The attitude of Onegin and the author to the world of art. Lyrical digressions about theater, ballet, drama and creativity

“The Novel Eugene Onegin” - There are two in the novel storylines: Onegin - Tatiana and Onegin - Lensky. The duel ends with Lensky's death, and Onegin leaves the village. Tatyana Larina is the prototype of Avdotya (Dunya) Norova, Chaadaev’s friend. Only the sketches remain, and the poet reads excerpts to his closest friends. Lensky and Onegin are invited to the Larins.

“Lessons on Pushkin Eugene Onegin” - A prologue lesson for the study of A.S. Pushkin’s novel “Eugene Onegin.” Lesson plan. A.S. Pushkin. Novel "Eugene Onegin". Summing up the lesson. Opening remarks teachers. The heroic world of the novel. Anna Akhmatova. Composition of the novel.

“Pushkin’s novel Eugene Onegin” - V. G. Belinsky about Onegin. Onegin stanza. Thus, Pushkin's Drawings in the margins. The author seems to live in the novel, becoming related to one or another hero. Pushkin took the form as a basis Shakespearean sonnet(h quatrain and couplet) Onegin's stanza consists of 14 lines (verses) written in iambic tetrameter.

"About Onegin" - Artistic originality works. The outline included 9 chapters. The novel is an epic genre. The history of the Russian realistic novel begins with Eugene Onegin. 9 May 1823 year - beginning work on creation. Genre originality: a novel in verse. "Onegin stanza". Onegin - “Mitrofanushka Prostakov of the new formation.”

“The Art of Theater” - Educational purposes. About the project. Project stages. Problematic question. Educational goals. Project goals. Annotation. Business card Didactic materials Methodological materials Student work Information resources. Educational and methodological package. Programs of general education institutions. Creative name. Information Intraschool Short-term 9th grade Art.

“Eugene Onegin image of the author” - Eugene Onegin and Vladimir Lensky. Onegin - a type of young man early XIX century. Which of the characters is directly involved in the plot of the novel? Author's image. The life story of Onegin. The role of lyrical digressions in the novel by A.S. Pushkin "Eugene Onegin". Subject of lyrical digressions. How did you understand what a lyrical digression is?

Living in the city, he, like an ordinary young man of that time, went to various balls, theaters, and banquets. At first, like everyone else, he liked this life, but then this sympathy for such a monotonous life faded:

...Onegin enters,

Walks between the chairs along the legs,

The double lorgnette, looking sideways, points

To the boxes of unknown ladies;...

Then he bowed to the stage

In great absentmindedness he looked -

Turned away and yawned

And he said: “It’s time for everyone to change;

I endured ballets for a long time,

But I’m tired of Didelo too...

But the life of a young secular man did not kill Onegin’s feelings, as it seems at first glance, but “only cooled him to fruitless passions.” Now Onegin is not interested in either theater or ballets, which cannot be said about the author. For Pushkin, the St. Petersburg Theater is a “magical land”, which he mentions in the link:

Will I hear your choirs again?

Will I see the Russian Terpsichore

Brilliant, half-airy,

I obey the magic bow,

Surrounded by a crowd of nymphs,

Worth Istomin;...

The author acquires the meaning of life in fulfilling his destiny. The entire novel is filled with deep reflections on art, the image of the author here is unambiguous - he is, first of all, a poet, his life is unthinkable without creativity, without hard, intense spiritual work. It is in this that Onegin is the opposite of him. He simply has no need for work. And the author perceives all his attempts to immerse himself in reading and writing with irony: “He was sick of persistent work...” This cannot be said about the author. He writes and reads where the conditions for this are created.

Pushkin often recalls Moscow as a wonderful cultural corner and simply as a wonderful city:

How often in sorrowful separation,

In my wandering destiny,

Moscow, I was thinking about you!

But this is what the author says, Onegin has a completely different opinion. He told a lot about his life, and, as already said, he was no longer interested in either St. Petersburg or Moscow; wherever he was, Onegin saw one society from which he wanted to hide in the village.

The lines about Moscow and Patriotic War 1812:

Moscow... so much in this sound

For the Russian heart it has merged!

…………………………………

Napoleon waited in vain

Intoxicated with the last happiness,

Moscow kneeling

With the keys of the old Kremlin;

No, my Moscow did not go

To him with a guilty head.

