the role of chance, the psychology of characters’ passions - often the writer makes it clear that not everything can be understood.

    It can be said that one of the features of Kuprin’s work is a dialogue with readers, in which the plot is traced and reality is depicted - this is especially noticeable in his essays, which in turn were influenced by G. Uspensky.

    Some of his works are famous for their lightness and spontaneity, poeticization of reality, naturalness and authenticity. Others are the theme of inhumanity and protest, the struggle for feelings. At some point, he begins to be interested in history, antiquity, legends, and thus fantastic stories are born with motives of the inevitability of chance and fate.

    Genre and composition

    Kuprin is characterized by a love of plots within plots. “The Garnet Bracelet” is further proof: Zheltkov’s note about the qualities of the jewelry is the plot within the plot.

    The author shows love from different points of view - love in general terms and Zheltkov’s unrequited feelings. These feelings have no future: marital status Vera Nikolaevna, the difference in social status, circumstances - everything is against them. This doom reveals the subtle romanticism invested by the writer in the text of the story.

    The entire work is ringed by references to the same thing. piece of music- Beethoven sonatas. Thus, the music that “sounds” throughout the story shows the power of love and is the key to understanding the text, heard in the final lines. Music communicates the unsaid. Moreover, it is Beethoven’s sonata at the climax that symbolizes the awakening of Vera Nikolaevna’s soul and the awareness that comes to her. Such attention to melody is also a manifestation of romanticism.

    The composition of the story implies the presence of symbols and hidden meanings. So the fading garden implies the fading passion of Vera Nikolaevna. General Anosov tells short stories about love - these are also small plots within the main narrative.

    It is difficult to determine the genre of “Garnet Bracelet”. In fact, the work is called a story largely due to its composition: it consists of thirteen short chapters. However, the writer himself called “The Garnet Bracelet” a story.

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Introduction
“The Garnet Bracelet” is one of the most famous stories by Russian prose writer Alexander Ivanovich Kuprin. It was published in 1910, but for the domestic reader it still remains a symbol of unselfish, sincere love, the kind that girls dream about, and the one that we so often miss. We previously published this wonderful work. In this same publication we will tell you about the main characters, analyze the work and talk about its problems.

The events of the story begin to unfold on the birthday of Princess Vera Nikolaevna Sheina. They celebrate at the dacha with their closest people. At the height of the fun, the hero of the occasion receives a gift - a garnet bracelet. The sender decided to remain unrecognized and signed the short note only with the initials of the HSG. However, everyone immediately guesses that this is Vera’s long-time admirer, a certain petty official who has been inundating her with love letters for many years. The princess's husband and brother quickly figure out the identity of the annoying suitor and the next day they go to his home.

In a wretched apartment they are met by a timid official named Zheltkov, he meekly agrees to take the gift and promises never to appear in front of the respectable family again, provided that he makes a final farewell call to Vera and makes sure that she does not want to know him. Vera Nikolaevna, of course, asks Zheltkov to leave her. The next morning the newspapers will write that a certain official took his own life. In his farewell note, he wrote that he had squandered government property.

Main characters: characteristics of key images

Kuprin is a master of portraiture, and through appearance he draws the character of the characters. The author pays a lot of attention to each character, devoting a good half of the story to portrait characteristics and memories, which also reveal characters. The main characters of the story are:

  • – princess, central female image;
  • - her husband, the prince, the provincial leader of the nobility;
  • - a minor official of the control chamber, passionately in love with Vera Nikolaevna;
  • Anna Nikolaevna Friesse– Vera’s younger sister;
  • Nikolai Nikolaevich Mirza-Bulat-Tuganovsky– brother of Vera and Anna;
  • Yakov Mikhailovich Anosov- general, military comrade of Vera’s father, close friend of the family.

Vera is an ideal representative of high society in appearance, manners, and character.

“Vera took after her mother, a beautiful Englishwoman, with her tall, flexible figure, gentle but cold and proud face, beautiful, albeit rather large hands and that charming sloping shoulders that can be seen in ancient miniatures.”

Princess Vera was married to Vasily Nikolaevich Shein. Their love had long ceased to be passionate and moved into that calm stage of mutual respect and tender friendship. Their union was happy. The couple did not have children, although Vera Nikolaevna passionately wanted a baby, and therefore gave all her unspent feelings to the children of her younger sister.

Vera was royally calm, coldly kind to everyone, but at the same time very funny, open and sincere with close people. She was not characterized by such feminine tricks as affectation and coquetry. Despite her high status, Vera was very prudent, and knowing how poorly things were going for her husband, she sometimes tried to deprive herself so as not to put him in an uncomfortable position.



