Everyday genre in art presentation. Everyday genre of fine art

Slide 2

Household genre in Russia.

In the seventies of the 19th century, a new creative association, independent of the Academy of Arts, arose - the Association of Mobile art exhibitions. The organization of the Itinerants very soon turned into the largest center of artistic life in Russia, into a stronghold of the new realistic direction in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, increasingly lost its authority and this role of the main center.

Slide 3

Created on the initiative of G.G. Myasoedova, N.N. Ge, V.G. Perov, the Partnership included in its composition the advanced forces of the Russian democratic artistic culture. The ideological and organizational leader of the Peredvizhniki for many years was I.N. Kramskoy.

Slide 4

In their work, the Peredvizhniki, based on the realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The everyday genre was the leading one in their work. The art of portraiture, remarkable for its richness of socio-psychological characteristics, also occupied an important place among them. Many of the works of the Peredvizhniki are dedicated to Russian history, in which their attention was especially attracted by the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In their landscape works, the Peredvizhniki turned to simple, ordinary motifs. native nature, creating paintings imbued with a patriotic feeling and great social content. A significant number of works by the Wanderers reproduced images folk art and literature. Truthfully depicting events and scenes from life, in their works they pronounced judgment on the surrounding reality and exposed the cruel oppression of the people. At the same time, the Wanderers showed the heroic struggle of the people for social and national liberation, wisdom, beauty, strength of the working man, diversity and poetic charm of their native nature.

Slide 5

Household genre in Russia.

With their creativity, the Peredvizhniki actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against autocracy and the remnants of serfdom in Tsarist Russia. That is why the Itinerants were supported by the advanced part of society. Throughout the 70-80s of the 19th century, the work of the Itinerants deepened and improved. Their organization grew stronger, gaining more and more authority and popularity among the general public.

Slide 6

From the very beginning of his independent creative activity, Perov took the path of social satire, which received widespread development in his art. Perov entered painting as a genre painter. In his early works, he used the achievements of his predecessor, the founder of critical realism in painting - P. A. Fedotov, whose works for the first time explained the social meaning of the depicted phenomena. Fedotov was Perov’s predecessor in his views on the tasks of art. Perov set a new one in his work, the most pressing problem of his time, associated with the situation of the peasants. Neither Fedotov nor Perov’s other predecessor, Venetsianov, touched on this problem.

Slide 7

Historical themes in Perov's paintings.

Perov has been interested in historical topics for a long time. It is known that while still at the School of Painting and Sculpture, he made sketches for “Stepan Razin”. Now, many years later, having approached the creation of a historical painting as a mature master, Perov set a very difficult task - to write a triptych in which he intended to unfold the history of the Pugachev uprising. In the first picture of the triptych, he wanted to reveal the causes of the uprising, in the second - to depict the uprising itself, and in the third - to convey reprisals against the landowners. But out of the entire triptych, he managed to paint only the third picture - “Pugachev’s Court”.

Slide 8

The large multi-figure painting “Nikita Pustosvyat” (1881) testifies to the artist’s enormous work in the field historical painting. But, taking up the plot from the schismatic movement at the turn of the 17th-18th centuries, which united various opposition groups, Perov also could not provide a satisfactory solution to the task he set, although, perhaps, he came a little closer to realizing his plan. And yet, despite the failures, Perov was the only one of the entire galaxy of contemporary painters who correctly understood the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined ways to solve this problem - and this is his great merit.

Slide 9

The significance of Perov in the history of Russian painting is enormous. He was one of the first among artists to speak out against the blatant lawlessness and oppression in which Russian peasantry in post-reform Russia. Revealing the ulcers of the social system of Tsarist Russia, Perov mercilessly denounced everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined their paths further development. With his deep ideological purposefulness, Perov sets an example of patriotic service to his homeland, his people. His art excites the modern Soviet viewer with its depth of thought and high skill.

Slide 10

The painter always combined creative work with active social activities. It was he who took the initiative to create a new type of artist organization - the Association of Traveling Art Exhibitions. The idea of such an organization originated with Myasoedov back in 1867, when he was abroad and had the opportunity to observe the activities of European artists in organizing traveling exhibitions, held mainly for commercial purposes.

Slide 11

On November 29, 1871, the first traveling art exhibition opened in St. Petersburg, which was then shown in Moscow, Kyiv and Kharkov. Myasoedov presented for this exhibition the painting “Grandfather of the Russian Fleet. (Boat of Peter I)” (1871), in which the solution to the historical theme is given in everyday terms.

Slide 12

Myasoedov's creativity.