The novel was completely finished on September 25, 1830 in Boldino, when Pushkin was already 31 years old. Then he realized that his youth had already passed and could not be returned:

Dreams, dreams! Where is your sweetness?

Where is the eternal rhyme to her - youth?

The author has experienced a lot; life has brought him many insults and disappointments. But not the mind alone. Onegin and the author are very similar here. But, if Onegin has already become disillusioned with life, then how old is he then? The novel has the exact answer to this question. But let's go in order: Pushkin was exiled to the south in the spring of 1820. Onegin left for St. Petersburg at the same time. Before that, “he killed 8 years in the world” - which means he appeared in society around 1812. How old could Onegin be at that time? On this score, Pushkin retained direct instructions in his drafts: “16 is no more years.” This means that Onegin was born in 1796. He is 3 years older than Pushkin! The meeting with Tatyana and acquaintance with Lensky take place in the spring and summer of 1820 - Onegin is already 24 years old. He is no longer a boy, but an adult, mature man, compared to 18-year-old Lensky. Therefore, it is not surprising that Onegin treats Lensky a little patronizingly, like an adult looks at his “youthful heat and youthful delirium.” This is another difference between the author and the main character.

In the spring, when Pushkin writes chapter 7 of “Eugene Onegin,” he fully affirms that youth has already passed and cannot be returned:

Or with nature alive

We bring together the confused thought

We are the fading of our years,

Which cannot be reborn?

V. The novel "Eugene Onegin" - the author's lyrical diary

Thus in the novel. His works will never be old-fashioned. They are interesting as layers of Russian history and culture.

A special place in the work of A.S. Pushkin is occupied by the novel Eugene Onegin.

From the very beginning of the work, the author conducts a dialogue with the reader, travels through the world of feelings, images, events, shows his attitude towards the main characters, their experiences, thoughts, activities, interests. Sometimes something is impossible to understand, and the author complements it.

Reading about Onegin, you might think that this is Pushkin himself.

I'm always happy to notice the difference

Between Onegin and me...

As if it's impossible for us

Write poems about others

As soon as about yourself.

Some stanzas of this novel can be called independent works, for example:

Love has passed, the muse has appeared,

And the dark mind became clear.

Free, looking for union again

Magic sounds, feelings and thoughts...

Onegin's friendship with Lensky, in which wave and stone, poetry and prose, ice and fire came together, gives the author the opportunity in a lyrical digression to reveal his attitude to this concept: So people (I am the first to repent) From, there is nothing to do, friends.

Pushkin has many lyrical digressions, where he reflects on love, youth, and the passing generation.

The poet gives preference to some heroes, evaluates them: Onegin, my good friend and Tatyana, dear Tatyana!

How much he talks about these people: about their appearance, inner world, past life. The poet worries about Tatiana's love. She says that she is not at all like the unattainable beauties, she is obedient to desire

feelings. How carefully Pushkin preserves Tatyana’s letter:

Tatiana's letter is in front of me:

I cherish it sacredly.

Tatiana's ardent feeling leaves Onegin indifferent; having become accustomed to a monotonous life, he did not recognize his fate in the form of a poor

and a simple provincial girl. And here is the tragic test of the hero - a duel with Lensky. The poet condemns the hero, and Eugene himself is dissatisfied with himself, having accepted the poet’s challenge. Eugene, loving the young man with all his heart, had to prove himself not to be a ball of prejudice, not an ardent boy, a fighter, but a husband with a heart and mind. He is unable to follow the voice of his heart and mind. How sad the author’s view of the hero is:

Having killed a friend in a duel,

having lived without a goal, without work

up to twenty-six years old,

languishing in idle leisure,

without work, without wife, without business,

I didn’t know how to do anything.

Unlike Onegin, Tatyana found a place in life and chose it herself. This gave her a feeling of inner freedom.

Pushkin excluded any completeness of the novel, and therefore, after Onegin’s meeting with Tatyana, we do not know Onegin’s further life. Literary scholars suggest, based on unfinished drafts, that Onegin could have become a Decembrist, or was involved in the Decembrist uprising on Senate Square. The novel ends with a farewell to the readers;

Pushkin assigns a greater role to us at the very end of the novel than to his main character. He leaves him at a sharp turning point in his fate: ...And here is my hero, In a moment that is evil for him, Reader, we will leave him, For a long time... Forever... Whoever you are, oh my reader, Friend, foe, I want to be with you Parting today like a friend. . - Spiritual world, the world of thoughts and experiences.

