Presentation on the topic "The image of the mother in painting." The image of a mother in fine art With her left hand hugging her neck

“Paintings of the Prodigal Son” - Renaissance. Iconography. Eternal themes in art. Evolution of the theme. Art of the 21st century. Age of Enlightenment. Art of the 20th century. Everyone creates the world as he sees it. Prodigal son. Where are we going? Search for truth. Love. The art of the time of perestroika. Fine arts.

“Children’s images in painting” - Children’s images in the fine arts. Fragments of the picture. Zinaida Serebryakova. Mika Morozov. Art reflects everyday life. The artist's view of the child looks polar opposite. Smolyanki. Anna Petrovna in Childhood. Portrait of Sarah Fermor. Icon of Smolensk Mother of God. Seeing off the deceased.

“The image of the mother in art” - Leonardo da Vinci. At the harvest. Motherhood. A holy and prophetic sign. Artist. Lullaby song. Skiing from the mountains Revival. Proverbs. Madonna and Child. Versatile talent. Tractor drivers. Petrov - Vodkin. Works by A.G. Venetsianova. Listening to the horrors of war. The image of a mother through the centuries. Madonna the gardener. Mother.

“Russian Women” - Spring. Harvest. On the arable land. 1827 Work progress. Portrait of an unknown woman in Russian costume, 1784. Draw conclusions. Marriage contract. 1777 I.P. Argunov. Are Russian artists “truthful” in their paintings? A. Venetsianov. Artists' mistakes. When is an artist right? Summer. 1827 And Venetsianov. My thoughts. On the arable land, the woman is dressed in festive folk costume- summer sundress and kokoshnik.

“Peter 1 in the paintings of Russian artists” - Alexander Nikolaevich Benois. Benoit was born into the family of a famous architect and grew up in an atmosphere of reverence for art. Peter 1 in the assessment of Russian artists. The years of Benoit's life are 1870-1960. N.N. Ge - historical painter, portrait painter, landscape painter. Comparison of the relationship of paintings to the affairs and personality of Peter I. A.N. Benois did not receive an artistic education.

“The Book in Painting” - Van Gogh. Bebelplatz. An indispensable detail is the abundance of books. Then - studying at the Stroganov School, participating in exhibitions of the Union of Artists. Biography and creativity: http://vangogh-world.ru/. Metropolitan Museum of Art, New York. Vladimir Kushch. (Born in 1965, Moscow). Monument to the great German books. Bonfires of books burned throughout Germany.

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MUNICIPAL BUDGETARY ORGANIZATION OF ADDITIONAL EDUCATION “STATION OF YOUNG TECHNICIANS” OF THE LENINGRAD MUNICIPAL ENTITY LENINGRAD DISTRICT THE IMAGE OF A WOMAN-MOTHER IN WORKS OF PAINTING Ekaterina Igorevna Kriger, teacher additional education 2017

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From the author: This presentation may be useful class teachers general education organizations, teachers of additional education of additional education organizations during events dedicated to Mother's Day and International Women's Day on March 8... ...I BELIEVE THAT A WOMAN IS A MIRACLE SUCH AS WILL NOT BE FOUND IN THE MILKY WAY. AND IF THE BELOVED IS THE HOLY WORD, THEN THREE TIMES SACRED IS THE WOMAN-MOTHER! L. Rogozhnikov

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B. Kustodiev Morning The artist’s painting depicts his wife and first-born son. ... Early in the morning, the mother brought the child into the room to bathe her. The way she bathes her son shows great care and attention. The painting exudes warmth and comfort... 1904

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1920 K. Petrov-Vodkin Petrograd Madonna The painting is one of the most significant in the artist’s work. The picture is an era, a historical symbol that tells us about the mood and events of the revolutionary city, it amazes with its reality and simplicity. In the center of the picture is a woman clutching a child to her chest. Her face is like an icon-painted face, wariness and humility are read in her eyes. The baby in your arms is clearly the same age as the turning point events of 1917. Against the backdrop of devastation and confused silence, the image of a mother and baby as a source of inexhaustible life predicts that there is a future, albeit not so cloudless...

