Experience and mistakes in the work dark alleys. Loyalty and betrayal

What is experience and is its presence important in a person’s life? Experience is all the skills and abilities acquired by a person. Of course, life is easier for people who have experienced a lot along the way, because all issues can be solved by turning to accumulated knowledge. The English poet W. Shakespeare said that “experience is acquired only by activity, and is improved by time.” Can human activity for the sake of gaining experience be infallible? Unfortunately no. In our world, you have to pay for everything, including the acquisition of worldly wisdom. As a rule, the fees for errors are quite high. Therefore, to the question “Is it good life principle- act by trial and error? I answer “no, not always.”

The great Russian writer Lev Nikolaevich Tolstoy in his epic novel “War and Peace” gives a description of the many human destinies, allowing the reader to track all stages of the characters’ lives. One of central characters is the young Prince Andrei Bolkonsky. He goes through a grandiose path of evolution from a proud young man who dreams of becoming the new Napoleon into a man who has found the real meaning of existence. At the beginning of the novel, Prince Andrei is glad to leave his annoying pregnant wife, become an officer and look for “his Toulon” - a battle that will glorify him. But, having been wounded in the battle of Austerlitz, Bolkonsky rethinks his whole life, looks at the high endless sky and thinks that “there is nothing but silence and tranquility.” Andrei wants to return to his wife and child, but does not have time. His wife dies on the day of his arrival and for the rest of his life he feels guilty towards her. Andrei gains life experience and becomes wiser, but he cannot return his wife, the mother of his son.

In Ivan Alekseevich Bunin's story "Dark Alleys", the old military man Nikolai Alekseevich meets with a woman with whom he had an affair thirty years ago. Nikolai Alekseevich cannot hold back his tears when he finds out that all this time Nadezhda loved him and did not forgive him for the fact that then, many years ago, he heartlessly abandoned her. On the way home, Nikolai Alekseevich imagines what would have happened if he had not abandoned the young peasant woman, but made her the mistress of the house and the mother of his children. Now the military man knows that the love that gave him “truly magical moments” could not be missed. However, this knowledge came at too great a cost to him. And why does he need it when nothing can be fixed?

Thus, experience is, in fact, very important for a person, but the price for it is sometimes too high, since the mistakes from which experience is learned can cost personal happiness or even life. The tragedy is that awareness sometimes comes to people late, when nothing can be learned from a cruel life lesson except melancholy and self-flagellation. Then the trial and error method no longer makes any sense.

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  1. Essay "Experience and mistakes."
    As the ancient Roman philosopher Cicero said: “To err is human.” Indeed, it is impossible to live life without making a single mistake. Mistakes can ruin a person’s life, even break his soul, but they can also provide rich life experience. And let it be common for us to make mistakes, because everyone learns from their own mistakes and sometimes even the mistakes of other people.

    Many literary characters make mistakes, but not everyone tries to correct them. In the play by A.P. Chekhov's "The Cherry Orchard" Ranevskaya makes a mistake, since she refused the proposals to save the estate that Lopakhin offered her. But you can still understand Ranevskaya, because by agreeing, she could lose the family’s legacy. I think the main mistake in this work is the destruction of the Cherry Orchard, which is a memory of the life of the past generation and the consequence of this is a breakdown in relations. After reading this play, I began to understand that we need to preserve the memory of the past, but this is just my opinion, everyone thinks differently, but I hope that many will agree that we must protect everything that our ancestors left us.
    I believe that every person should pay for their mistakes and try to correct them at any cost. In the novel by F.M. Dostoevsky's “crime and punishment” character's mistakes cost two innocent lives. Raskolnikov's erroneous plan took the life of Lisa and the unborn child, but this act radically affected the life of the protagonist. Sometimes someone can say that he is a murderer and should not be forgiven, but after reading about his condition after the murder, I began to look at him with a different eye. But he paid for his mistakes with himself and only thanks to Sonya he was able to cope with his mental torment.
    Speaking about experience and mistakes, the words of the Soviet philologist D.S. come to me. Likhachev, who said: “admiring the skaters’ ability to correct mistakes while dancing. This is art, great art,” but in life there are many more mistakes and everyone needs to be able to correct them, immediately and beautifully, because nothing teaches you more than realizing your mistakes.

    Reflecting on the fates of various heroes, we understand that it is the mistakes made and their corrections that are the eternal work on oneself. It is the search for truth and the desire for spiritual harmony that leads us to gaining real experience and to finding happiness. Popular wisdom says: “Only those who do nothing make no mistakes.”
    Toucan Kostya 11 B

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  2. Why is it necessary to analyze the mistakes of the past?
    Let the introduction to my reflection be the words of Haruki Murakami that “mistakes are like punctuation marks, without which there will be no meaning in life, as well as in the text.” I saw this statement a long time ago. I re-read it many times. And just now I thought about it. About what? About my attitude towards mistakes made. Before, I strived to never make mistakes, and I was very ashamed at times when I did slip up. And now - through the prism of time - I fell in love with every opportunity to make a mistake, because then I can correct myself, which means I will gain invaluable experience that will help me in the future.
    Experience is the best teacher! “True, he charges a lot, but he explains clearly.” It’s funny to remember how a year ago I was as a child! - I simply prayed to heaven that everything would be fine with me: less suffering, fewer mistakes. Now I (even though I’m still a child) don’t understand: who and why did I ask? And the worst thing is that my requests came true! And here is the first answer why you need to analyze the mistakes of the past and THINK: everything will come back to haunt you.

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  3. Let's turn to the literature. As you know, the works of the classics provide answers to questions that concern people at all times: what is true love, friendship, compassion... But the classics are also visionaries. We were once told in literature that the text is just the “tip of the iceberg.” And these words somehow strangely resonated in my soul after a while. I re-read many works - from a different angle! - and instead of the previous veil of misunderstanding, new pictures opened up before me: there was philosophy, and irony, and answers to questions, and reasoning about people, and warnings...
    One of my favorite writers was Anton Pavlovich Chekhov. I love him because his works are tiny in volume, but capacious in content, and for any occasion. I like the fact that the teacher in literature lessons nurtures in us students the ability to read “between the lines.” And Chekhov, without this skill, is impossible to read! For example, the play "The Seagull", my favorite play by Chekhov. I read and re-read it avidly, and each time new insights came and still come to me. The play "The Seagull" is very sad. There is no conventional happy ending. And somehow suddenly - a comedy. It is still a mystery to me why the author defined the genre of the play this way. Reading The Seagull left me with a strange bitter aftertaste. I feel sorry for many of the heroes. When I read, I just wanted to shout to some of them: “Come to your senses! What are you doing?!” Or maybe that’s why it’s a comedy because the mistakes of some of the characters are too obvious??? Let's take Masha for example. She suffered from unrequited love for Treplev. Well, why did she have to marry an unloved person and suffer doubly? But she will now have to bear this burden for the rest of her life! “Drag your life like an endless train.” And the question immediately arises: “how would I...?” What would I do if I were Masha? She can also be understood. She tried to forget her love, tried to throw herself into the household, devote herself to the child... But running away from the problem does not mean solving it. Non-reciprocal love must be realized, experienced, suffered. And all this alone...

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  4. He who doesn't make mistakes doesn't do anything." Don't make mistakes... This is the ideal I was striving for! Well, I got my "ideal"! And what next? Death during life, that's what I got! A greenhouse plant, that's what I got! , what I almost became! And then I discovered Chekhov’s work “The Man in a Case.” main character, all the time creating a “case” for myself for a comfortable life. But in the end, he missed this very life! “If only something hadn’t happened!” said Belikov. And I wanted to answer him: your life didn’t work out, that’s what!
    Existence is not life. And Belikov left nothing behind, and no one will remember him in centuries. Are there many such white ones now? Yes, a dime a dozen!
    The story is both funny and sad at the same time. And very relevant in our 21st century. Funny because Chekhov uses irony when describing the portrait of Belikov (“always, in any weather, he wore a hat, sweatshirt, galoshes and dark glasses..”), which makes it comical and makes me laugh as a reader. But it becomes sad when I think about my life. What have I done? What did I see? Yes, absolutely nothing! I am horrified to discover echoes of the story “The Man in the Case” in myself now... This makes me think about what I want to leave behind? What is the ultimate goal of my life? What is life anyway? After all, to be dead while alive, to become one of those white-haired people in a case... I don’t want to!

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  5. Along with Chekhov, I also fell in love with I.A. Bunina. What I like about him is that in his stories love has many faces. This is love for sale, love as a flash, love as a game, and the author also talks about children growing up without love (the story “Beauty”). The end of Bunin's stories is not like the hackneyed "and they lived happily ever after." The author shows different faces of love, building his stories on the principle of antithesis. Love can burn, hurt, and the scars will ache for a long time... But at the same time, love inspires, forces you to act, to develop morally.
    So, Bunin's stories. Everyone is different, different from each other. And the heroes are all different too. Who I especially like among Bunin’s heroes is Olya Meshcherskaya from the story “Easy Breathing”.
    She really burst into life like a whirlwind, experienced a bouquet of feelings: joy, sadness, oblivion, and grief... All the brightest principles burned with flame in her, and a wide variety of feelings boiled in her blood... And then they burst out ! How much love for the world, how much childish purity and naivety, how much beauty this Olya carried within herself! Bunin opened my eyes. He showed what a girl should really be like. There is no theatricality in movements, words... No mannerisms or affectation. Everything is simple, everything is natural. Indeed, easy breathing... Looking at myself, I understand that I often deceive myself and wear a mask of “ideal myself”. But there are no ideal ones! There is beauty in naturalness. And the story “Easy Breathing” confirms these words.