Studying the life of the Russian peasantry leads Myasoedov to stories telling about ancient beliefs and customs, their role in the life of the people. Thus, in the painting “Plowing” (1876) an ancient ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.

Slide 13

1878-80 Myasoedov is working on two versions of “Drought,” which features a prayer service in a field. In parallel, there is a search in the field of historical topics: the artist paints the painting “Self-Burners” (1882-84), the plot of which is very closely related to previous genre paintings.

Slide 14

By the beginning of the 1880s. in Myasoedov’s work it is planned new stage. In the landscape “Road in the Rye” (1881), the simplicity and expressiveness of the motif is striking: the figure of a lonely wanderer receding towards the horizon among an endless rye field. The artist seems to open up the possibility of a more generalized, monumental solution to the genre painting, which was fully manifested in “Mowers” (1887). The author here glorifies the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) indicate the importance of the theme of the painting for the artist. At the same time, its solution is not without certain contradictions. By completely abandoning the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.

Slide 15

Having not mastered a new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions who, at the turn of the 1880s and 1890s. they did not want to allow young artists into their ranks. Recent years The artist's life did not contribute anything significant to his work.

View all slides

This collection was created for everyone who helps children absorb beauty fine arts from an early age. It's not easy to find outstanding paintings to show to little ones. Often these works contain content that we consider inappropriate for children.

We saved your time and made a selection of 11 paintings in the everyday genre. They can and should be considered with children. This is how we instill a love of art and creativity, and develop artistic taste.

Everyday genre (in painting) is a genre of fine art that involves painting scenes from people’s everyday lives, such as work and leisure, holidays and significant events. How separate genre appeared in the 16th century.

It is noteworthy that in Russian painting the everyday genre was formed in the second half of the 19th century. Then the St. Petersburg Academy of Arts officially recognized everyday painting, and the French word “genre” was adopted to denote it. Artists who created canvases on everyday subjects began to be called genre painters.

In ancient times in Rus', images with events of everyday life were called “everyday letters.”

11 Paintings in the Everyday Genre for Children

1. “Ball at the Moulin de la Galette”, Pierre Auguste Renoir, 1876, Orsay Museum, Paris.

2. “Memories of a Garden at Etten”, Vincent van Gogh, 1888

3. “The Lute Player”, Michelangelo Merisi da Caravaggio, 1595, Hermitage, St. Petersburg

4. “At the harvest. Summer”, 1820s, A. G. Venetsianov

5. “Haymaking”, A. A. Plastov, 1945, Tretyakov Gallery

6. “Capture of the snow town”, V. I. Surikov, 1891

7. “Young painter”, I. I. Firsov, 1760s.

8. “Swing”, Pierre Auguste Renoir, 1876

9. “Hunters at a rest”, V. G. Perov, 1871, oil on canvas. 119 × 183 cm, Tretyakov Gallery, Moscow

10. “Breakfast of an Aristocrat”, P. A. Fedotov, 1849, State Tretyakov Gallery, Moscow

11. “Morning”, Tatyana Nilovna Yablonskaya, 1954

There is always a place for your own masterpieces on our website. Register and upload your drawings!

The first everyday paintings appeared on the walls of caves of prehistoric man. Since then, artists have brought everyday painting to cosmic heights, in the literal sense of these words. The life of astronauts in orbit is also immortalized on the canvases of masters of brush and paint.

Knowledge of the invaluable baggage of the past in this genre will enrich your creative treasury with new ideas and impressions. Let's take a closer look at the work of the chroniclers of human history.

History of the development of the household genre

Sketches and paintings on everyday themes are characteristic of any era. However, the recognized birth and development of this genre dates back to XVII century. In those years when bourgeois society was emerging in Holland, a number of artists appeared who boldly began to depict the life of ordinary people without any embellishment.

Everyday scenes from rural huts, farmsteads, city taverns, and markets became increasingly popular in those years. The lack of photography encouraged painters to capture as many pages as possible modern history. Thanks to their paintings, people could learn how others lived.

The winds of change of that time affected an increasing number of countries in Europe. As a result, the everyday genre became widespread in all its corners. Many famous painters began to turn to the lives of their inconspicuous compatriots.

Revolutionary trends encouraged concerned artists to contribute to the fight for human rights. With their works they denounced existing inequality and drew attention to the miserable life of the poor.

At the same time, many of these paintings were songs of gratitude to the working people. They sang the importance of this or that craft, individual representatives or entire segments of the population, without which normal life the rest would simply be unthinkable.