Pushkin’s novel is not like other Western European novels: “Pushkin’s paintings are complete, lively, fascinating. “Onegin” is not copied from French or English; we see our own, hear our own sayings, look at our quirks.” This is what the critic Polevoy said about Pushkin’s novel.

Roman A.S. Pushkin's Evgeny Onegin is interesting to me not only for its plot, but also for its lyrical digressions, which help to better understand historical, cultural and universal values.

) Herzen "On the development of evolutionary ideas in Russia"

)Critical articles by Yu.M. Lotmona

) Yu.N. Tynyatov "On the composition of "Eugene Onegin"

)L.I. Volpert "Sternic tradition about the novel "Eugene Onegin"

)V.V. Bleklov "Secrets of Pushkin in Eugene Onegin"

)Alfred Barkov "Walking with Eugene Onegin"

)D.D. Blagoy "Eugene Onegin"

)Lydia Ioffe "Eugene Onegin and I"

...Onegin enters,

Walks between the chairs along the legs,

The double lorgnette, looking sideways, points

To the boxes of unknown ladies;...

Then he bowed to the stage

In great absentmindedness he looked -

Turned away and yawned

And he said: “It’s time for everyone to change;

I endured ballets for a long time,

But I’m tired of Didelo too...

But the life of a young socialite did not kill Onegin’s feelings, as it seems at first glance, but “only cooled him to fruitless passions.” Now Onegin is not interested in either theater or ballets, which cannot be said about the author. For Pushkin, the St. Petersburg Theater is a “magical land”, which he mentions in the link:

Will I hear your choirs again?

Will I see the Russian Terpsichore

Brilliant, half-airy,

I obey the magic bow,

Surrounded by a crowd of nymphs,

Worth Istomin;...

Pushkin often recalls Moscow as a wonderful cultural corner and simply as a wonderful city:

How often in sorrowful separation,

In my wandering destiny,

Moscow, I was thinking about you!

The historical framework of the novel is expanded by lines about Moscow and the Patriotic War of 1812:

Moscow... so much in this sound

For the Russian heart it has merged!

How much resonated with him!

…………………………………

Napoleon waited in vain

Intoxicated with the last happiness,

Moscow kneeling

With the keys of the old Kremlin;

No, my Moscow did not go

To him with a guilty head.

The novel was completely finished on September 25, 1830 in Boldino, when Pushkin was already 31 years old. Then he realized that his youth had already passed and could not be returned:

Dreams, dreams! Where is your sweetness?

Where is the eternal rhyme to her - youth?

The author has experienced a lot; life has brought him many insults and disappointments. But not the mind alone. Onegin and the author are very similar here. But, if Onegin has already become disillusioned with life, then how old is he then? The novel has the exact answer to this question. But let's go in order: Pushkin was exiled to the south in the spring of 1820. Onegin left for St. Petersburg at the same time. Before that, “he killed 8 years in the world” - which means he appeared in society around 1812. How old could Onegin be at that time? On this score, Pushkin retained direct instructions in his drafts: “16 is no more years.” This means that Onegin was born in 1796. He is 3 years older than Pushkin! The meeting with Tatyana and acquaintance with Lensky take place in the spring and summer of 1820 - Onegin is already 24 years old. He is no longer a boy, but an adult, mature man, compared to 18-year-old Lensky. Therefore, it is not surprising that Onegin treats Lensky a little patronizingly, looking at his “youthful heat and youthful delirium” like an adult. This is another difference between the author and the main character.

In the spring, when Pushkin writes chapter 7 of “Eugene Onegin,” he fully affirms that youth has already passed and cannot be returned:

Or with nature alive

We bring together the confused thought

We are the fading of our years,

Which cannot be reborn?

V. The novel “Eugene Onegin” - the author’s lyrical diary

Thus in the novel. His works will never be old-fashioned. They are interesting as layers of Russian history and culture.

A special place in the work of A.S. Pushkin is occupied by the novel “Eugene Onegin”.

Reading about Onegin, you might think that this is Pushkin himself.

I'm always happy to notice the difference

Between Onegin and me...