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  6. I could (and I would like to!) think about many more works of Russian and foreign, as well as modern classics... We can talk about this forever, but... Opportunities do not allow. I will only say that I am endlessly glad, because the teacher cultivated in us, students, the ability to be selective in choosing literature, to be more sensitive to words and to love books. And the books contain centuries of experience that will help the young reader grow up to be a Man with a capital “H”, those who know history of his people, not to become ignorant, and most importantly, to be a thoughtful person who knows how to foresee consequences. After all, “if you made a mistake and didn’t realize it, then you made two mistakes.” They are, of course, punctuation marks that cannot be avoided, but if there are too many of them, there will be no meaning in life, as in the text!

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    Answers

      What a pity that there is no rating higher than 5... I read and think: my work resonated with children... Many, many children... You have grown up. Very. Yesterday I wanted to tell you, calling you by your last name (precisely by your last name, because you get nervous every time, and it makes me laugh so much! Why? You have a beautiful last name: all sonorants and vowels, which means it’s euphonious!): “Smolina, you’re not “Only beautiful, you are also smart. Smolina, you are not only smart, you are also beautiful.” At work I saw a thinker, a deep thinker!

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  • As they say, “Man learns from mistakes.” This proverb is known to everyone. But there is also another well-known proverb - “A smart person learns from the mistakes of others, and a stupid person learns from his own.” Writers of the nineteenth and twentieth centuries left us a rich cultural heritage. From their works, from the mistakes and experiences of their heroes, we can learn important things that will help us in the future, having knowledge, not to commit unnecessary actions.
    Every person strives in his life for happiness at the family hearth and spends his entire life looking for his “soul mate.” But it often happens that feelings are deceptive, not mutual, not constant, and a person becomes unhappy. Writers, perfectly understanding the problem of unhappy love, have written a large number of works that reveal various facets of love, true love. One of the writers who explored this topic was Ivan Bunin. Collection of stories " Dark alleys"contains stories whose stories are vital and relevant for consideration by modern people. My favorite story was “Easy Breathing.” It reveals a feeling like nascent love. At first glance, it may seem that Olya Meshcherskaya is an arrogant and proud girl who, at fifteen, wants to appear older and therefore goes to bed with her father’s friend. The boss wants to reason with her, prove to her that she is still a girl and should dress and behave accordingly.
    But that's not really the case. How can Olya, whom the younger classes love, be arrogant and arrogant? You can’t fool children, they see the sincerity of Olya and her behavior. But what about the rumors that she is flighty, that she is in love with a high school student and is unfaithful with him? But these are just rumors spread by girls who envy Olya’s grace and natural beauty. The behavior of the head of the gymnasium is similar. She lived a long but gray life, in which there were no joys or happiness. She now looks youthful, has silver hair, and loves to knit. She is contrasted with Olya’s eventful life and bright, joyful moments. Also the antithesis is the natural beauty of Meshcherskaya and the “youthfulness” of the boss. Because of this, a conflict flares up between them. The boss wants Olya to remove her “feminine” hairstyle and behave more dignified. But Olya feels that her life will be bright, that there will definitely be happy, true love in her life. She does not answer the boss rudely, but behaves gracefully, in an aristocratic manner. Olya does not notice this female envy and does not wish anything bad for the boss.
    Olya Meshcherskaya’s love was just beginning, but never had time to open up due to her death. For myself, I learned the following lesson: it is necessary to develop love in yourself and show it in life, but be careful not to cross the line that will lead to sad consequences.

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  • Another writer who explored the theme of love is Anton Pavlovich Chekhov. I would like to consider his work “The Cherry Orchard”. Here I can divide all the characters into three categories: Ranevskaya, Lopakhin and Olya and Petya. Ranevskaya personifies Russia's noble aristocratic past in the play: She can enjoy the beauty of the garden and not think about whether it brings her benefits or not. She is characterized by such qualities as mercy, nobility, spiritual generosity, generosity and kindness. She still loves her chosen one, who betrayed her once. For her, the cherry orchard is a home, memory, connection with generations, memories from childhood. Ranevskaya does not care about the material side of life (she is wasteful and does not know how to conduct business and make decisions on pressing problems). Ranevskaya is characterized by sensitivity and spirituality. From her example I can learn mercy and spiritual beauty.
    Lopakhin, who personifies modern Russia in the work, is characterized by a love of money. He works in a bank and tries to find a source of profit in everything. He is practical, hard-working and energetic, achieves his goals. However, the love of money has not ruined his human feelings: he is sincere, grateful, and understanding. He has a gentle soul. For him, the garden is no longer a cherry tree, but a cherry tree, a source of profit, not aesthetic pleasure, a means for obtaining material gain, and not a symbol of memory and connection with generations. From his example, I can learn to develop spiritual qualities first, and not the love of money, which can easily ruin the human element in people.
    Anya and Petya personify the future of Russia, which frightens the reader. They talk a lot, but are not carried away by anything, they strive for an ephemeral future, shining but barren, and a wonderful life. They easily let go of what they don't need (in their opinion). They are not at all worried about the fate of the garden or anything. They can confidently be called Ivans, who do not remember their kinship. From their example, I can learn to appreciate the monuments of the past and preserve the connection between generations. I can also learn that if you strive for a bright future, then you need to make efforts, and not engage in chatter.
    As you can see, from the works of writers of the nineteenth and twentieth centuries we can learn many useful lessons in life and gain experience that in the future will protect us from mistakes that could deprive us of joy and happiness in life.

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  • Each of us makes mistakes and learns a life lesson, and often a person regrets and tries to correct what happened, but, alas, it is impossible to turn back time. To avoid them in the future, you need to learn to analyze them. In many works of the world fiction classics touch on this topic.
    In Ivan Sergeevich Turgenev’s work “Fathers and Sons,” Evgeny Bazarov is by nature a nihilist, a person with completely unusual views for people, who denies all the values ​​of society. He refutes all the thoughts of the people around him, including his family and the Kirsanov family. Repeatedly, Evgeny Bazarov noted his beliefs, firmly believing in them and not taking into account anyone’s words: “a decent chemist is twenty times more useful than any poet,” “nature is nothing...Nature is not a temple, but a workshop, and a person is a worker in it.” Only on this was his life path built. But is everything the hero thinks true? This is his experience and mistakes. At the end of the work, everything that Bazarov believed in, that he was strongly convinced of, all his life views, is refuted by himself.
    Another striking example is the hero from Ivan Antonovich Bunin’s story “The Gentleman from San Francisco.” At the center of the story is a gentleman from San Francisco, who decided to reward himself for his long work. At 58 years old, the old man decided to start new life: “He hoped to enjoy the sun of Southern Italy, the monuments of antiquity.” He spent all his time only on work, pushing aside many important parts of life, leading with the most valuable thing - money. He enjoyed drinking chocolate, wine, taking baths, reading newspapers every day. So, he made a mistake and paid for it with his own life. As a result, equipped with wealth and gold, the gentleman dies in the hotel, in the worst, smallest and dampest room. The thirst to satiate and satisfy one’s needs, the desire to rest after the past years and start life over again, turns out to be a tragic end for the hero.
    Thus, the authors, through their heroes, show us, future generations, experience and mistakes, and we, the readers, should be grateful for the wisdom and examples that the writer sets before us. After reading these works, you should pay attention to the outcome of the heroes’ lives and follow the right path. But, of course, personal life lessons have a much better impact on us. As the well-known proverb says: “You learn from mistakes.”
    Mikheev Alexander

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  • Part 1 - Timur Osipov
    Essay on the topic “Experience and mistakes”
    People make mistakes, that's our nature. A smart person is not the one who does not make mistakes, but the one who learns from his mistakes. Mistakes are what help us move on, taking into account all past circumstances, developing more and more each time, accumulating more and more experience and knowledge.
    Fortunately, many writers have touched on this topic in their works, revealing it deeply and sharing their experience with us. For example, let's look at the story of I.A. Bunin “Antonov apples”. “Treasured alleys of noble nests,” these words of Turgenev perfectly reflect the content of this work. The author recreates the world of a Russian estate in his head. He is sad about the times gone by. Bunin conveys his feelings so realistically and intimately through sounds and smells that this story can be called “fragrant.” “The fragrant smell of straw, fallen leaves, mushroom dampness” and of course the smell of Antonov apples, which become a symbol of Russian landowners. Everything was good in those days, contentment, homeliness, prosperity. Estates were built reliably and forever, landowners hunted in velvet pants, people wore clean white shirts, indestructible boots with horseshoes, even the old people were “tall, big, white as a harrier.” But all this fades over time, ruin comes, everything is no longer so wonderful. All that remains from the old world is the subtle smell of Antonov apples... Bunin is trying to convey to us that we need to maintain connections between times and generations, preserve the memory and culture of the old time, and also love our country as much as he does.