As a result of constant development, several directions in this genre of fine art have emerged. Here are the main ones:

Life and everyday life of a villager.
Life and everyday life of an urban inhabitant.
Professional household portrait.
Everyday scenes revealing contrasts in the lives of different segments of the population.

In Russia, everyday painting gained recognition thanks to the Peredvizhniki. Their paintings became clear evidence of the failure of the existing serf system and strongly encouraged society to change. We still admire the works of these masters. IN Soviet times the work of all representatives of art was strongly influenced by the dominant ideology. Socialist realism, in fact, was highly embellished with wishful thinking, which was passed off as reality. But nevertheless, many painters of that time managed to avoid the harmful influence. The paintings of such authors still delight us with their sincerity and impeccability.

Famous artists of the everyday genre

Unfortunately, not all masters of everyday painting are as popular as artists who depicted mythical and biblical subjects. Even many landscape painters of that time were better known than representatives of the everyday genre. But nevertheless, great painters also contributed to the photo album of the history of that time.

P. P. Rubens- one of these masters. He did not shy away from painting pictures on everyday themes. The bright colors of rural landscapes inspired him no less than the biblical scenes of wealthy customers.

The founder of this genre in Russian art is rightfully considered A. G. Venitsianova. He sang a hymn to the peasants with his works. Many progressive painters of that time picked up the impulse of the great master and made their contribution to this matter. Among the recognized masters of the everyday genre P. A. Fedotov, V. G. Perov. Their paintings not only tell about the life of that time, but also expose the vices of a rotten society. Their desire for justice was taken up by the Wanderers.

Creativity stands out in this series I. E. Repina. Who doesn't know him "Burlakov on the Volga" or "We didn't expect it"? But there are many less famous paintings a great artist who show how difficult life was for ordinary people at that time. It is simply impossible to list all the worthy ones. The way of life of people is part of our lives, so it will always be a popular topic creative works. Try yourself in this genre. Take a pencil and paints and draw a scene from the ordinary life of those who live next to you.

1 of 15

Presentation on the topic: Everyday genre in painting

Slide no. 1

Slide description:

Slide no. 2

Slide description:

Household genre in Russia. In the seventies of the 19th century, a new creative association, independent of the Academy of Arts, arose - the Association of Traveling Art Exhibitions. The organization of the Itinerants very soon turned into the largest center of artistic life in Russia, into a stronghold of the new realistic direction in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, increasingly lost its authority and this role of the main center.

Slide no. 3

Slide description:

Slide no. 4

Slide description:

In their work, the Peredvizhniki, based on the realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The everyday genre was the leading one in their work. The art of portraiture, remarkable for its richness of socio-psychological characteristics, also occupied an important place among them. Many of the works of the Peredvizhniki are dedicated to Russian history, in which their attention was especially attracted by the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In their landscape works, the Peredvizhniki turned to simple, ordinary motifs of their native nature, creating paintings imbued with a patriotic feeling and great social content. A significant number of works by the Peredvizhniki reproduced images of folk art and literature. Truthfully depicting events and scenes from life, in their works they pronounced judgment on the surrounding reality and exposed the cruel oppression of the people. At the same time, the Wanderers showed the heroic struggle of the people for social and national liberation, wisdom, beauty, strength of the working man, diversity and poetic charm of their native nature.

Slide no. 5

Slide description:

Household genre in Russia. With their creativity, the Peredvizhniki actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against autocracy and the remnants of serfdom in Tsarist Russia. That is why the Itinerants were supported by the advanced part of society. Throughout the 70-80s of the 19th century, the work of the Itinerants deepened and improved. Their organization grew stronger, gaining more and more authority and popularity among the general public.

Slide no. 6

Slide description:

From the very beginning of his independent creative activity, Perov took the path of social satire, which received widespread development in his art. Perov entered painting as a genre painter. In his early works, he used the achievements of his predecessor, the founder of critical realism in painting - P. A. Fedotov, whose works for the first time explained the social meaning of the depicted phenomena. Fedotov was Perov’s predecessor in his views on the tasks of art. Perov posed in his work a new, most pressing problem of his time related to the situation of the peasants. Neither Fedotov nor Perov’s other predecessor, Venetsianov, touched on this problem.

Slide no. 7

Slide description:

Slide no. 8

Slide description:

The large multi-figure painting “Nikita Pustosvyat” (1881) testifies to the artist’s enormous work in the field of historical painting. But, taking up the plot from the schismatic movement at the turn of the 17th-18th centuries, which united various opposition groups, Perov also could not provide a satisfactory solution to the task he set, although, perhaps, he came a little closer to realizing his plan. And yet, despite the failures, Perov was the only one of the entire galaxy of contemporary painters who correctly understood the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined ways to solve this problem - and this is his great merit. Historical themes in Perov's paintings.