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K. Petrov-Vodkin Mother 1915 The canvas is made in the artist’s favorite red color scheme. The central image of the painting is a young woman breastfeeding her baby. The child lies carefree in his mother’s arms, surrounded by warmth and affection. The woman's appearance is a collective image of all Russian women of the artist's era. The painting resembles Madonnas created by Renaissance artists, and the child in the mother’s arms is associated with the baby of the Virgin Mary... The woman’s appearance is unremarkable

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A. Deineka Mother 1932 The artist created the image of a contemporary woman-mother, strict and restrained, and at the same time full of soft femininity and tenderness. The image of the mother shows sensitivity and care for a fragile creature - a child sleeping sweetly on her shoulder. She turned her head to the child and looks at him carefully; in the expression of her face you can read the depth of her care and love. This is a strong woman and her strength lies precisely in motherhood. The birth of a child strengthens a woman and she is ardently ready to guard her child’s sleep. A child in a woman’s arms seems so fragile and defenseless.

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S. Gerasimov Mother of the Partisan For almost seven years S. Gerasimov worked on the painting “Mother of the Partisan”. He started it in 1943. At that time the enemy had already been stopped. At every step the fascist hordes met courageous resistance Soviet people. The front and rear were united by detachments of people's avengers - partisans. Neither threats nor torture could break the patriots. The central figure of S. Gerasimov’s painting “Mother of the Partisan” is a Soviet woman. She cannot be intimidated by fascist monsters. Behind her is native land, scorched and desecrated by enemies, drenched in the blood of relatives and friends - land sacred to patriots... 1943-1950

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M. Savitsky Guerrilla Madonna 1978 In the painting “Partisan Madonna” M. Savinsky addresses the eternal symbol of life - motherhood. The composition is based on famous painting Renaissance Raphael Santi “Sistine Madonna”, only instead of biblical characters the artist depicts ordinary people, witnesses of the plague of the twentieth century - fascism... M. Savitsky Partisan Madonna

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Raphael Santi Sistine Madonna 1514-1515 The great Italian Renaissance artist Raphael Santi was called the poet of the image of the Madonna. The motif of a mother and baby remained unchanged in many of Raphael’s works, but the “Sistine Madonna” makes the strongest impression on the viewer - the Madonna’s eyes look trusting and at the same time alarming. With grandeur and simplicity, a woman brings to people the most precious thing - her son. Madonna easily and confidently walks on the clouds that swirl under her bare feet. A light breeze lifts the edge of her simple cloak. With all her appearance, Madonna resembles an ordinary peasant woman. She even holds her son the way peasant women usually hold their children. This is exactly how the author of the Sistine Madonna conveyed the image of the Virgin Mary.

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Leonardo da Vinci Madonna and Child (Madonna Litta) 1490 - 1491 The artist worked on the painting “Madonna and Child” (Madonna Litta) from 1490 to 1491. This work is an example of the Leonardian type female beauty. The inspired image of a caring mother is one of the favorite themes in the works of Leonardo da Vinci. A wonderful embodiment of the ideal of female beauty, perfect compositional solution, a perfectly chosen combination of colors, attention to detail - the undoubted advantages of the famous painting... One of best works Leonardo da Vinci's “Madonna and Child” or “Madonna Litta” is a hymn to motherhood that has been sounding just as clearly for several centuries. A wonderful embodiment of the ideal of female beauty, a perfect compositional solution, a perfectly chosen combination of colors, attention to detail - these are the undoubted advantages of the famous painting.

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Author: Student of class 9A Stepanova Alexandra Examination research project in World Artistic Culture Scientific supervisor: Nechaeva Olga Sergeevna, teacher of World Art artistic culture, candidate of pedagogical sciences. MBOU gymnasium No. 9 named after twice Hero Soviet Union Admiral of the Fleet of the Soviet Union S.G. Gorshkov G.O. Zheleznodorozhny Moscow region

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Identify ideological, semantic and emotional artistic features disclosure of the theme of motherhood, the embodiment of the image of the mother in a historical and artistic context. Hypothesis: If we compare the pictorial “reading” of the image of the mother by European and Russian artists in different historical eras, then we can find certain patterns connecting historical and cultural processes in the reading of the theme of motherhood and its figurative, semantic and intonational-emotional embodiments by various artistic movements; identify the features of the individual styles of painters.