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  • Part 2 - Timur Osipov
    I would also like to touch on A.P. Chekhov’s work “The Cherry Orchard”. It also talks about the life of a landowner. Characters can be divided into 3 categories. Older generation, these are the Ranevskys. They are people of a passing noble era. They are characterized by mercy, generosity, subtlety of soul, as well as wastefulness, narrow-mindedness, inability and unwillingness to decide pressing problems. The attitude of the heroes towards cherry orchard shows the problem of the whole work. For the Ranevskys, this is heritage, the origins of childhood, beauty, happiness, connection with the past. Next comes the generation of the present, which is represented by Lopakhin, a practical, enterprising, energetic and hard-working person. He sees the garden as a source of income; for him it is more like Cherry than Cherry. And finally, the last group, the generation of the future - Petya and Anya. They tend to strive for a bright future, but their dreams are mostly fruitless, words for words, about everything and nothing. For the Ranevskys, the garden is all of Russia, and for them, all of Russia is a garden. This shows the very etherealness of their dreams. These are the differences between the three generations, and again, why are they so great? Why is there so much disagreement? Why does the cherry orchard have to die? His death is the destruction of the beauty and memory of his ancestors, the ruin of his native hearth; one cannot cut down the roots of a still blooming and living garden, for this punishment will certainly follow.
    We can conclude that mistakes must be avoided, because their consequences can be tragic. And after making mistakes, you need to use it to your advantage, extract experience from it for the future and pass it on to others.

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  • For Lopakhin (present) cherry orchard is a source of income. “...The only remarkable thing about this garden is that it is very large. Cherries are born once every two years, and there’s nowhere to put that one. Nobody buys...” Ermolai looks at the garden from the point of view of enrichment. He busily suggests that Ranevskaya and Gaev divide the estate into summer cottages and cut down the garden.
    Reading the work, we involuntarily ask ourselves questions: is it possible to save the garden? Who is to blame for the death of the garden? Is there no bright future? The author himself gives the answer to the first question: it is possible. The whole tragedy lies in the fact that the owners of the garden are not capable, due to their character, of saving and continuing the garden to bloom and smell fragrant. There is only one answer to the question of guilt: everyone is guilty.
    ...Isn’t there any bright future?..
    This question is already asked by the author to the readers, which is why I will answer this question. A bright future is always a huge job. These are not beautiful speeches, not a vision of an ephemeral future, but this is perseverance and decision serious problems. This is the ability to bear responsibility, the ability to respect the traditions and customs of ancestors. The ability to fight for what is dear to you.
    The play “The Cherry Orchard” shows the unforgivable mistakes of the heroes. Anton Pavlovich Chekhov gives us the opportunity to analyze so that we, young readers, have experience. This is a deplorable mistake among our heroes, but the emergence of comprehension and experience among readers in order to save a fragile future.
    The second work for analysis I would like to take is Valentin Grigorievich Rasputin’s “Women’s Conversation”. Why did I choose this particular story? Probably because in the future I will become a mother. I will have to grow from little man- A person.
    Even now, looking at the world through children's eyes, I already understand what is good and what is bad. I see examples of parenting, or lack thereof. As a teenager, I must set an example for the younger ones.
    But what I wrote earlier is the influence of parents, family. This is the influence of upbringing. The influence of observing traditions and, of course, respect. This is the work of my loved ones, which will not be in vain. Vika does not have the opportunity to recognize love and significance for her parents. “Vika ended up in the village with her grandmother in the middle of winter not of her own free will. At the age of sixteen I had to have an abortion. I got in touch with the company, and the company got in trouble. She dropped out of school, started disappearing from home, started spinning, spinning... until they grabbed her, snatched her from the carousel, already baited, already screaming on guard.”
    “In the village not of my own free will…” it’s insulting, unpleasant. It's a shame for Vika. Sixteen years old is still a child in need of parental attention. If there is no attention from parents, then the child will look for this attention on the side. And no one will explain to the child whether it is good to become another link in a company in which there is only “gotcha.” It’s unpleasant to understand that Vika was exiled to her grandmother. “...and then my father harnessed his old Niva, and, until I came to my senses, to my grandmother for deportation, for re-education.” Problems committed not so much by the child as by the parents. They didn't notice, they didn't explain! It’s true, it’s easier to send Vika to her grandmother so that she won’t be ashamed of her child. Let all responsibility for what happened fall on Natalya’s strong shoulders.
    For me, the story “Women's Conversation” first of all shows what kind of parents you should never be. Shows all the irresponsibility and carelessness. It is scary that Rasputin, looking through the prism of time, described what is still happening. Many modern teenagers lead a wild lifestyle, although some are not even fourteen.
    I hope that the experience learned from Vicky’s family will not become the basis for building her own life. I hope she will loving mother, and then a sensitive grandmother.
    And the last, final question I will ask myself: is there a connection between experience and mistakes?
    “Experience is the son of difficult mistakes” (A.S. Pushkin) We should not be afraid to make mistakes, because they strengthen us. By analyzing them, we become smarter, morally stronger... or, more simply put, we gain wisdom.

    Maria Dorozhkina

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  • Every person sets goals for himself. We spend our entire lives trying to achieve these goals. It can be difficult and people endure these difficulties in different ways; some, if it doesn’t work out, immediately give up everything and give up, while others set new goals for themselves and achieve them, taking into account their past mistakes and possibly the mistakes and experiences of other people. It seems to me that in some part the meaning of life is achieving your goals, that you cannot give up and you need to go to the end, taking into account the mistakes of your own and others. Experience and mistakes are present in many works, I will take two works, the first is Anton Chekhov’s “The Cherry Orchard”.

    I think that it is necessary to analyze the mistakes of the past in order to prevent the same mistakes again. Experience is very important and at least “learn from mistakes.” I don’t think it’s right to make mistakes that someone has already made, since you can avoid it and figure out how to do it so as not to commit the same thing that our ancestors did. Writers in their stories are trying to convey to us that experience is built on mistakes, and so that we gain experience without making the same mistakes.

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    “There are no mistakes; the events that invade our lives, whatever they may be, are necessary for us to learn what we need to learn.” Richard Bach
    We often make mistakes in certain situations, whether they are minor or serious, but how often do we notice this? Is it important to notice them so as not to step on the same rake? Perhaps each of us has thought about what would have happened if he had acted differently, is it important that he stumbled, will he learn a lesson? After all, our mistakes are an integral part of our experience, life path and our future. It's one thing to make mistakes, but trying to correct your mistakes is a completely different matter.
    In A.P. Chekhov’s story “The Man in a Case,” the Greek language teacher Belikov appears before us as an outcast of society and lost soul with a life wasted in vain. Caseiness, closedness, all those missed moments and even your own happiness - a wedding. The boundaries that he created for himself were his “cage” and the mistake he made, the “cage” in which he locked himself. Fearing “that something might happen,” he did not even notice how quickly his life, full of loneliness, fear and paranoia, passed.
    In A.P. Chekhov's play "The Cherry Orchard" this is a play in the light for today. In it, the author reveals to us all the poetry and intensity of lordly life. The image of a cherry orchard is a symbol of the departing noble life. It was not for nothing that Chekhov connected this work with the cherry orchard; through this connection we can feel a certain generational conflict. On the one hand, people like Lopakhin, who are incapable of feeling beauty, for them this garden is only a means of obtaining material benefits. On the other hand, Ranevskaya is a type of truly noble lifestyle, for whom this garden is a source of memories of childhood, hot youth, a connection with generations, something more than just a garden. In this work, the author tries to convey to us that moral qualities are much more valuable than the love of money, or dreams of an ephemeral future.
    Another example can be taken from I. A. Bunin’s story “Easy Breathing”. Where the author showed an example of the tragic mistake that fifteen-year-old gymnasium student Olga Meshcherskaya made. Her short life reminds the author of the life of a butterfly - short and easy. The story uses an antithesis between the life of Olga and the head of the gymnasium. The author compares the lives of these people, which are rich in every day, full of happiness and childishness of Olya Meshcherskaya, and the long, but boring life of the head of the gymnasium, who envies Olya’s happiness and well-being. However, Olya made a tragic mistake; through her inaction and frivolity, she lost her innocence with her father’s friend and brother of the head of the gymnasium, Alexei Malyutin. Unable to find justification or peace for herself, she forced the officer to kill her. In this work, I was struck by the insignificance of Milutin’s soul and the complete lack of masculine morality, she is just a girl whom he had to protect and guide on the right path, because she is the daughter of your friend
    Well last piece, which I would like to take is “Antonov Apples”, where the author warns us not to make one mistake - forget about our connection with generations, about our homeland, about our past. The author conveys that atmosphere of old Russia, life in abundance, landscape sketches and musical gospel. Prosperity and homeliness of village life, symbols of the Russian hearth. The smell of rye straw, tar, the aroma of fallen leaves, mushroom dampness and linden flowers.
    The authors are trying to convey that life without mistakes is impossible; the more mistakes you realize and try to correct, the more wisdom and life experience you accumulate, we must remember and honor Russian traditions, take care of natural monuments and the memory of past generations.