As if it's impossible for us

Write poems about others

As soon as about yourself.

Some stanzas of this novel can be called independent works, for example:

Love has passed, the muse has appeared,

And the dark mind became clear.

Free, looking for union again

Magic sounds, feelings and thoughts...

Onegin’s friendship with Lensky, in which “wave and stone, poetry and prose, ice and fire” came together, gives the author the opportunity in a lyrical digression to reveal his attitude to this concept: “So people (I am the first to repent) From, there is nothing to do, friends "

Pushkin has many lyrical digressions, where he reflects on love, youth, and the passing generation.

The poet gives preference to some heroes, evaluates them: “Onegin, my good friend” and “Tatyana, dear Tatiana!”

How much he talks about these people: about their appearance, inner world, past life. The poet worries about Tatiana's love. She says that she is not at all like the “inaccessible beauties”, she is “obedient to attraction

feelings". How carefully Pushkin preserves Tatyana’s letter:

Tatiana's letter is in front of me:

I cherish it sacredly.

Tatiana's ardent feeling leaves Onegin indifferent; having become accustomed to a monotonous life, he “did not recognize his fate” in the form of a “poor

and a simple provincial girl.” And here is the tragic test of the hero - a duel with Lensky. The poet condemns the hero, and Eugene himself is dissatisfied with himself, having accepted the poet’s challenge. “Eugene, loving the young man with all his heart, had to prove himself not to be a ball of prejudice, not an ardent boy, a fighter, but a husband with a heart and mind.” He is unable to follow the voice of his heart and mind. How sad the author’s view of the hero is:

“Having killed a friend in a duel,

having lived without a goal, without work

up to twenty-six years old,

languishing in idle leisure,

without work, without wife, without business,

I didn’t know how to do anything.”

Unlike Onegin, Tatyana found a place in life and chose it herself. This gave her a feeling of inner freedom.

Pushkin assigns a greater role to us at the very end of the novel than to his main character. He leaves him at a sharp turning point in his fate: ...And here is my hero, In a moment that is evil for him, Reader, we will leave him, For a long time... Forever... Whoever you are, oh my reader, Friend, foe, I want to be with you To part now like a friend. . - The spiritual world, the world of thoughts, experiences.

Pushkin’s novel is not like other Western European novels: “Pushkin’s paintings are complete, lively, and fascinating. "Onegin" is not copied from French or English; we see our own, hear our own sayings, look at our quirks.” This is what the critic Polevoy said about Pushkin’s novel.

Roman A.S. Pushkin’s “Eugene Onegin” is interesting to me not only for its plot, but also for its lyrical digressions, which help to better understand historical, cultural and universal values.

A. S. Pushkin’s novel “Eugene Onegin” was called by V. G. Belinsky “the most sincere” work of the poet. After all, Pushkin conducts a lively, sincere conversation with his reader, allowing him to find out his own opinion on a variety of issues and topics. Novel unique both in terms of the genre and the author’s depiction of reality. Belinsky called the novel “an encyclopedia of Russian life.” And this characteristic is largely due to the various author’s digressions, which we encounter repeatedly throughout the novel.

Lyrical digressions help us better understand the characteristics of the era against which the plot unfolds. These digressions are especially interesting for descendants who have a genuine interest in history. Pushkin did not forget anything - from his novel we learn about the life of the brilliant city of St. Petersburg; about the lifestyle of urban and provincial nobles; about peasant customs and much more.

Of great interest to us are lyrical digressions, which are called “autobiographical” by researchers of Pushkin’s work. They allow us to better understand inner world the author himself.

The novel “Eugene Onegin” is small in volume. But it is precisely the lyrical digressions that make it so significant. Without the digressions, the novel would not have been able to make such an impression on the reader. After all story love, no matter how interesting it may be, cannot capture the reader’s imagination too much. And the novel “Eugene Onegin” leaves the impression of a large-scale work, in which there are many different aspects.

The image of the author in the novel has many faces: he is both the narrator and the hero. But if all his heroes: Tatyana, Onegin, Lensky and others are fictitious, then the creator of all this fictional world is real. The author evaluates the actions of his heroes; he can either agree with them or oppose them with the help of lyrical digressions.

The novel, built on an appeal to the reader, tells about the fictionality of what is happening, about the fact that this is just a dream. A dream like life.