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Objectives: Study research articles and journalistic literature; use Internet resources on the chosen topic. Consider the historical and cultural environment that shaped the creative ideals and aesthetic views of artists. Analyze paintings by artists from different eras. Identify the artistic, compositional, stylistic features of the considered works of art. To trace changes in the perception by famous artists of different eras of the meaning of the theme of motherhood, their use of different artistic styles and visual techniques to express your vision of one of the main themes in the history of art. Conduct a comparative analysis of various visual techniques that reveal the essence of the image of the mother. Basic research methods: Method of comparing the characteristics of the individual style of artists Method of comparing the paintings under consideration Method of summarizing different points of view about the works of great masters

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“I believe that a woman is such a miracle, Which cannot be found on the Milky Way, And if “beloved” is a sacred word, Then the thrice sacred word is “a woman is a mother!”” L. Rogozhnikov The image of a woman who gives life to humanity has been since ancient times occupied an important and significant place in the fine arts. He is depicted in many ways in the images of the Madonna and the Mother of God - the main ones in painting, sculpture and icon painting all over the world from ancient times to the present day.

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Ancient Rus' Icon “Our Lady of Vladimir” Many artists followed this image in subsequent eras. The son reaches out to his mother, hugs her, and asks questions with an adult, meaningful look. The mother responds with a calm tilt of her head, she presses her cheek to his, but does not look at her son. Her gaze is directed at the viewer, as if drawing his attention to the one whom she idolizes with her love, but is unable to save.

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Raphael Santi (1483-1520) “Madonna in the Green” (1506, Kunsthistorisches Museum, Vienna) “Sistine Madonna” (1513-1514, Art Gallery, Dresden)

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Leonardo da Vinci (1452-1519) "Madonna Benois" (1478 - 1480) "Madonna Litta" (1478-1482)

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Michelangelo Buonarroti (1475-1564) “Pieta” (“Lamentation of Christ”) “Our Lady and Child”

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Age of Enlightenment Jean Baptiste Simeon Chardin (1699-1779) “The Laundress” (1733) “Prayer before Dinner” (1744) “The Hardworking Mother” (1740).

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Karla Bryullova (1799-1852) Portrait of Yu. P. Samoilova leaving the ball with her adopted daughter Amazilia Paccini Alexey Gavrilovich Venetsianov (1780-1847) “At the harvest. Summer"

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Critical realism of Vasily Grigorievich Perov (/832-/882) “Seeing off the dead man” by Ivan Nikolaevich Kramskoy (1837-1887) “Inconsolable grief” (1884)

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Pierre Auguste Renoir (1841-1919) “Madame Charpentier with her children” (1878) Eugene Carrière Motherhood

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Valentin Serov (1865-1917) Porter N.Ya. Derviz with the child of Alexander Alexandrovich Deineka (1899-1969) Mother

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Sergei Vasilievich Gerasimov (1898-1963) “Mother of the Partisan” Salvador Dali “Madonna of Port Lligat”

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The image of the mother in icons and frescoes “The Virgin and Child” Mikhail Aleksandrovich Vrubel “Don Icon of the Mother of God” Feofan the Greek V.M. Vasnetsov Mother of God and Child 1885-1893, fresco

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Comparative Analysis Artists Age at the time of creation of the painting and personal characteristics Raphael Santi “Sistine Madonna” Turned to the image of the Mother at 23 years old. About twenty paintings were painted. Since childhood, he studied in artists' workshops and learned a lot from Perugino, Michelangelo, and Leonardo da Vinci. Painting is a craft, a talent that is given to him from above, but it is just a craft - a means of earning money. The main topic images of the Virgin Mary appeared in Raphael's works for many years. Mary walks on the clouds carrying her child. The embodiment of that ideal of beauty and goodness, separating everyday life from inspired dreams. Leonardo da Vinci “Benois Madonna” First work on the image of the Madonna at the age of 26-28. He studied the humanities and technical sciences, which later gave him an amazing symbiosis of beauty and precision in painting. But he treated painting itself rather as one of the elements of the teaching of human anatomy and the expansion of his scientific knowledge than to a way of expressing one’s worldview. Reflected inner world, strived for psychological characterization. Da Vinci places the Madonna and Child in a dimly lit room, where the only source of light is a double window located in the back. Its greenish light cannot dispel the twilight, but at the same time is sufficient to highlight the figure of the Madonna and the young Christ