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  • But the future generation does not inspire optimism in Chekhov at all. “The Eternal Student” Petya Trofimov. The hero has an inherent desire for a wonderful future, but everyone can learn to speak beautifully, but Trofimov is unable to back up his words with actions. The cherry orchard is not interesting to him, and that’s not the worst thing. What is more frightening is that he is imposing his views on the still “pure” Anya. The author's attitude towards such a person is unambiguous - “klutz”.

    This wastefulness and inability to accept and solve the problem of the past generation led to the loss of the key to beauty and memories, and on the other hand, the obstinacy and perseverance of the present generation instilled in the loss amazing garden, to the departure of the entire noble era, because Lopakhin, in fact, cut down the root of what this era rested on. The author warns us, because with the change of generation, the wonderful feeling of seeing beauty weakens, and then disappears altogether. The degradation of the soul occurs, people begin to value material values, and less and less is something elegant and beautiful, less and less is the value of our ancestors, grandfathers and fathers.

    Another wonderful work is “Antonov Apples” by I.A. Bunina. The writer talks about peasant and noble life and in every possible way fills his “fragrant story” with various ways of conveying that atmosphere, those unique smells, sounds, colors. The narration comes from the perspective of Bunin himself. The author shows and reveals our Motherland in all its colors and manifestations.

    The prosperity of peasant society was demonstrated to the reader in many aspects. The village of Vyselki is excellent proof of this. Those old men and women who lived for a very long time were white and tall, like a harrier. That atmosphere of the hearth that reigned in peasant houses, with a warming samovar and a black stove. This is a demonstration of the contentment and wealth of the peasants. People appreciated and enjoyed life, the unique smells and sounds of nature. And to match the old people there were also houses built by their grandfathers, brick, durable, for centuries. But what about that man who poured apples and who ate them so juicy, with a bang, dashingly, one after another, and then at night he would lie carefree, gloriously on the cart, look into the starry sky, feel the unforgettable smell of tar in the fresh air and, Perhaps he will fall asleep with a smile on his face.

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    Answers

      The author warns us, because with the change of generation, the wonderful feeling of seeing beauty weakens, and then disappears altogether. The degradation of the soul occurs, people begin to value material values, and less and less is something elegant and beautiful, less and less the value of our ancestors, grandfathers and fathers. Bunin teaches us to love our Motherland, in this work he shows the indescribable beauty of our Fatherland. And for him it is important that, through the prism of time, the memory of a bygone culture does not dissipate, but is preserved." Seryozha, this is a wonderful essay! It reveals your good knowledge of the text. BUT!!! The essay would have failed the exam, because there is no problem, CLEARLY formulated, There is NO CONCLUSION, clearly formulated!!! I specifically highlighted those parts of the essay because this is where the “grain” is. The question is “why?” ... don't lose... don't turn into...

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  • Rewritten introduction and conclusion.

    Introduction: The book is an invaluable source of wisdom from unique writers. Warning and warning us, the modern and future generation, through the mistakes of their heroes, was one of the main messages of their work. Mistakes are common to absolutely all people on earth. Everyone makes mistakes, but not everyone tries to analyze their mistakes and extract the “grain” from them, but thanks to this understanding of their own mistakes, the path to a happy life opens.

    Conclusion: In conclusion, I would like to note that the modern generation needs to appreciate the works of writers. By reading works, a thoughtful reader draws and accumulates the necessary experience, acquires wisdom, over time the store of knowledge about life grows, and the reader must pass on the accumulated experience to others. The English scientist Coleridge calls such readers “diamonds” because they are actually very rare. But it is precisely thanks to this approach that society will learn from the mistakes of the past and reap the fruits from the mistakes of the past. People will make fewer mistakes, and more wise people will appear in society. And wisdom is the key to a happy life.

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  • Noble life was significantly different from peasant life; serfdom was still felt, despite its abolition. When entering Anna Gerasimovna’s estate, first of all, you can hear various smells. They are not felt, but heard, that is, recognized by sensation, amazing quality. The smells of an old mahogany medal, dried linden blossom, which has been lying on the windows since June... It’s hard for the reader to believe this, a truly poetic nature is capable of this! The wealth and prosperity of the nobles is manifested at least in their dinner, an amazing dinner: all pink boiled ham with peas, stuffed chicken, turkey, pickles and red, strong and sweet-sweet kvass. But estate life is becoming desolate, cozy noble nests are falling apart, and estates like Anna Gerasimovna’s are becoming fewer and fewer.

    But in the estate of Arseny Semenych the situation is completely different. Crazy scene: the greyhound climbs onto the table and begins to devour the remains of the hare, and suddenly the owner of the estate comes out of the office and fires a shot at his pet, playing with his eyes, with sparkling eyes, with excitement. And then, in a silk shirt, velvet trousers and long boots, which is direct proof of wealth and prosperity, he goes hunting. And hunting is the place where you give free rein to your emotions, you are overcome by excitement, passion and you feel almost united with the horse. You return all wet and trembling from tension, and on the way back you smell the smells of the forest: mushroom dampness, rotten leaves and wet wood. The smells are everlasting...

    Bunin teaches us to love our Motherland; in this work he shows all the indescribable beauty of our Fatherland. And for him it is important that, through the prism of time, the memory of a bygone culture does not dissipate, but is preserved and remembered for a long time. Old world goes away forever, and only the subtle smell of Antonov apples remains.

    In conclusion, I would like to note that these works are not the only options for demonstrating that culture, that life of the past generation; there are other creations of writers. Generations change, and only memory remains. Through such stories, the reader learns to remember, honor and love his homeland in all its manifestations. And the future is built on the mistakes of the past.

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  • Why is it necessary to analyze the mistakes of the past? I think many people are pondering this question. Every person makes mistakes, a person cannot live life without making a mistake. But we must learn to think about the mistake and not make it in later life. As the common people say: “You need to learn from mistakes.” Every person should learn from both their own and others' mistakes.


    In conclusion, I want to say that a person can feel very bad because of a mistake he has made, he can think about committing suicide, but this is not an option. Every person is simply obliged to understand what he did wrong or someone did wrong, so that in the future he does not repeat these mistakes.

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    Answers

      in conclusion E. Seryozha, complete the introduction, since the answer “why?” is not formulated. In this regard, the conclusion needs to be strengthened. And the volume is not maintained (at least 350 words). In this form, the essay (even if it is an exam) will fail. Please find time and finish it. Please...

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  • An essay on the topic “Why is it necessary to analyze the mistakes of the past?”
    Why is it necessary to analyze the mistakes of the past? I think many people are pondering this question. Every person makes mistakes, a person cannot live life without making a mistake. But we must learn to think about the mistake and not make it in later life. As the common people say: “You need to learn from mistakes.” Every person should learn from both their own and others' mistakes. After all, if a person does not learn to think about all the mistakes he has made, then in the future he will, as they say, “step on a rake” and will constantly make them. But because of mistakes, every person can lose everything, from the most important to the most unnecessary. You always need to think ahead, think about the consequences, but if a mistake is made, you need to analyze it and never make it again.
    For example, Anton Pavlovich Chekhov in his play “The Cherry Orchard” describes the image of an orchard - a symbol of the passing of noble life. The author is trying to tell that the memory of the past generation is important. Ranevskaya Lyubov Andreevna tried to preserve the memory of the past generation, the memory of her family - the cherry orchard. And only when the garden was gone, she realized that with the cherry orchard all the memories of her family and her past had gone.
    Also, A.P. Chekhov describes a mistake in the story “The Man in a Case.” This mistake is expressed in the fact that Belikov, the main character of the story, closes himself off from society. It’s like he’s in a case, an outcast from society. His closedness does not allow him to find happiness in life. And thus, the hero lives his lonely life, in which there is no happiness.
    Another work that can be cited as an example is “Antonov Apples” written by I.A. Bunin. The author, on his own behalf, describes all the beauty of nature: smells, sounds, colors. However, Olga Meshcherskaya makes a tragic mistake. The girl of fifteen was a frivolous girl flying in the clouds, who did not think she was losing her virginity with her father’s friend.
    There is another novel in which the author describes the hero's mistake. But the hero understands in time and corrects his mistake. This is Leo Nikolaevich Tolstoy's novel War and Peace. Andrei Bolkonsky makes a mistake in that he misunderstands the values ​​of life. He dreams only of fame, thinks only of himself. But at one fine moment, on the field of Austerlitz, his idol Napoleon Bonaparte becomes nothing to him. The voice is no longer great, but like the “buzzing of a fly.” This was a turning point in the prince’s life; he nevertheless realized the main values ​​in life. He realized the mistake.
    In conclusion, I would like to say that a person may feel very bad because of a mistake he has made, he may think about committing suicide, but this is not an option. Every person is simply obliged to understand what he did wrong or someone did wrong, so that in the future he does not repeat these mistakes. The world is built in such a way that no matter how much we want, no matter what we do, mistakes will always be made, we just need to come to terms with it. But there will be fewer of them if you think through your actions in advance.