Drawing a conclusion, it must be said that numerous lyrical digressions give a special character to the novel and expand the boundaries of the genre. What we have before us, thanks to the special construction of the text, is no longer just a novel, but a novel-diary.

Thus, in the narrative itself, and in the author’s open statements about the heroes, and in lyrical digressions, “the poet’s personality was reflected... with such completeness, light and clarity as in no other work of Pushkin” (V. G. Belinsky) . As a result, the image of the author in the novel appears very fully, with his views, likes and dislikes, with his attitude to the most important issues of life.

In Pushkin’s work, the novel “Eugene Onegin” occupies a central place. This is the biggest work of art A.S. Pushkin. It is rich in content, one of the poet’s most popular works, which had the strongest influence on the fate of all Russian literature.

Onegin's attitude to art, theater

Onegin knew perfectly French, was familiar with fiction, with history, “read Adam Smith,” well versed in theatrical art. Describing all this, Pushkin emphasizes the cultural level of the hero.
Onegin owes his way of life, reading and everyday life to Europe. Meanwhile, the great ancient culture of Greece and Rome, as well as the dynamically developing modern cultures France, Italy, England remain sealed for Onegin. The spiritual achievements of these countries seem to have been passed by Onegin through the sieve of his bored consciousness; he glances over them with the gaze of a bookish pedant and at the same time a half-educated person: he is too lazy to think about these cultures, much less print them out. In other words, Onegin’s existence is divorced from its spiritual roots. It's selfish. And in this sense, the image of Onegin differs sharply from the image of the author, for whom cultural achievements and works of art played a decisive role among other life values.
Here is Onegin in a theater or restaurant. These two places for Onegin are essentially not much different from each other. They seem to have been created for Onegin’s pleasure and entertainment. At least that's how it looks from his point of view.
Just as Onegin swallows “bloody roast beef” in Talon’s restaurant, just as he habitually “swallows” a theatrical performance along with actors, actresses and ballet, and at the same time “the boxes of unfamiliar ladies.” He points his “double lorgnette” at them. The stage and the art of theater had long ceased to interest him.
"...then on stage
He looked in great absentmindedness,
He turned away and yawned,
And he said: “It’s time for everyone to change;
I endured ballets for a long time,
But I’m tired of Didelot too” (I, XXI).
In a word, using the famous expression of K.S. Stanislavsky, Onegin loves “not art in itself, but himself in art.” He is an “honorary citizen of the backstage,” which means his power over the fate and success of theater actresses - often hostages of hostile theatrical parties (“Theater is an evil legislator”), consisting of such Onegins,
“Where everyone, breathing freely,
Ready to clap entrechat,
To flog Phaedra, Cleopatra,
Call Moina (in order to
So that they only hear him) (I, XVII).
Flying from the theater to the living room is the same as moving from room to room: in a sense, the theater is similar to a social drawing room, because ballerinas, and secular beauties in the theater or at a ball, and “coquettes” for Onegin are food that feeds his egoism and flattering self-esteem.
Onegin's reading range - poems by the then ruler of thoughts Byron, as well as fashionable French and english novels, including Maturin’s novel “Melmoth the Wanderer,” which was extremely popular during Pushkin’s time. Onegin looks at the world through the eyes of Melmoth - a kind of demonic character who entered into an agreement with the devil, changed his appearance, whose spell was destructive for women. Byron's poem “Childe Harold's Pilgrimage” is also Onegin’s favorite book. Among Pushkin's contemporaries it was so fashionable that Childe-Harold's melancholy, boredom, and disappointment became the usual mask of a socialite.
The typicality of Onegin at the beginning of the novel is striking: education, lifestyle, behavior, pastime - everything is like that of the capital's residents: St. Petersburg and Muscovites. Onegin here is “a hero of his time.”
lit.lib.ru/g/galkin_a_b/geroisujetrusli…

The problem of point of view
in the novel by A. S. Pushkin “Eugene Onegin”