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Michelangelo Buonarroti's Pieta (Lamentation of Christ) Pieta was written when he was 24 years old. The main features of Michelangelo's creativity are monumentality, plastic power and dramatic images, reverence for human beauty. He managed to fully preserve and express in his works his love for man and faith in his greatness and beauty. Jean Baptiste Simeon Chardin “Prayer before dinner” The painting was created at the age of 34. Scenes of everyday life of people who belonged to the third estate. The main thing in the paintings is their spirituality, the poeticization of everyday life, the balance of construction, creating an image of harmonious existence. Numerous shades of gray and brown tones. In the picture, three characters - a mother and two little girls - are connected by a simple everyday situation; the viewer easily guesses many shades in the calm benevolence of the mother, the immediate Emotions of the children Karl Bryullov “Portrait of Yu.P. Samoilova leaving the ball with her adopted daughter Amazilia Paccini” Written at the age of 40. In female images he embodied the romantic ideals of art. Decorative showiness, the boldness of a bright, colorful spectrum composed of primary colors, where a proud beauty throws off the mask from her face, defines pathos. Alexey Gavrilovich Venetsianov “At the harvest. In the summer" Consciously chooses everyday genre the basis of his creativity. Poeticization of Russian national peasant life. In the center of the picture there is a woman reaper with a child in her arms. Then, when the sun burns mercilessly, the sheaves stand in rows, the hills turn green, the woman settles down to rest on a high platform, she tenderly hugs the baby, forgetting about fatigue.

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Vasily Grigorievich Perov “Farewell to the Dead Man” Written at the age of 31. "Singer of Sorrows" An unvarnished depiction of the life of ordinary people. This is not only a sad story about the fate of an unfortunate family, but in it one can hear the mournful voice of the entire multimillion-dollar dispossessed peasant Russia. Ivan Nikolaevich Kramskoy “Inconsolable Grief” Depicted at 47 years old. Takes what naturally flows from the depicted personality and psychological state. In the appearance of the mother, depicted in deep mourning, one can read silent despair, dull pain - and at the same time, enormous inner strength, readiness to withstand grief, peace and fate. Pierre Auguste Renoir "Madame Charpentier with her children" Written at the age of 37. Art appears before us in its most festive form, filled with light, full of health and thirst for life. Attracts the lively sparkle of the eyes, the gentle reflections of the surrounding colorful tones on the skin. The children are in light girlish outfits, and the hostess is in a fashionable dress. Kuzma Petrov-Vodkin “Mother” The painting was painted at the age of 35. He knew how to combine in his works thinking in “planetary” categories and loyalty to the eternal principles and highest values ​​of spiritual culture and national traditions. The painting is distinguished by its particular clarity and transparency of colors, dominated by flaming red and various shades of ultramarine blue.

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Valentin Serov “N.Ya.Derviz with a child” Painted the picture at the age of 23. Serov's creativity early period was formed under the influence of the realistic art of Repin and the strict plastic system of Chistyakov. Features of his portraits: psychologically sharpened characteristics of a person. The portrait is monochrome and restrained in color with the psychological expressiveness of the model - modest, reserved. Almost just sketched dresses and a child in her arms. Alexander Alexandrovich Deineka “Mother” Writing at 33 years old. Deinekov’s image of a mother with a child in her arms is destined to become a classic. In the thirties, the color in the artist’s works brightens, becomes softer, portraits and landscapes are filled with both realism and romanticism, many female images. The composition is surprisingly simple: against a smooth dark background, a close-up image of a woman with a sleeping child in her arms is depicted. The color of the canvas is based on a combination of warm and deep earthy colors. The painting resembles a fresco in its restraint and nobility of texture. Sergei Vasilievich Gerasimov “Mother of the Partisan” Written at the age of 45. The painting absorbed the artist’s anger and pain, his unshakable faith in the perseverance and courage of a woman. Creativity is an emotionally vibrant decision of the author. The image of a patriotic woman, courageous, who was able to drown out her personal maternal grief for the sake of love for people.