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  • Seryozha, read what he wrote: “Another work that can be cited as an example is “Antonov Apples” written by I.A. Bunin. The author, on his own behalf, describes all the beauty of nature: smells, sounds, colors. However, he makes a tragic mistake Olga Meshcherskaya. A girl of fifteen years old was a frivolous girl flying in the clouds, who I don’t think is losing her virginity with her father’s friend." - THESE ARE TWO DIFFERENT (!) WORKS AND, BUNINA: "ANTONOV APPLES", WHERE WE ARE TALKING ABOUT SMELLS, SOUNDS, AND " BREATHING EASY" ABOUT OLya MESHCHERSKAYA!!! Does it work out like one for you? There is no transition in the reasoning, and one gets the impression that it’s a mess in the head. Why? Because the sentence begins with the connecting word "however". VERY poor work. There is no complete conclusion, only faint outlines. The conclusion according to Chekhov is that you should not cut down the garden - this is the destruction of the memory of your ancestors, the beauty of the world. This will lead to internal devastation of a person. Here's the conclusion. Bolkonsky's mistakes are an experience of rethinking oneself. And the opportunity to change. here is the conclusion. etc etc... 3 ------

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  • PART 1
    Many people say that the past should be forgotten and everything that happened should be left there: “they say, what happened, happened” or “why remember”... BUT! They are wrong! in previous centuries, centuries a large number various types figures made a huge contribution to the life and existence of the country. Do you think they were right? Of course, they made mistakes, but they learned from their own mistakes, changed something, took action, and everything worked out for them. The question arises: since this was in the past, can we forget about it, or what to do with all this? NO! Thanks to various types mistakes, actions in the past, now we have a present and a future. (Perhaps it is not what we would like the present to be, but it exists, and that is exactly what it is, because much is left behind. The so-called experience of past years.) We must remember and respect the traditions of past years, because this is our History.
    Through the prism of time, most writers, and they seem to foresee that little will change over time: the problems of the past will remain similar to the present, in their works they try to teach the reader to think deeper, analyze the text and what is hidden under it. All this in order to avoid similar situations and gain life experience without passing it through own life. What errors are hidden in several of the works I have read and analyzed?
    The first work I would like to start with is the play by A.P. Chekhov's "The Cherry Orchard". You can find quite a few different problems in it, but I’ll focus on two: breaking the connection between a generation and a person’s life path. The image of a cherry orchard symbolizes the noble era. You cannot cut down the roots of a still blooming and beautiful garden, for this there will certainly be retribution - for unconsciousness and betrayal of your ancestors. A garden is a tiny subject of memory of the life of a past generation. You may think: “I’ve found something to be upset about. This garden has surrendered to you,” etc. What would happen if instead of this garden they razed a city, a village to the ground?? According to the author, cutting down the cherry orchard means the collapse of the homeland of the nobles. For the main character of the play, Lyubov Andreevna Ranevskaya, this garden was not only a garden of beauty, but also memories: childhood, home, youth. Heroes like Lyubov Andreevna have a pure and bright soul, generosity and mercy... Lyubov Andreevna had: wealth, family, and happy life, and the cherry orchard.. But at one point she lost everything. The husband died, the son drowned, two daughters remained. She fell in love with a man with whom she was clearly unhappy, because knowing that he used her, she would return to him in France again: “And what is there to hide or remain silent about, I love him, that’s clear. I love, I love... This is a stone on my neck, I’m going to the bottom with it, but I love this stone and I can’t live without it.” Also, she carelessly squandered all her fortune “she had nothing left, nothing...” “yesterday there was a lot of money, but today there is very little. My poor Varya, out of savings, feeds everyone milk soup, and I spend so senselessly...” Her mistake was that she did not know how, and she had no desire, to solve pressing problems, to stop spending, she did not know how to manage money, she did not know how to EARN them. The garden needed care, but there was no money for it, as a result of which the reckoning came: the cherry orchard was sold and cut down. As you know, it is necessary to manage money correctly, otherwise you can lose everything to the last penny.

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  • "Why is it necessary to analyze the mistakes of the past?"

    “Man learns from mistakes” - I think this proverb is familiar to everyone. But few of us have thought about how much content and how much life wisdom is in this proverb? After all, this is really very true. Unfortunately, we are designed in such a way that until we see everything ourselves, until we find ourselves in a difficult situation, we will almost never draw the right conclusions for ourselves. Therefore, when making a mistake, you need to draw conclusions for yourself, but you can’t be wrong in everything, so you need to pay attention to the mistakes of others and draw conclusions based on their mistakes. Experience and mistakes are present in many works, I will take two works, the first is Anton Chekhov’s “The Cherry Orchard”.
    The cherry orchard is a symbol noble Russia. Final scene when the sound of the ax “sounds” symbolizes the collapse of the nobles’ nests, the departure of Russia’s nobles. For Ranevskaya, the sound of the ax is like the finale of her whole life, since this garden was dear to her, it was her life. But the cherry orchard is also a beautiful creation of nature that people should preserve, but they could not do this. The garden is the experience of previous generations and Lopakhin destroyed it, for which he will have to pay back. The image of a cherry orchard involuntarily connects the past with the present.
    Antonov Apples is a work by Bunin, in which the story is similar to that of Chekhov. The cherry orchard and the sound of an ax in Chekhov, and Antonov’s apples and the smell of apples in Bunin. The author with this work wanted to tell us about the need to connect times and generations, to preserve the memory of a bygone culture. All the beauty of the work is replaced by greed and thirst for profit.
    These two works are very similar in content, but at the same time very different. And if in our lives we learn to correctly use works, proverbs, and folk wisdom. Then we will learn not only from our own, but also from other people’s mistakes, but at the same time we will live with our own mind, and not rely on the mind of others, everything in our life will be better, and we will easily overcome all life’s obstacles.

    This is a rewritten essay.

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    ANASTASIA KALMUTSKAYA! PART 1.
    An essay on the topic “Why is it necessary to analyze the mistakes of the past?”
    Mistakes are an integral part of the life of any person. No matter how prudent, attentive, and painstaking he may be, everyone makes various mistakes. This could range from an accidentally broken mug to a misspoken word at a very important meeting. It would seem, why does such a thing as an “error” exist? It only brings people trouble and makes them feel stupid and uncomfortable. But! mistakes teach us. They teach life, they teach who to be and how to act, they teach everything. Another thing is how each person individually perceives these lessons...
    So, what about me? You can learn from mistakes both from your own experience and from watching other people. I think it is important to be able to combine both the experience of your life and the experience of observing others, because there are a great many people in the world, and judging only by your actions is very stupid. Another person could have acted completely differently, right? Therefore, I try to look at different situations from different angles, so that from these mistakes I gain a diverse experience.
    In fact, there is another way to gain experience based on mistakes made. Literature. Eternal teacher of Man. Books convey the knowledge and experience of their authors through tens and even centuries, so that we, yes, we, each of us, go through that experience in a couple of hours of reading, while the writer gained it throughout his entire life. Why? And so that in the future people do not repeat the mistakes of the past, so that people finally begin to learn and not forget this knowledge.
    To better reveal the meaning of these words, let us turn to our Teacher.
    The first work that I would like to take is Anton Pavlovich Chekhov’s play “The Cherry Orchard”. Here all the events unfold around and about the Ranevskys’ cherry orchard. This cherry orchard is a family treasure, a storehouse of memories from childhood, youth and now adult life, a treasury of memory, experience of past years. What will a different attitude towards this garden lead to?..

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  • ANASTASIA KALMUTSKAYA! PART 2.
    If, as a rule, works of art We more often encounter two conflicting generations or a break in one on “two fronts,” but in this case the reader observes as many as three completely different generations. The representative of the first is Ranevskaya Lyubov Andreevna. She is a noblewoman of a bygone landowner era; by nature she is incredibly kind, merciful, but no less noble, but very wasteful, a little stupid and completely frivolous in relation to pressing problems. She represents the past. Second - Lopakhin Ermolai Alekseevich. He is very active, energetic, hard-working and enterprising, but also understanding and sincere. He represents the present. And third - Anya Ranevskaya and Pyotr Sergeevich Trofimov. These young people are dreamy, sincere, look into the future with optimism and hope and think about pressing matters, while... they do absolutely nothing to implement anything. They represent the future. A future that has no future.
    Just as the ideals of these people are different, so is their attitude towards the garden. For Ranevskaya, no matter what, it is the same cherry orchard, a garden planted for the sake of cherries, a beautiful tree that blooms unforgettably and beautifully, which is written about above. For Trofimov, this garden is already cherry, that is, it is planted for cherries, berries, for their collection and, probably, further sale, a garden for money, a garden for material wealth. As for Anya and Petya... The garden means nothing to them. They, especially the “eternal student,” can endlessly talk beautifully about the purpose of the garden, its fate, its meaning... but they don’t really care whether anything happens to the garden or not, they just want to leave here as soon as possible. After all, “all of Russia is our garden,” right? You can just leave every time, when the new place gets boring or is on the verge of destruction, the fate of the garden is completely indifferent to the future...
    The garden is a memory, the experience of past years. The past is valuable to them. The present is trying to be used for the sake of money or, to be more precise, destroyed. But the future doesn't care.