Vera Nikolaevna’s husband is a talented, pleasant, gallant, noble person. He has an amazing sense of humor and is a brilliant storyteller. Shein keeps a home journal, which contains true stories with pictures about the life of the family and those close to them.

Vasily Lvovich loves his wife, perhaps not as passionately as in the first years of marriage, but who knows how long passion actually lasts? The husband deeply respects her opinion, feelings, and personality. He is compassionate and merciful to others, even those who are much lower in status than him (this is evidenced by his meeting with Zheltkov). Shein is noble and endowed with the courage to admit mistakes and his own wrongness.



We first meet Official Zheltkov towards the end of the story. Until this moment, he is present in the work invisibly in the grotesque image of a klutz, an eccentric, a fool in love. When the long-awaited meeting finally takes place, we see before us a meek and shy person, it is customary to not notice such people and call them “little”:

“He was tall, thin, with long, fluffy, soft hair.”

His speeches, however, are devoid of the chaotic whims of a madman. He is fully aware of his words and actions. Despite his apparent cowardice, this man is very courageous; he boldly tells the prince, Vera Nikolaevna’s legal husband, that he is in love with her and cannot do anything about it. Zheltkov does not fawn over the rank and position in society of his guests. He submits, but not to fate, but only to his beloved. And he also knows how to love – selflessly and sincerely.

“It so happened that I am not interested in anything in life: neither politics, nor science, nor philosophy, nor concern for the future happiness of people - for me life lies only in you. I now feel that I have crashed into your life like some kind of uncomfortable wedge. If you can, forgive me for this"

Analysis of the work

Kuprin got the idea for his story from real life. In reality, the story was more of an anecdotal nature. A certain poor telegraph operator named Zheltikov was in love with the wife of one of Russian generals. One day this eccentric was so brave that he sent his beloved a simple gold chain with a pendant in the shape of an Easter egg. It's hilarious and that's it! Everyone laughed at the stupid telegraph operator, but the inquisitive writer’s mind decided to look beyond the anecdote, because behind the apparent curiosity there can always be a real drama hidden.

Also in “The Pomegranate Bracelet,” the Sheins and their guests first make fun of Zheltkov. Vasily Lvovich even has a funny story about this in his home magazine called “Princess Vera and the telegraph operator in love.” People tend not to think about other people's feelings. The Sheins were not bad, callous, soulless (this is proven by the metamorphosis in them after meeting Zheltkov), they just did not believe that the love that the official admitted could exist..

There are many symbolic elements in the work. For example, a garnet bracelet. Garnet is a stone of love, anger and blood. If a feverish person picks it up (a parallel with the expression “love fever”), the stone will take on a more saturated hue. According to Zheltkov himself, this special type of pomegranate (green pomegranate) gives women the gift of foresight, and protects men from violent death. Zheltkov, having parted with his amulet bracelet, dies, and Vera unexpectedly predicts his death.

Another symbolic stone - pearls - also appears in the work. Vera receives pearl earrings as a gift from her husband on the morning of her name day. Pearls, despite their beauty and nobility, are an omen of bad news.
The weather also tried to predict something bad. On the eve of the fateful day, a terrible storm broke out, but on the birthday everything calmed down, the sun came out and the weather was calm, like a calm before a deafening clap of thunder and an even stronger storm.

Problems of the story

The key problem of the work is the question “What is true love? In order for the “experiment” to be pure, the author provides different types“love.” This is the tender love-friendship of the Sheins, and the calculating, convenient love of Anna Friesse for her indecently rich old man-husband, who blindly adores her soul mate, and the long-forgotten ancient love of General Amosov, and the all-consuming love-worship of Zheltkov for Vera.

Main character For a long time she herself cannot understand whether it is love or madness, but looking into his face, albeit hidden by the mask of death, she is convinced that it was love. Vasily Lvovich draws the same conclusions after meeting his wife’s admirer. And if at first he was somewhat belligerent, then later he could not be angry with the unfortunate man, because, it seems, a secret was revealed to him, which neither he, nor Vera, nor their friends could comprehend.

People are selfish by nature and even in love, they think first of all about their feelings, masking their own egocentrism from their other half and even themselves. True love, which occurs between a man and a woman once every hundred years, puts the beloved first. So Zheltkov calmly lets Vera go, because that’s the only way she will be happy. The only problem is that he doesn’t need life without her. In his world, suicide is a completely natural step.