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Salvador Dali "Madonna of Port Lligat" Dali is freed from his dreams of resurrecting his dead mother: now she is alive in the form of Gala (wife). The picture helps to understand on a subconscious level the incestuous attraction to his mother, who was for him the center of his entire life, and overcoming them. Eugene Carrier “Motherhood” Family, home, mother and child – these are the most frequently recurring motifs in the artist’s art. The mood of deep silence and sincerity that permeates the image of motherhood. The figures of mother and child are shrouded in a yellowish-brown haze, blurring the contours, dissolving the form. Mikhail Aleksandrovich Vrubel “The Virgin and Child” Known as the author of paintings, decorative panels, frescoes and book illustrations. A feminine-tender and at the same time sad image of a mother anticipating the tragic fate of her son. The solemn rhythm of the folds of clothing, strict lines, monochrome simplicity of color relationships, and the utmost laconicism of the composition help to express the depth and grandeur of grief. Victor Mikhailovich Vasnetsov “Our Lady” Painting of the Vladimir Cathedral in Kyiv, dedicated to the 900th anniversary of the baptism of Rus'. He was given the opportunity to embody the image of the Mother of God in a new way, without repeating anyone, “with warmth, sincerity and courage.” He painted the Mother of God walking on the clouds with the Child in the apse of the altar.

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As we can see from the comparison, artists turned to the theme of “Motherhood” at different periods of their lives, but, basically, they were at a mature age, when the theme became one of the main ones for them. They really showed the distinctive properties of the individual styles of the artists, which I discussed in the analysis of the paintings. Theophan the Greek “Don Icon of the Mother of God” Creativity is considered a phenomenon of Russian culture. The nature of the paintings was tragic, since they expressed the worldview of the decline of the Byzantine Empire and were imbued with apocalyptic forebodings of the imminent death of the Holy Orthodox Kingdom. The artist achieves expressions of gentle humanity through melodious color with intense strokes of precious lapis lazuli and through the skillful use of smooth, rounded lines in which there is nothing hard or swift.

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Comparison of various paintings with Raphael Santi “Sistine Madonna” “Sistine Madonna” by Raphael Santi The artist depicted Mary in full growth with the infant Christ in her arms. The Madonna descends from heaven to people, accompanied by St. Barbarians. Pope Sixtus II, as it were, entrusts humanity to the intercessor. Below, right next to the frame, two little angels look at the miraculous phenomenon. Clouds swirl behind the figure of the Madonna and the alluring distance shines. 1. Form: – Harmony of volumes and space – The composition of the work represents the descending Mother of God with her son in her arms 2. Content – ​​The image of eternal femininity and motherhood – The bright sadness of a mother who knows the fate of her son is expressed harmoniously, majesticly and piercingly sharply – The curtain is parted before the appearance of a miracle . Six-fingered St. Peter, angels. 3. Style, direction – Renaissance, where a person is always the center of the composition; It is he who is the main character of the dramatic narrative, an active exponent of the content contained in the picture. Through the light of their faces, a person looking at the picture comprehends the divine principle in the world. Because to the sublime you always need to make a path that runs through obstacles. Vasnetsov “The Mother of God” Like the “Sistine Madonna”, the Mother of God, holding a baby in her arms, walks towards the viewer. But the interpretation of the image of Mary differs significantly from Raphael’s. If the “Sistine Madonna” embodies the triumph and greatness of spiritual achievement, then Vasnetsov’s “Our Lady” is, first of all, tragic. Maria's huge eyes are filled with inexpressible sorrow. “With spiritual eyes,” as they said in the old days, she sees the difficult path that her son has to go through. She also mourns for people - for everyone who must bear the cross of a difficult earthly life. The Mother of God holds the child with both hands. His gaze is not childishly insightful and wise. The baby’s gesture is symbolic: with his right hand he seems to bless us who live on earth, and with his left he points upward, where our thoughts should be directed. The artist’s deeply personal emotional experiences allowed him, with extraordinary simplicity and humanity, to embody in the image of the Mother of God the beauty of femininity, the strength of maternal feeling and soulful spirituality.