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  • ANASTASIA KALMUTSKAYA! PART 3.
    At the end, the cherry orchard is cut down. The sound of an ax is heard like thunder... Thus, the reader concludes that memory is an irreplaceable wealth, the apple of the eye, without which emptiness awaits a person, country, and world.
    I would also like to consider “Antonov Apples” by Ivan Alekseevich Bunin. This story is a story of images. Images of the Motherland, Fatherland, peasant and landowner life, between which there was almost no particular difference, images of wealth, spiritual and material, images of love and nature. The story is filled with warm and vivid memories of the main character, the memory of a happy peasant life! But we know from history courses that for the most part the peasants did not live in the most in the best possible way, but it is here, precisely in “Antonov apples” that I see real Russia. Happy, rich, hard-working, cheerful, bright and juicy, like a fresh, beautiful yellow apple. Only now... the story ends on very sad notes and a sad song of local men... After all, these images are just a memory, and it is far from a fact that the present is just as sincere, pure and bright. But what could happen to the present?.. Why is life not as joyful as it was before?.. This story at the end carries understatement and some sadness for what has already passed. But it is very important to remember this. It is very important to know and believe that not only the past can be beautiful, but that we ourselves can change the present for the better.
    So, we come to the conclusion that it is necessary and important to remember the past, remember the mistakes made, so as not to repeat them in the future and present. But... do people really know how to learn from their mistakes? Yes, it is necessary, but are people really capable of it? This is the question I asked myself after reading classical literature. Why? Because works written in the 19th-20th centuries reflect the problems of that time: immorality, greed, stupidity, selfishness, depreciation of love, laziness and many other vices, but the point is that after a hundred, two hundred, three hundred years... nothing has changed. The same problems confront society, people still succumb to the same sins, everything remains at the same level.
    So, is humanity really capable of learning from its mistakes?..

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  • Essay on the topic
    “Why is it necessary to analyze the mistakes of the past?”

    I would like to start my essay with a quote from Lawrence Peter: “To avoid mistakes you need to gain experience, to gain experience you need to make mistakes.” You can't live life without making mistakes. Each person lives life differently. All people have different characters, a certain upbringing, different education, different living conditions, and sometimes what seems like a big mistake to one, is quite normal for another. That is why everyone learns from their own mistakes. It’s bad when you do something without thinking, relying only on the feelings overwhelming you at the moment. In such situations, you often make mistakes that you will later regret.
    Of course, you must listen to the advice of adults, read books, analyze your actions literary heroes, draw conclusions and try to learn from the mistakes of others, but alas, they learn most convincingly and most painfully from their own mistakes. It’s good if something can be corrected, but sometimes our actions lead to serious, irreversible consequences. No matter what happens to me, I try to think through it, weigh the pros and cons, and then just make decisions. There is a saying: “He who does nothing makes no mistakes.” I don't agree with this, because idleness is already a mistake. To confirm my words, I would like to turn to the work of A.P. Chekhov “The Cherry Orchard”. Ranevskaya’s behavior seems strange to me: what is so dear to her is dying. “I love this house, I don’t understand my life without the cherry orchard, and if you really have to sell, then sell me along with the garden...” But instead of doing something to save the estate, she indulges in sentimental memories and drinks coffee , gives away his last money to crooks, cries, but doesn’t want and can’t do anything.
    The second work to which I want to turn is the story of I.A. Bunin "Antonov apples". After reading it, I felt how the author was sad about the old times. He really enjoyed visiting the village in the fall. With what delight he describes everything he sees around him. The author notices the beauty of the world around us, and we, the readers, learn from his example to appreciate and protect nature, to cherish simple human communication.
    What conclusion can be drawn from all of the above? We all make mistakes in life. A thinking person, as a rule, learns not to repeat his mistakes, but a fool will step on the same rake over and over again. As we go through life's challenges, we become smarter, more experienced, and grow as individuals.

    Silin Evgeniy 11 “B” class

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    Zamyatina Anastasia! Part 1!
    "Experience and mistakes." Why is it necessary to analyze the mistakes of the past?
    Each of us makes mistakes. I... often make mistakes without regretting them, without reproaching myself, without crying into my pillow, although sometimes I feel sad. When you lie down at night, sleepless, look at the ceiling and remember everything that was once done. At such moments you think how good everything would be if I had acted differently, without making these stupid, thoughtless mistakes. But you can’t get anything back, you get what you got - and this is called experience.


    The tragic end of the girl was destined at the beginning, because the author began the work from the end, showing Olino a place in the cemetery. The girl involuntarily lost her virginity with her father’s friend, the brother of the head of the gymnasium, a 56-year-old man. And now she had no other choice but to die... With ordinary ease, she framed the Cossack, plebeian-looking officer, forcing him to shoot her.

    He who has never made a mistake has never lived. Through the prism of time, most writers through their works try to teach the reader to think deeper, analyze the text and what is hidden under it. All this in order to avoid similar situations and gain life experience without passing it through your own life. The writers seem to foresee that little will change over time: the problems of the past will remain similar to the present. What mistakes are hidden in some works?
    The first work I would like to start with is the play by A.P. Chekhov's "The Cherry Orchard". You can find quite a few different problems in it, but I’ll focus on two: breaking the connection between a generation and a person’s life path. The image of a cherry orchard symbolizes the noble era. You cannot cut down the roots of a still blooming and beautiful garden, for this there will certainly be retribution - for unconsciousness and betrayal of your ancestors. A garden is a tiny subject of memory of the life of a past generation. You may think: “I’ve found something to be upset about. This garden has surrendered to you,” etc. What would happen if instead of this garden they razed a city, a village to the ground?? According to the author, cutting down the cherry orchard means the collapse of the homeland of the nobles. For the main character of the play, Lyubov Andreevna Ranevskaya, this garden was not only a garden of beauty, but also memories: childhood, home, youth.
    The second problem of this work is the life path of a person. Heroes like Lyubov Andreevna have a pure and bright soul, generosity and mercy... Lyubov Andreevna had wealth, a family, a happy life, and a cherry orchard... But at one moment she lost everything. The husband died, the son drowned, two daughters remained. She fell in love with a man with whom she was clearly unhappy, because knowing that he used her, she would return to him in France again: “And what is there to hide or remain silent about, I love him, that’s clear. I love, I love... This is a stone on my neck, I’m going to the bottom with it, but I love this stone and I can’t live without it...” Also, she carelessly squandered all her fortune, “she had nothing left, nothing. .”, “Yesterday there was a lot of money, but today there is very little. My poor Varya, to save money, feeds everyone milk soup, and I spend it so senselessly...” Her mistake was that she did not know how, and did not have the desire, to solve pressing problems. She couldn't stop spending, didn't know how to manage money, didn't know how to EARN it. The garden needed care, but there was no money for it, as a result of which the reckoning came: the cherry orchard was sold and cut down. As you know, it is necessary to manage money correctly, otherwise you can lose everything to the last penny.

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    After analyzing this story, we can change our attitude towards loved ones, preserve the memory of a passing and already departed culture. (“Antonov apples”) Therefore, it has become a tradition that the samovar is a symbol of the hearth and family comfort.
    “this garden was not only a garden of beauty, but also memories: childhood, home, youth” “The Cherry Orchard”). I quoted from your essay, from the arguments. So maybe this is where the problem lies? The question is WHY in the topic!!! Well, formulate the problem and draw a conclusion!!! Or will you order me to redo it for you??? Read the recommendations to Nosikov S., who also completed the work, but did it mobile, and took the essay seriously. I get the impression that you are doing everything in a hurry. as if you don’t have time to deal with all sorts of nonsense like writing an essay... there are more important things to do... in that case, you’ll fail and... that’s it...