Princess Sheina understands this. She sincerely mourns Zheltkov, a man whom she practically did not know, but, oh my God, perhaps true love, which occurs once every hundred years, passed her by.

“I am eternally grateful to you just for the fact that you exist. I tested myself - this is not a disease, not a manic idea - this is love with which God was pleased to reward me for something... Leaving, I say in delight: “Let him be holy.” Your name

Place in literature: Literature of the 20th century → Russian literature of the 20th century → Works of Alexander Ivanovich Kuprin → The story “Garnet Bracelet” (1910)

The story of the great genius of love prose A.I. Kuprin “The Garnet Bracelet” can be interpreted in different ways, discussing who the real hero is here. The opinions of critics differ on this issue, some consider Zheltkov to be the hero, trying by any means to prove his love, but also to declare his existence, others prefer the heroine’s husband, who simply wants his wife to be happy. Analyzing the work according to plan will help you figure this out. This material can be used in preparation for the Unified State Exam in literature in 11th grade.

Brief Analysis

Year of writing— 1910

History of creation— The writer took the plot as a basis real story, told to him by one of his friends.

Theme - The main theme of this story is love, unrequited and real.

Composition - The exposition begins with action introducing the characters of the story, followed by the beginning when Vera Nikolaevna receives a garnet bracelet as a gift. Features of the composition in the use of symbols, secret meanings. Here is the garden, which is described in a time of withering, and the short story, the bracelet itself, the main symbol is the Beethoven sonata, which is the leitmotif of the story. The action develops, Zheltkov dies, and the culminating moment is a Beethoven sonata, and the denouement.

Genre - It is difficult to determine the genre essence of “The Garnet Bracelet”. Based on its composition, consisting of thirteen chapters, it can be classified as a story, and the writer himself believed that “The Garnet Bracelet” is a story.

Direction - In the story, everything is subordinated to the direction of realism, where a slight touch of romanticism is felt.

History of creation

The story of the creation of the story has a real basis. Once upon a time, the writer was visiting a friend of his, where they were looking at family photographs. An acquaintance told a story that happened in his family. Some official fell in love with his mother, he wrote letters to her. One day this petty official sent his beloved woman some trinket as a gift. Having found out who this official was, they gave him a suggestion, and he disappeared from the horizon. Kuprin came up with the idea to embellish this story, covering the love theme in more detail. He added romantic notes, elevated the ending and created his “Garnet Bracelet”, leaving the essence of the story. The year the story was written was 1910, and in 1911 the story was published in print.

Subject

A Alexander Kuprin is considered the unsurpassed Russian genius of love prose; he created many works glorifying love in all its manifestations.

In “The Garnet Bracelet,” the analysis of the story is subordinated to this favorite theme of the author, the theme of love.

In essence, this work examines moral issues relations related to love relationships heroes of the story. In this work, all events are connected with love, this is even the meaning of the title of this story, since the pomegranate is a symbol of love, a symbol of passion, blood and anger.

The writer, giving such a name to his title, immediately makes it clear what the main idea of ​​​​the story is devoted to.

He is considering various shapes love, its various manifestations. Each person described by the writer has a different attitude towards this feeling. For some, it's just a habit, social status, superficial well-being. For another, this is the only, real feeling, carried throughout life, for which it was worth living.

For the main character Zheltkov, love is a sacred feeling for which he lives, realizing that his love is doomed to be unrequited. The adoration of his beloved woman helps him endure all the hardships of life and believe in the sincerity of his feelings. Vera Nikolaevna for him is the meaning of his whole life. When Zheltkov was told that by his behavior he was compromising the woman he loved, the official concluded that problems of social inequality would always stand in his way to happiness, and committed suicide.

Composition

The composition of the story contains many secret meanings and symbols. The garnet bracelet gives a clear definition of the all-consuming theme of passionate love, defining it as blood, making it clear that this love can be destructive and unhappy, anger led to Zheltkov’s suicide.

The fading garden reminds us of Vera Nikolaevna’s fading love for her husband. Drawings and poems in her husband’s family notes are the story of his love, sincere and pure, which has not undergone any changes throughout their entire life. life together. Despite her fading passion and cool attitude towards him, he continues to truly love his wife.

General Amosov prefers to share stories of love with his interlocutors, which is also symbolic. This is the only person in the work who correctly understands the true essence of love. He is a great psychologist, an expert human souls, clearly seeing all their secret and obvious thoughts.

Beethoven's second sonata runs like a red thread through the entire work, main symbol the whole story. The action develops against the background of music. The final sound of the sonata is a strong climax. Beethoven's work reveals all the understatements, all the innermost thoughts and feelings of the characters.