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Raphael in The Sistine Madonna, painted in 1515 for the church of the Monastery of Sixtus in Piacenza and depicting the appearance of the Mother of God to the Holy Father Sixtus and Saint Barbara, places the figures in deep space. Here before us is as if a wonderful vision suddenly appeared in the heavens from behind a curtain pulled back by someone. Surrounded by a golden glow, solemn and majestic, Mary walks through the clouds, holding a baby in front of her. The strictly balanced composition, clarity of the silhouette and monumental forms give the “Sistine Madonna” special grandeur. But even in this picture we do not see an exact adherence to the laws of perspective. "In his quest to give an idea of ​​what objects are, regardless of where they are viewed from, Raphael deviates from the perspective rule of a single vanishing point. The angels are located at the viewer's eye level. Leonardo da Vinci's Benois Madonna Da Vinci places the Madonna and Child in a dim room, where the only source of light is a double window located in the depths. Its greenish light cannot dispel the darkness, but at the same time it is sufficient to highlight the figure of the Madonna and the young Christ. The main “work” is done by the light pouring from the top left. Thanks to him, the master manages to enliven the picture with the play of chiaroscuro and sculpt the volume of two figures. The young mother with a joyful smile holds out a flower to the baby and watches as the affectionate and lively girl-mother and wise child embodies the joy of being and the beauty of learning. and the baby are turned towards the viewer, the Madonna seems to be demonstrating the child and posing herself. The Mother of God is so passionate about playing with her baby that, in combination with her smile, even laughter caused by admiration from contemplating her son, she becomes like an ordinary young girl playing with her child. .

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But since the faces of those present are also at the level of his eyes, he seems to rise upward with them. Finally, raising his eyes to the Madonna, the viewer notices that she is not visible from below, as is usually the case in baroque images - her face is at the level of his eyes. Thanks to the rejection of a single vanishing point, the objects presented in Raphael's painting do not look as they can be seen from a certain point of view, but as, according to the artist, they are in themselves." "The Sistine Madonna", then in the arrangement of the figures of this painting Some authors noted pyramidality, others - something circular. Both definitions do not exclude each other. Pyramidity makes the composition stable and emphasizes the dominance of the Madonna over the others. However, in my opinion, the shape of the circle dominates the pyramid due to the correspondence of the top and bottom, right and left. part of the picture, its composition becomes complete and approaches the circle. The direction of Pope Sixtus towards the face of the Madonna, then movement along the edge of her veil to Barbara, from her following her gaze to the babies and, finally, from them upward again - this chain of movements helps ours. the eye can catch the circular rhythm that permeates the picture. Theophan the Greek “Our Lady of the Don” The system of depicting figures in “Our Lady of the Don” is represented by the so-called “reverse” perspective, widespread in art. Byzantine art. This is a conventional system for constructing space. It breaks up in the icon into a number of independent zones, the image is spread out on a plane, and the figures are presented as visible from several points of view and increasing as they move away from the foreground. However, such a construction of the composition in this case only gives the icon expressiveness. By basing the entire composition on a geometric rather than a stereometric figure, Theophanes the Greek thereby subordinated the composition to the plane of the icon board. The spatial zone is minimal in its depth, and its depth is in strict accordance with the height and width of the icon board. From this correspondence of three dimensions is born that lawful harmony that gives the icon such a perfect work of art. If the figures were more voluminous and the space deeper, then the harmony would be immediately disrupted. It is precisely because the author interprets his figures in silhouette and makes line and color spots the main means of artistic expression that he manages to preserve that planar rhythm that has always attracted Russian icon painters and thanks to which his composition has such amazing lightness. In the composition of “Our Lady of the Don” pyramidality clearly prevails. The pyramid is formed by the outlines of a baby. Its silhouette corresponds to the amophorion of the Mother of God, forming exactly the same pyramid. And finally, the general image of the Madonna, bowing her head towards her son, and the child also resemble a pyramid.