    In fact, all people make mistakes, there are no exceptions. After all, each of us at least once failed some test at school because he decided that he would succeed without starting to prepare, or he offended the person most dear to him at that time, with whom communication grew into a huge quarrel, and thereby saying goodbye to him forever.
    Errors can be trivial and large-scale, one-time and permanent, age-old and temporary. What mistakes have you made and from which have you learned invaluable experience? Which ones have you become familiar with in the present tense and which ones have carried over to you through the centuries? A person learns not only from his own mistakes, but also from those of others, and in many problems a person finds the answer in books. Namely, in classical, for the most part, literature.
    Anton Pavlovich Chekhov's play “The Cherry Orchard” shows us Russian lordly life. The characters in the play are especially interesting to the reader. All of them are connected with the cherry orchard growing near the house and each of them has their own vision. For each of the heroes this garden is something different. For example, Lopakhin saw this garden only as a means of extracting material profit, not seeing anything “light and beautiful” in it, unlike the other heroine. Ranevskaya... for her this garden was something more than just cherry bushes from which she could make a profit. No, this garden is her entire childhood, her entire past, all her mistakes and all her best memories. She loved this garden, loved the berries that grew there, and loved all her mistakes and memories that were lived with it. At the end of the play, the garden is cut down, “the sound of an ax is heard like thunder...”, and Ranevskaya’s entire past disappears with it...
    In contrast to Ole, the author showed the head of the gymnasium where the main character studied. A boring, gray, young-looking lady with silver hair. All that happened in her long life was just knitting at her beautiful table in the beautiful office that Olya liked so much.
    The tragic end of the girl was destined at the beginning, because the author began the work from the end, showing Olino a place in the cemetery. The girl involuntarily lost her virginity with her father’s friend, the brother of the head of the gymnasium, a 56-year-old man. And now she had no other choice but to die... She framed a Cossack, plebeian-looking officer, and he, in turn, shot her in a crowded place, without thinking about the consequences (it was all emotional).
    This story is a warning story for each of us. He shows what not to do and what not to do. After all, there are mistakes in this world, for which, alas, you have to pay with your whole life.
    In conclusion, I would like to say that I, yes, me too, make mistakes. And you, all of you, do them too. Without all these mistakes there is no life. Our mistakes are our experience, our wisdom, our knowledge and LIFE. Is it worth analyzing the mistakes of the past? I'm sure it's worth it! Having read, identified errors (and, most importantly, analyzed) from the works of literature and the lives of other people, we ourselves will not allow this and will not experience everything that they experienced.
    He who has never made a mistake has never lived. The first work I would like to start with is the play by A.P. Chekhov's "The Cherry Orchard". You can find quite a few different problems in it, but I’ll focus on two: breaking the connection between a generation and a person’s life path. The image of a cherry orchard symbolizes the noble era. You cannot cut down the roots of a still blooming and beautiful garden, for this there will certainly be retribution - for unconsciousness and betrayal of your ancestors. A garden is a tiny subject of memory of the life of a past generation. You may think: “I’ve found something to be upset about. This garden has surrendered to you,” etc. What would happen if instead of this garden they razed a city, a village to the ground?? And for the main character of the play, Lyubov Andreevna Ranevskaya, this garden was not only a garden of beauty, but also memories: childhood, home, youth. According to the author, cutting down the cherry orchard means the collapse of the homeland of the nobles - a passing culture.

    Answer Delete
  • conclusion
    Through the prism of time, most writers through their works try to teach the reader to avoid similar situations and gain life experience without passing it through their own life. The writers seem to foresee that little will change over time: the problems of the past will remain similar to the present. We learn not only from our mistakes, but also from the mistakes of other people, of another generation. It is necessary to analyze the past in order not to forget one’s homeland, the memory of a passing culture, and to avoid generational conflicts. It is necessary to analyze the past in order to follow the right path in life, trying not to step on the same rake.

    Many successful people once made mistakes, and it seems to me that if it weren’t for these same mistakes, they would not have been successful. As Steve Jobs said, “There is no such thing as a successful person who has never stumbled or made a mistake. There are only successful people who made mistakes and then changed their plans based on those same mistakes.” Each of us made mistakes and received a life lesson, from which each of us learned life experience for ourselves by analyzing the mistakes we made.
    Many writers who touched on this topic, fortunately, deeply revealed it and tried to convey their life experience to us. For example, in the play by A.P. Chekhov's "The Cherry Orchard", the author is trying to convey to the current generation that we are obliged to preserve the monuments of past years. After all, it is in them that the history of our state, people and generation is reflected. Keeping historical monuments, we show our love for our Motherland. They help us maintain contact with our ancestors through time.
    Main character Ranevskaya's plays tried with all her might to preserve the cherry orchard. For her it was more than just a garden; first of all, it was the memory of her family nest, the memory of her family. The main mistake of the heroes of this work is the destruction of the garden. After reading this play, I realized how important memory is.
    I.A. Bunin “Antonov apples”. “Treasured alleys of noble nests,” these words of Turgenev perfectly reflect the content of this work. The author recreates the world of a Russian estate. He is sad about the times gone by. Bunin conveys his feelings so realistically and intimately through sounds and smells. “The fragrant smell of straw, fallen leaves, mushroom dampness.” and of course the smell of Antonov apples, which become a symbol of Russian landowners. Everything was fine: contentment, homeliness, well-being. Estates were built reliably, landowners hunted in velvet pants, people wore clean white shirts, even the old people were “tall, big, white as a harrier.” But all this goes away over time, ruin comes, everything is no longer so wonderful. All that remains from the old world is the subtle smell of Antonov apples... Bunin is trying to convey to us that we need to maintain connections between times and generations, preserve the memory and culture of the old time, and also love our country as much as he does.
    Each person passing through life path, makes certain mistakes. It is human nature to make mistakes as soon as through miscalculations and mistakes he gains experience and becomes wiser.
    So in the work of B. Vasiliev “And the dawns here are quiet.” Far from the front line, Sergeant Major Vaskov and five girls distract the German landing force until help arrives to preserve an important transport artery. They complete the task with honor. But having no military experience, they all die. The death of each of the girls is perceived as an irreparable mistake! Sergeant Major Vaskov, fighting, gaining military and life experience, understands what a monstrous injustice this is, the death of the girls: “Why is this so? After all, they don’t need to die, but give birth to children, because they are mothers!” And every detail in the story, starting with the wonderful landscapes, descriptions of the route, forests, roads, suggests that lessons must be learned from this experience so that the sacrifices are not in vain. These five girls and their foreman stand as an invisible monument, standing in the middle of the Russian land, as if poured out of thousands similar destinies, exploits, pain and strength of the Russian people, reminding us that starting a war is a tragic mistake, and the experience of the defenders is priceless.
    The main character of A. Bunin’s story, “the gentleman from San Francisco,” worked all his life, saved money, and increased his fortune. And so he achieved what he dreamed of and decided to rest. “Until this time, he did not live, but only existed, although very well, but still pinning all his hopes on the future.” But it turned out that life had already been lived, that he only had a few minutes left. The gentleman thought that he was just beginning his life, but it turned out that he had already finished it. The gentleman himself, having died in the hotel, of course, did not understand that his entire path was false, that his goals were erroneous. And the whole world around him is false. There is no true respect for others, no close relationship with his wife and daughter - all this is a myth, the result of the fact that he has money. But now he is floating below, in a tarred soda box, in the hold, and everyone above is also having fun. The author wants to show that such a path awaits everyone if he does not realize his mistakes and does not understand that he serves money and wealth.
    Thus, life without mistakes is impossible; the more mistakes we realize and try to correct, the more wisdom and life experience we accumulate.

    Answer Delete
  • The theme of love in Russian literature is covered comprehensively. The theme of love between a simple peasant woman and a gentleman was no exception. I. A. Bunin did not bypass her.

    In his work “Dark Alleys,” he wrote about the love of a simple serf peasant woman, Nadenka, and a young master, Nikolai Alekseevich. Nadezhda was in love with the master in her youth and carried the memory of this love throughout her life; for this reason she was unable to have a family and children. The master got married at one time and raised a son, but it didn’t work for him, as he himself admits when they meet. Unexpectedly meeting many years later at the inn kept by Nadezhda, Nikolai Alekseevich was amazed by the discovery that all these years she loved only him, remembered his offense and could not forgive. Ashamed of having ruined the girl’s life, and realizing, on the other hand, that the purest and strongest feeling in his life had passed by, he nevertheless realizes that he would not have acted differently, married Nadenka in his youth and made her face of her mansion in St. Petersburg - this very thought seems absurd to the master. Finding the situation ordinary and vulgar, he leaves the inn, as if trying to escape from his thoughts and remorse.

    Nadezhda was very excited by the unexpected meeting, delicately admitting to Nikolai Alekseevich that all these years she had been thinking about him and could not love anyone else. In a few remarks, Nadya was able to tell the lover of her youth that she gave all her feelings to him, could not forgive and forget, and still feels resentful for what happened, but also understands that he would not have acted differently.

    In my essay, I wanted to convey the idea that, perhaps, like this, without noticing, casually, breaking the life of another, a person passes by real feelings, not realizing that all love is great happiness. Even today, due to social foundations - the differences are too great - people in love cannot always unite, start a family, but the very opportunity to experience love is already a great happiness, since it makes a person experience the whole gamut of possible feelings - from excitement and worries to enthusiastic euphoria.

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    Composition

    Bunin’s bitter experience is poured into words that sound like the refrain and conclusion of “Cursed Days”: “The Russian man is disgraced” - and - even more desperately and more globally - “the man is disgusted”: “The man is disgusted! Life made him feel so keenly, look at him so keenly and carefully, his soul, his vile body. What our former eyes - how little they saw, even mine!

    “The holiest of titles,” the title..man,” “has been disgraced as never before. The Russian man is also disgraced.”

    “Former eyes,” as Bunin admitted, as it turned out, saw little, even now, in the era of world cataclysms of the 20th century. the writer was required to have a different vision, increased in vigilance and wisdom.