Slide no. 9

Slide description:

The significance of Perov in the history of Russian painting is enormous. He was one of the first among artists to speak out against the blatant lack of rights and oppression in which the Russian peasantry found itself in post-reform Russia. Revealing the ulcers of the social system of Tsarist Russia, Perov mercilessly denounced everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined ways for their further development. With his deep ideological purposefulness, Perov sets an example of patriotic service to his homeland, his people. His art excites the modern Soviet viewer with its depth of thought and high skill.

Slide description:

Slide no. 12

Slide description:

Myasoedov's creativity. Studying the life of the Russian peasantry leads Myasoedov to stories telling about ancient beliefs and customs, their role in the life of the people. Thus, in the painting “Plowing” (1876) an ancient ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.

Slide description:

Myasoedov's creativity. By the beginning of the 1880s. A new stage is emerging in Myasoedov’s work. In the landscape “Road in the Rye” (1881), the simplicity and expressiveness of the motif is striking: the figure of a lonely wanderer receding towards the horizon among an endless rye field. The artist seems to open up the possibility of a more generalized, monumental solution to the genre painting, which was fully manifested in “Mowers” (1887). The author here glorifies the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) indicate the importance of the theme of the painting for the artist. At the same time, its solution is not without certain contradictions. By completely abandoning the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.

Slide no. 15

Slide description:

Having not mastered a new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions who, at the turn of the 1880s and 1890s. they did not want to allow young artists into their ranks. The last years of the artist’s life did not contribute anything significant to his work.

Irina Kondriko
Drawing in preparatory group"Over a Cup of Tea"

Subject: "For a cup of tea»

Goals:

Learn to use different visual media to create an expressive image; harmoniously place the elements of the drawing on a sheet of paper;

Develop a sense of composition;

Foster love and respect for the family and its traditions.

Integration of educational regions: cognition, communication, art. creativity, f. k., socialization, reading x/l.

Planned results: use different visual means to obtain an expressive image; harmoniously place the elements of the drawing on a sheet of paper.

Equipment: white sheets of A4 paper, paints, simple pencils, napkins, a brush for each, sets of tea pairs, paintings.

Lesson progress:

1. Organizational moment

The teacher reads a poem: If someone gets sick, you can use tea to treat them. Tea is the most beneficial of all medicines; it helps against illnesses. Tea refreshes us in hot weather, and warms us in cold weather, and will overcome drowsiness and compete with fatigue. Will crush any ailment, Tea for health is your best friend!

Since ancient times in Rus', tea has always been revered, and cup his was the decoration of any conversation or meeting. The tea party included a lush samovar, gingerbread, and aromatic preserves. They drank tea in the morning, in the evening, they drank it when they were sad, they drank it because they had nothing to do, and just like that. They drank it with milk, with lemon, with jam, and most importantly - with pleasure.

2. Conversation on the topic:

Guys, what should you do before eating? (Wash your hands.)– Why do you need to wash your hands before eating? (Germs live on dirty hands.)– What table manners do you know? (You can’t talk, push, etc. at the table)

Today in our lesson we will draw a cup of tea.

- Guys, look at the tea sets that I brought you for class. How are they different from each other? (Shape, ornament, handle.) Look at the illustrations with ornaments. For drawing cups you can use any ornament, you can come up with your own ornament.

To begin with drawing our cup of tea, mark the location cups on a sheet, to cup was located in the center.

3. Finger gymnastics

The gnomes began to invite guests. (Use the index finger of your right hand to press one by one on the fingertips of your left hand) The gnomes began to treat the guests. (Same thing, but in reverse) Each guest got jam. (Each finger of the right hand in turn rubs its pad against the thumb of the same hand. At the same time, the fingers of the left hand do the same) The fingers were glued together by that treat. (Sequentially, starting from the big one, "glue" corresponding fingers on both hands) Pressed palm to palm tightly. (Press your palms together) Guests cannot even take spoons! (Raise your shoulders, spread your elbows slightly to the sides - "to be surprised")

3. Practical work

Now, try to show in your drawings, cup of tea. The teacher clarifies the children’s ideas that everything in the plot should be connected to each other.

4. Summary of the lesson

Who wants to talk about what drew? Whose work did you like the most? Find the neatest tea pair, with a beautiful ornament.

Thank you for your work!