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Artistic techniques highlighting the images of mother and child Artists Mother Child Raphael Santi “Madonna in Greenery” The face of a young golden-haired mother Mary looking with tenderness at the healthy babies - Jesus and John, who are playing at her knees. The beauty of Maria's ideal type stands out due to the smoothness of the parabolic contours of her figure. The faces of the children, here and there the pyramidal formation of the group, the writing technique is similar. Children play with the expression of angels. Jean Baptiste Simeon Chardin "The Laundress" A young woman washes, white flakes of foam hanging from a wooden tub. Her little son is playing near her. She smiles, although her life is not simple, but the main thing is a boy - a son whom she cannot be happy about. Conveniently perched on a small chair, the little son is diligently engaged in a “serious” matter - blowing soap bubbles. One of them is growing, moving, an amazing rainbow world is trembling and shimmering on its damp walls. The baby’s clothes are not big enough, his shoes are worn out, his sleeve is torn, but he is still happy.

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Alexey Gavrilovich Venetsianov “At the harvest. In the summer” In the center of the picture there is a woman reaper with a child in her arms, she tenderly hugs the baby, forgetting about fatigue. We can see the image of the mother in this picture in the example of a peasant woman feeding a child clinging to her. The sun is behind the peasant woman's back, and thanks to this, her face and most of her figure are shaded, and this makes it possible to generalize the shapes and reveal clean and smooth lines in her silhouette. The mother almost completely covers the baby, only his head can be seen. He feeds, clinging to his mother's chest. Ivan Nikolaevich Kramskoy “Inconsolable Grief” The woman straightened up, her posture was collected, she was no longer crying. In the expression of her face there is a meaningfulness and feeling of irreparable grief, not external, but deeply internal and personal. In the appearance of the mother, depicted in deep mourning, one can read silent despair, dull pain. The child died, leaving his beloved mother.

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Eugene Carrier "Motherhood" A mother tenderly and lovingly hugs her child. The figures of mother and child are shrouded in a yellowish-brown haze, blurring the contours and dissolving the forms. The figures of mother and child are united by smoothly intersecting lines, as if they are one whole. The baby presses its cheek to its mother's cheek. Kuzma Perov-Vodkin “Mother” The painting depicts the figure of a nursing mother, inside of whom is stored a precious crystal of life - a child. Blue and red are the colors of the Mother of God, her divine and earthly nature. A young mother, clutching her baby, with her general appearance and silhouette resembles a Madonna, who radiates family happiness, joy and holiness mother's love. The white color of the baby's shirt is the color of holiness and purity, which equates the newborn with the divine baby. The baby feeds in the tender arms of its mother.

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Mikhai l Aleksandrovich Vrubel “The Virgin and Child” The Virgin with wide with open eyes, full of tears, as if petrified in suffering over the coffin of her son. The solemn rhythm of the folds of clothing, strict lines, monochrome simplicity of color relationships, and the utmost laconicism of the composition help to express the depth and grandeur of grief. A feminine-tender and at the same time sad image of a mother anticipating the tragic fate of her son. The child cuddles up to his mother. There is fear in his eyes, but he tries to hide in the love and clothes of his mother, leaving hope. Theophanes the Greek “Don Icon of the Mother of God” With her right hand, the Virgin Mary supports the infant Christ. There is sadness in her eyes. Christ touches the cheek of the Mother of God with his face. The baby blesses with two fingers with his right hand, and in his left hand, lowered to his knee and covered with a himation, he holds a rolled scroll. The baby's legs, bare to the knees, placed on the wrist of the Virgin's left hand.

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3. Conclusions At all times, artists have glorified the beauty of a woman, but it was the image of a woman - a mother - that was the ideal of female beauty. Paintings by great artists are a kind of “artistic key” to comprehend the image of a mother. Therefore, I believe that the topic of “Motherhood” remains unexhausted. As for my hypothesis, I can say that it was confirmed. Comparing the paintings of artists different styles and time boundaries, I proved that they are brought together, connected by certain patterns that connect historical and cultural processes and the creative freedom of artists. Therefore, we can say with confidence that the image of the mother will excite artists of future generations and will pass through the centuries. It was interesting for me to work on the topic: I learned a lot of new historical facts; artists. I learned about the huge artistic value some paintings.