    From 1920, life began for Bunin on “other shores,” in France, where he lived until the end of his days, in Paris and Grasse. near Nice. In the 20s, he continued to write stories, gradually acquiring a truly new artistic vision in some ways. During this decade he published collections of short stories: “The Rose of Jericho” (Berlin, 1924). “Mitya’s Love” (Paris, 1925). “Sunstroke” (Paris, 1927), “Shadow of a Bird” (Paris, 1931), “God’s Tree” (Paris, 1931) and the final collection of poems “Selected Poems” (Paris, 1929). In 1927-1933, Bunin worked on the novel “The Life of Arsenyev” (the first part was published in Paris in 1930, the first complete edition in New York in 1952), which was awarded in 1933. Nobel Prize.

    During these years, Bunin's talent as an incomparable stylist manifested itself in all its brilliance, his artistic principles were improved: pictorial relief of detail, compactness of narration, concreteness and sensuality in revealing eternal, existential themes - love, nature, death, in highlighting the problem of overcoming time; The category of memory is established as the highest value-aesthetic authority.

    Bunin's artistic consciousness more and more clearly reveals features that distinguish it from realism. This is no longer so much a “reflective” as a transformative function of memory, which selects only what is “worthy” of it, according to Bunin, erases the boundaries of time and space, and rejects as superficial cause-and-effect relationships that control the plot of a realistic work.

    Bunin himself refused to admit that he was a realist. In a letter to L. Rzhevsky, he wrote: “To call me a realist means not to know me as an artist. “The “realist” Bunin accepts very, very much in genuine symbolic world literature.”

    The common features of Bunin’s creativity with Russian symbolism, which emerged at the beginning of the century, were reflected in the search for a synthesis of prose and poetry, in the tragic concept of human passion, love, in the recognition of the incomprehensibility of being, in the antinomy of Bunin’s stylistic thinking, in the significance of “infinity” in his works, in the presence of a starry, “cosmic” flavor in them. Therefore, one can rightfully talk about Bunin’s closeness to “realistic symbolism”, like Yu. Maltsev.

    The title symbol, which as an epigraph could be used to preface Bunin’s work of the 1920s, and indeed his entire emigrant period, is the symbol of the Rose of Jericho (it is no coincidence that the first foreign collection of his stories is so named), the image of a wild, dry desert plant, capable of According to legend, after lying there for years, it will then blossom in the water and bloom “pink” - “a symbol of resurrection.” This is how Bunin himself resurrects the past - his faded youth, images of his native Russian nature, Russia, “all its charm”. “Into the living water of the heart, into the pure moisture of love, sadness and tenderness, I immerse the roots and stems of my past - and here again, again my cherished grain vegetates wonderfully,” he wrote in the story “The Rose of Jericho.”

    In our domestic literary criticism, the opinion is firmly established that one of Bunin’s fundamental artistic principles is the depiction of the drama of everyday life, which brings him closer to the realist Chekhov. However, it is difficult to agree with this: Bunin and Chekhov are rather opposite here.

    Indeed. Bunin makes the focus of his works precisely those special, rare moments of human life (a flash of love, misfortune, catastrophe, death), when in the hero’s mind there is an explosion of everyday life, a “sunstroke”, a break in the habitual and he is born with a “second” vision, he discovers all the beauty of the world and his “full presence” in it. thereby realizing one’s human destiny, one’s non-alibi in being (M. Bakhtin’s expression).

    Let's see how this happens in the story "Mitya's Love" (1925). The story is based on a tragic plot - love that became the cause of death: the hero, deceived in his feelings, shoots himself in the finale. Love and death are a theme that has unusually attracted Russian poets and prose writers. silver age", from the literary bosom of which Bunin emerged. The author of “Mitya’s Love” is united by the tragic interpretation of love with the literature of that time, especially with symbolist poetry, and is distinguished, first of all, by a greater artistic organicity in the embodiment of the tragedy of passion than many symbolists.

    “What does it even mean to love?” - this question asked on behalf of young hero, in fact, is the main mystery of the story. “It was all the more impossible to answer this anyway. what Mitya heard about love. neither of those things. that I read about her. there was not a single word that accurately defined her. In books and in life, everyone seemed to have agreed once and for all to talk either only about some almost ethereal love, or only about that. what is called passion, sensuality. His love was unlike either one or the other.”

    Love as depicted by Bunin is a unique state of a person, when a feeling of personal integrity, harmony between the sensual and spiritual, body and soul, beauty and goodness arises in him. But, having experienced the fullness of being in love, a person now places increased demands and expectations on life, which everyday life cannot answer, hence the high probability of a catastrophe overtaking the hero.

    Love is an elemental force. connecting man not only with “material”, earthly nature, with the “flesh” of the world. but also with his “soul”:

    “Now there was Katya in the world, there was a soul that embodied this world in itself and triumphed over it all...” Note that the image of “a soul that embodied the world in itself” slightly resembles the Soul of the world in the symbolist, Solovyov context, but already in a different – ​​completely concrete – artistic content.

    The transformative magic of love in Bunin’s depiction is equivalent to that possessed by death. This is given in the story by comparing Mitya’s memories of his father’s death, when he first felt “death in the world,” and “everything was transformed as if by the proximity of the end of the world, and the beauty of spring, its eternal youth, became pitiful and sad!” - and his present a state of falling in love, when “the world was again transformed, again filled as if with something extraneous, but not hostile, not terrible, but on the contrary, wonderfully merging with the joy and youth of spring.”

    The plot of the story seems completely artless. This is a plot of waiting - waiting for a letter, a meeting, hope for a resolution of the tension, for happiness, which ultimately betrayed the hero. Mitya’s psychological state, his ever-increasing mental tension are conveyed in the work through images of what is happening, as if not inside him, but outside. The movement of the story is created by a series of paintings in which the beauty of the world becomes brighter and more seductive. But the point is. that these are not only external pictures, but acts of the hero’s internal, spiritual energy directed at the world around him. Overtaken " sunstroke“love, which tears off the shell of the familiar from things, the hero begins to perceive everything around differently, re-embraces it. creates the world in its pristine beauty, revealing true values ​​in his mind.

    “During this wonderful time, Mitya joyfully and intently watched all the spring changes taking place around him. But Katya not only did not retreat, did not get lost among them, but on the contrary, she participated in them all and gave herself to everything, her beauty, blossoming along with the blossoming of spring, with this ever more luxurious whitening garden and ever darker blue sky.”

    “And all this - the huge and lush top of the maple, the light green ridge of the alley, the wedding whiteness of apple, pear, bird cherry trees, the sun, the blue of the sky and everything that grew in the bottom of the garden, in the ravine, along the side alleys and paths and above the foundation of the southern wall at home - everything amazed with its density, freshness and novelty.”

    “And all this mixed with the blooming garden and Katya; the languid clatter of nightingales far and near, the incessant voluptuous and drowsy buzz of countless bees, the honey-like warm air and even the simple feeling of the earth under one’s back tormented and tormented with a thirst for some kind of superhuman happiness.”

    In these paintings, the images of the “wedding whiteness of apple trees”, “languid clattering of nightingales”, “freshness”, “newness” of the spring world, which are revealed to the hero’s gaze, are undoubtedly inspired by the joyful expectations and associations that overwhelm him.

    The pinnacle of this series of paintings, “unspeakably beautiful world“, with summer radiance, sunny colors and pungent smells, all sensual charm, coincides with the moment of extreme tension and “exhaustion” of the hero (there is no letter, finally it comes with the news that Katya is leaving him forever). As a premonition of an inevitable catastrophe, notes of a certain dissonance intersperse into the narrative, which begin to sound more and more clearly in the story as it approaches the finale. The feeling of unity and agreement of the hero with the whole world collapses. Mitya’s condition is now subject to some kind of perverse dependence: the better, the worse (“The happiness” of the world now “suppressed” him. Because “something most necessary was missing,” “... the better it was, the more painful it was for him.” ).

    The painful antinomy of human feelings finds its expression in oxymoronic images: “love horror”, a mixture of “angelic purity and depravity”, “shamelessness of the purest innocence”, etc. The culmination of the drama is the hero’s attempt to free himself from the love “obsession”, an attempt to “replace ” in the hope that the wedge will be knocked out by the wedge (episode with Alenka). But the attempt is doomed to failure: a casual carnal relationship strikes with disappointment. Love triumphs in its irreplaceability, its uniqueness. The hero’s catastrophe is now inevitable: the world in his eyes is becoming “unnatural.” “What was most intolerable and terrible was the monstrous unnaturalness of human intercourse...”

    The unbearable and hopeless pain of the young hero, motivating the tragic ending of the story, pushes him towards a different, final “liberation”. The final picture was written by the author with amazing convincingness of the embodied paradox - joyful death: “She, this pain, was so strong, so unbearable that, without thinking. what he does, not realizing what will come out of all this, passionately wanting only one thing - to get rid of her at least for a minute and not end up again in that terrible world where he spent the whole day and where he had just been in the most terrible and disgusting of all earthly dreams. he fumbled and pushed aside the drawer of the night table, caught the cold and heavy lump of the revolver and, sighing deeply and joyfully, opened his mouth and fired with force, with pleasure.”

    Other works on this work

    “Unforgettable” in the cycle of stories by I. A. Bunin “Dark Alleys” “Dark Alleys” (writing history) Analysis of I. A. Bunin’s story “Chapel” (From the cycle “Dark Alleys”)