The beginning of the action - Vera Nikolaevna receives a gift. Development of the action - brother and husband go to sort things out with Zheltkov. Main character the work, remaining on the sidelines throughout the entire narrative, commits suicide. The climax is when Beethoven’s sonata sounds, and Vera Nikolaevna comes to an awareness of her life.

Kuprin masterfully ends his story, bringing all the actions to a denouement where the true power of love is revealed.

Under the influence of music, the sleeping soul of Vera Nikolaevna awakens. She begins to understand that she has lived, in essence, a purposeless and useless life, all the time creating the visible well-being of a happy family, and the true love that has accompanied her all her life has passed by.
What a writer’s work teaches, everyone decides in their own way; here everything depends on the reader. Only he decides in whose favor to make a choice.

Genre

The work of the great writer consists of thirteen chapters and belongs to the genre of the story. The writer believed that this was a story. The period of events taking place lasts for a long time, it involves a large number of characters, and it fully corresponds to the accepted genre.

  • The power of love makes a person change for the sake of the one he loves
  • Love is not always beautiful on the outside, it is expressed in happiness inside a person
  • Love can make a person do rash, fearless and even immoral things
  • The essence of love lies in the fact that loving person will never hurt her lover
  • Love for people is the ability to sacrifice oneself for their happiness
  • Love brings out the best feelings in a person

Arguments

L.N. Tolstoy "War and Peace". Pierre Bezukhov's love for Natasha Rostova can be called real. He knew that Natasha was the fiancée of Andrei Bolkonsky, his friend, so he did not allow himself too much. Pierre's best feelings were manifested in his readiness to help and support in a difficult situation. He respected the man he loved. Pierre had the opportunity to look after Natasha when Prince Andrei was away, but he considered it low to interfere with someone else's happiness and ruin the relationships of people close to him. This is true love: it lives inside a person, manifests itself in noble deeds.

A. Kuprin “Garnet Bracelet”. Zheltkov, an ordinary official, turns out to be capable of true love. Love for Vera Sheina is the basis of his life. Zheltkov dedicated his entire existence to this woman. He understood that they could not be together: the social status of these two people was very different. Zheltkov did not interfere with Vera Nikolaevna’s life, did not dream of winning her, but simply loved her - this was the highest happiness for him. The hero’s suicide is not cowardice, because he died so as not to disturb Vera Sheina. Zheltkov gave her the most expensive thing he had - a garnet bracelet. He said goodbye to life with a feeling of gratitude for everything that love gave him.

M. Bulgakov “The Master and Margarita”. Margarita’s love for the Master can be called real, incredibly strong. Margarita is ready to do anything that will allow her to be with her loved one again. She makes a deal with the devil and becomes queen at Satan's ball. And all for the sake of one person - the Master, without whom she cannot live. Love motivates a person to do the craziest things. The power of love is greater than the feeling of fear. Margarita proves this, for which she receives a reward - eternal peace with the Master.

Jack London "Martin Eden". Coming from a working class background, poor young sailor Martin Eden falls in love with Ruth Morse, a girl belonging to the upper class. Love encourages a poorly educated young man to develop himself in order to overcome the abyss that separates him and Ruth. Martin Eden reads a lot and begins to write his own works. Soon he becomes one of the most educated people, having his own opinion on everything, most often different from the prevailing opinions in society. Martin Eden and Ruth Morse are engaged, but this is kept secret, because the young man is still trying to become a writer, but still has no money in his pocket. Nobody believes in Martin Eden: neither the sisters, nor Ruth, nor the Morse family. He works hard in the name of love: he writes, sleeps for four hours, reads, writes again, because he truly loves Ruth and wants to ensure their happiness. After a scandal surrounding the personality of Martin Eden, caused by a young reporter, the engagement is broken off. Ruth doesn't even want to talk to him. But when he becomes popular, rich, and receives recognition, then they begin to love him. Ruth is no longer against marrying him: she says that she has always loved him, that she made a terrible mistake. But Martin Eden does not believe these words. He realizes that he has not changed a bit during this time. When the engagement was broken off, works that received recognition had already been written. This means that since Ruth broke up with him then, she didn’t really love him. But Martin Eden's love was true, real, pure.

M. Gorky “Old Woman Izergil”. Not only love between two hearts can be real, but also love for people in general. Danko, the hero of the work, sacrifices his life in the name of saving people. His goal is noble. Danko rips the heart out of his chest and lights the way for them. People come out of the forest and are saved. But no one remembers the hero’s feat, and yet he gave his life for the happiness of those around him.