In Russia, Mother's Day began to be celebrated relatively recently. Established by Presidential Decree Russian Federation B.N. Yeltsin No. 120 “About Mother’s DayImage of Mother in
fine arts
In Russia, Mother's Day began to be celebrated relatively recently.
Established by Decree of the President of the Russian Federation B.N. Yeltsin
No. 120 “About Mother’s Day” dated January 30, 1998,
it is celebrated on the last Sunday of November,
paying tribute to mothers' work and their selfless sacrifice for
the good of your children. The initiative to establish Mother's Day was taken by
State Duma Committee on Women, Family and Youth Affairs.

Venera Krivova
Presentation “The image of a woman-mother in painting”

Whose the image you see?

What's this called? image? (drawing, painting)

This is an icon. And the icon is image characters from the Bible story

What's her name?

This is the Virgin Mary, Mother of God. It is believed that the Virgin Mary is the Mother of the whole world. Her motherhood extends to us all. Yes, we don’t see her, but she is always next to us, sees us and hears us. In moments of illness, fear, anxiety, we can contact not only to our own mother, but also to our intercessor, the protector of the Mother of God.

See how depicted here is the artist mother and baby. Is it possible to understand what kind of relationship there is between them, how they relate to each other?

Image the icon conveys the tenderness of communication between a child and his mother

Here we see several paintings at once. And on all of them depicts a woman-mother with a child in her arms. Artists from different countries, at all times portrayed mother with child in her arms image of Madonna. This is the beautiful word Madonna was called by artists as mothers.

Look carefully at all these pictures. What's on them woman - mother(beautiful, gentle, caring, kind, affectionate)

As you imagine, looking at these pictures, you can understand how woman relates to your child? (she loves him, protects him, protects him)

How did the artist manage to show this and convey it to us? With what?

Delicate, calm colors, smooth lines - everything speaks about what kind of kind and gentle mother.

Painting by K. Petrov-Vodkin "Mother"

Madonna breastfeeding her child turns out to be a barefoot Russian peasant woman.

Look at the baby in this picture? What is he doing? (sleeping, eyes closed)

The baby sleeps and carefree drinks milk from a nursing mother. What does this mean? That he feels good and calm next to his mother. And next to his mother, it is good and calm not only for this child, but for all the people in the world. earth: both adults and children. A mother gives life, protects, helps to get back on her feet. This main man in everyone's life and cannot be replaced by anyone.

Painting "Petrograd Madonna"

In this picture the young woman holding a child close to her depicted against the backdrop of the revolutionary city of Petrograd. What is revolution? A revolution is a war, it is a tragic time for the country and the people. It led to death, devastation, ruin.

A mother with a child in her arms stands on the balcony. Behind her is a revolutionary city, bustle, excitement, passers-by hurrying somewhere, discussing their problems. But woman turned her back to the city. She doesn’t look back, she doesn’t care what people are doing on the street, what’s happening in the city. Her main concern is the child, his life is full of consciousness of his motherhood and faith in his destiny. A wave of hope and peace emanates from her. Look closely at this mother's face. In him you can see a combination of purity, strength and will.

Another picture with image of a woman - mother. M. A. Savitsky "Guerrilla Madonna"

In this painting the artist depicted The times of the Second World War were also a very terrible time for the country, for the people. Men - fathers, brothers, husbands - went to the front. Old people, women, the children stayed at home. Women harvesting bread. Their work is protected by partisans. The squad goes on a mission. AND SHE - Woman-Mother feeds the baby. She must always be a Mother, no matter what, raising and feeding her child is her most important task, the meaning of her life. If it is not there, there is nothing. And there is no life.

Which woman-Do we see the mother in this picture? (Strong, powerful, confident, courageous, resilient, clear, caring, loving).

We looked at several paintings from image of a woman - mother. Tell me what kind of mother she is depicted by artists? (beautiful, kind, loving her child, taking care of her baby, protecting him, protecting him from everything bad).

Publications on the topic:

Integration educational areas: “Cognition”, “Socialization”, “Artistic creativity”, “Reading” fiction" Target:.