The novel “Eugene Onegin” cannot be characterized in one concept, in one word. Everyone who read it over the course of two centuries found something new, gave another explanation, a definition of this amazing work. This is an “encyclopedia of Russian life,” as V. Belinsky called the novel, and the first Russian realistic novel, and a free novel, the discovery of A. S. Pushkin, which served as the beginning of the development of all subsequent literature of both the 19th and 20th centuries. “I’m not writing a novel, but a novel in verse - a devilish difference,” - this is what the author himself said about his work in a letter to P. A. Vyazemsky. The fact that this novel is free made it possible for different points of view to exist in it. A.S. Pushkin provides choice, freedom in the perception of the hero, and does not impose his point of view.
A. S. Pushkin in his novel for the first time separated the author from the hero. The author is present in the novel along with other characters. And the author’s line, his point of view exists on its own, separately from the point of view of the main character, Onegin, sometimes intersecting with it. The third hero of the novel, Lensky, is completely different from either the author or Onegin; another point of view is associated with him, another position, contrasted primarily with the position of Onegin, since the author never encounters Lensky throughout the entire novel, he only shows his attitude towards him.
A. S. Pushkin talks with gentle irony about Lensky, this enthusiastic romantic who

...sang separation and sadness,
And something, and that manna is far away.

And also with some mockery he speaks about how Lensky wrote:

So he wrote, dark and sluggish
(What we call romanticism,
Although there is no romanticism here
I don't see...).

Romanticism has already passed away, just as Lensky is leaving. His death is quite logical; it symbolizes a complete abandonment of romantic ideas. Lensky does not develop over time, he is static. Differing from those people among whom he was forced to live (and in this he is similar to Onegin), Lensky was only capable of quickly flaring up and fading away. And even if Onegin had not killed him, most likely, an ordinary life awaited Lensky in the future, which would have cooled his ardor and turned him into a simple man in the street, who

I drank, ate, got bored, got fat, grew weaker
And finally in my bed
I would die among children,
Whining women and doctors.

This path, this point of view, is not viable, which is what Pushkin proves to the reader.
A completely different point of view of Onegin. It is somewhat similar to the author's point of view, and therefore at some point they become friends:

I liked his features
Involuntary devotion to dreams...

They both agree in their attitude towards the light, they both run from it. Both are skeptics and at the same time intellectuals. But Onegin, like the author, develops, changes, and his relationship with the author also changes. The author gradually moves away from Onegin. When Onegin goes to a duel, frightened by public opinion, and kills Lensky in it, when it turns out that his point of view is not based on solid moral principles, the author completely moves away from his hero. But even before this, it is clear that their points of view differ on many issues: this includes their attitude to art, to theater, to love, to nature. The fact that one of them is a poet, and the other cannot distinguish an iambic from a trochee, of course, greatly alienates them from each other. And most likely, A.S. Pushkin showed that Onegin’s point of view, for example, his attitude towards the theater:

...on stage
He looked in great absentmindedness,
Turned away - and yawned -

different from the author's. The author certainly admires this art; for him, theater is a “magical land.” Onegin’s attitude to love:

How early could he be a hypocrite?
To harbor hope, to be jealous... -

simply has no right to exist.
Onegin, being a “genius” of the science of love, missed the opportunity for happiness for himself, turned out to be incapable of true feeling(at the beginning). When he was able to fall in love, he still did not achieve happiness; it was already too late. This is the true tragedy of Onegin. And his path turns out to be wrong, unreal. The author’s position is different, he was more than once worried about passions, love was a constant companion in life:

Let me note by the way: all poets -
Love dreamy friends.

And of course, it is the attitude towards Tatyana that largely determines their points of view, alienating them from each other. The closer Pushkin is to Tatyana, the more he moves away from Onegin, who is morally much lower than her. And only when Onegin is capable of high feelings, when he falls in love with Tatyana, will the critical assessments of A.S. Pushkin disappear.
One of the main differences between them is their attitude towards nature. Onegin is far from her, as from everything else, but the author is “devoted in soul,” “born for a peaceful life, for village silence.”
Pushkin showed that such a position, Onegin’s point of view, can no longer exist. True, he leaves him a choice. It is not too late for Onegin to change, which is why the ending of the novel is open. From the author’s position, only his own point of view is possible for a thinking person; it is the most acceptable for life.
The uniqueness of this novel, the unlikeness of this novel from any other, lies in the fact that the author looks at Onegin no longer as the hero of his novel, but as a very specific person with his own worldview, with his own views on life. Onegin is completely independent of the author, and this is precisely what makes the novel truly realistic, moreover, a brilliant creation of A. S. Pushkin.